Appreciation of Xie's photographic works

With the changes in the field of portrait photography, shooting methods and performance pursuit, the problems of truth and illusion in portrait photography are constantly changing. The following is a photo of Xie I brought, I hope you like it!

Xie photography:

Xie Photography 1

Photo 2 of Xie's photographic works

Photo 3 of Xie's photographic works

Photo 4 of Xie's photographic works

Photo 5 of Xie's photographic works

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Photographic composition skills

1, the difference between horizontal composition and vertical composition

Horizontal composition is the most natural and commonly used form of composition. In the horizontal composition framework, emphasizing the horizontal line makes the picture have an inherent stability, which can highlight the horizontal connection between things, the horizontal arrangement of things and the horizontal movement of moving bodies, such as the wide horizon, the calm sea and the communication between people. Horizontal grid composition is also conducive to expressing the rhythm of ups and downs. If the cross frame is widened, the modeling force of the cross line will be strengthened. Vertical composition is also a common form of painting, which is conducive to the performance of scenery with obvious vertical characteristics, and often appears tall and solemn. In the vertical composition frame, you can watch the line of sight up and down, and you can connect the contents of the upper and lower parts of the picture. Vertical composition is also beneficial to express things that are far away. Often combined with the perspective of overlooking shooting, it shows the extension of things on a plane, highlighting the far and near levels. If the vertical composition frame is lengthened, the strength of the picture can be enhanced.

When taking photos of different scenes, different themes and different contents, we choose to use appropriate composition to create. Different compositions can obtain different image effects, so we should learn to use the horizontal and vertical composition of the camera flexibly to create and shoot.

The photos taken by vertical composition can express the urgency and tension, and the banner picture can meet the requirements of broadening human horizons.

2. Open composition

Open composition is another way of composition. Does the photographer regard the border of the picture as? The window? When you open the window again, connect the inside and outside of the picture into a whole to think, as if everything inside and outside the picture is flowing.

Under the control of this open mind, photographers pay attention to strengthening the impact outside the picture and emphasizing the connection inside and outside the picture when arranging the image elements in the picture. Its manifestations mainly include the following aspects:

First, the sight and behavior of the characters in the picture are often outside the picture, suggesting that there is an echo and connection with something outside the picture.

Second, it does not pay attention to the balance and rigor of the picture, does not require the image elements in the picture to complete the expression of the content, and even deliberately excludes some other elements that can fully explain the content of the picture, so that the audience can gain more imagination.

Thirdly, an incomplete image is intentionally cut around the picture, especially in the close-up and close-up parts, and bold and unusual conventional corner cutting processing is carried out, and the cut part naturally leaves suspense.

Open composition does not pay attention to the rigor and balance of the picture, but emphasizes the impact of the picture, giving the viewer more imagination space.

skill

Open composition, with its openness and incompleteness, greatly expands the vision of photography to express life characteristics, and also lays a real foundation for the creation of documentary photography.

3, the choice of partners

Accompanying body is the object that sets off and renders the subject in the picture, and forms a specific plot with the subject. It is the most closely related and direct secondary object in the picture. The cooperation between the subject and the subject can explain the content of the picture, help the audience understand the theme of the picture correctly and prevent misunderstanding or ambiguity. The foil can set off and set off the subject, and can play the role of explaining, limiting and explaining the subject. Accompanying body can also play a role in highlighting and deepening the theme of the picture. If there is no companion in the picture, the meaning of the picture will be more general, but with the companion, the theme of the picture will be deepened.

Can the stone companion at the bottom of the picture be incomplete by indirect treatment of the companion, or should the frame be regarded as? The window? Imagine the life outside the picture and the surrounding picture frame as a flowing and connected world. It can be imperfect in itself, but it can naturally make up for the missing part through association. In some pictures, the companion is treated in the foreground of the picture, so that it can be combined with the foreground to play a dual role, which can not only explain the relationship between the subject and the companion, but also enrich the tone level of the picture and balance the picture. The choice of companion in photographic composition should be appropriate, and it should be able to describe the character or explain the characteristics of events. The accompaniment in the picture is often incomplete, leaving only the part that can explain the problem. Too complete a partner will weaken the theme.

4. Choice of scenery.

Generally speaking, we are used to dividing the scene into five types according to the imaging size of the objects in the picture, that is, panoramic view, middle view, close-up view and close-up.