What is a parallel shot in a movie?

What is a parallel shot in a movie? Usually the camera doesn't say that, only the parallel montage. That's the lens language. Relationship shots include inside backhand and outside backhand. If there are more than two subjects in a shot, it matters. The inside backhand is a shot without another subject, and the outside backhand is a shot with another subject. For example, the over-the-shoulder shot is an outside backhand, and only one person's close-up in the conversation is an inside backhand.

What is a CG shot in a movie? As we can see, CG has now become an indispensable part of movies. Whether it's the beauty of the lens in which the feathers fall slowly in the credits, or in the vast scene where Chinese and Japanese planes run amok, the use of CG is the crowning touch. As we know, a CG movie in a broad sense refers to a movie that uses CG technology in a certain segment of the movie.

What is the frame of the film and television lens?

A shot often contains one or several different pictures, and each picture consists of many identical or different frames. The frame of the lens is a horizontal rectangle. The aspect ratio of ordinary screen movies is 1: 1.375, that of widescreen movies is 1: 2.35, and that of 70mm movies is 1: 2.2. Individual shots are shot by special methods such as occlusion, and special pictures such as circle, triangle, vertical row and multi-screen can be obtained. Picture is the premise of the lens picture, in which all the contents of the film are displayed.

Scene of the lens

Scene refers to the photos taken by the camera at different distances from the object or in different ranges with the zoom lens. Can be divided into the following categories: vision-representing distant people and a wide range of space environment; Panorama-show the whole body of the character and the surrounding environment; Mid shot-shows the part above the knee of the character; Close-up-shows the part above the chest of the character; Close-up-Show the details of people, objects or environment. There are also some names of other scenic spots used in film photography, such as "big view", "complete works", "small complete works", "whole person", "middle complete works", "half-length", "close-up" and "big close-up", which are more detailed divisions of the above five types of scenic spots. According to the special performance of film art, the lens is divided into different scenes according to the size and distance of the object and the priority of the content, so as to give appropriate performance, thus achieving the role of accurate narration and artistic description. Various landscapes are interdependent and inseparable, and have different functions at the same time. For example, vision and panorama can show the characters' movements, broad environment and their relationship as a whole, and have outstanding expressive power in showing mass scenes and sports scenes, showing the characters' behavior and spiritual momentum, and depicting the atmosphere and artistic conception. The content of close-up and close-up performance is single and concentrated, which can enlarge the object, not only reproduce and depict it clearly and carefully, but also play a prominent and emphasized role. Mid shot is good at expressing the communication and relationship between characters and between characters and environment, and occupies an important position in narrative content.

Lens angle

Refers to the angle between the camera and the object when shooting. Generally, it can be divided into supine position, supine position, prone position, positive position, lateral position and inversion. Can be used alone or in combination, and has various varieties. Angle is an important factor in the composition of the lens picture, which has rich artistic expression. If you shoot the lens upside down, the object looks tall and majestic; Looking down at the camera, the object looks short and empty; Frontal shooting, the picture is solemn and steady; Side shot, vivid composition.

Motion of lens

In the early stage of the development of film art, the lens was fixed. The widespread use of mobile phone photography is a matter of recent decades. The motion mode of the camera can be summarized as follows: translation-the center position is unchanged, and it translates in all directions; Push and pull-push or pull the subject to shoot with a moving car or photographer moving around; Stretch and shrink-take photos from far to near or from near to far by adjusting the zoom lens. The result of shooting is different from that of pushing and pulling the lens in perspective; Moving-not following an object fixedly, moving vertically and horizontally to shoot; Tracking and shooting one or several moving objects; Ascending and Descending-Shooting on the elevator in ascending or descending motion. Various methods can be used alone or in combination. The shots shot in these ways are called panning shots, following shots, lifting shots, etc. , and is always called a moving shot. The motion of the lens and the motion of the object are combined to form the movie scene scheduling. They make the picture more vivid and rich, enhance the visual sense of sports and help to form an expressive artistic rhythm and atmosphere.

Lens length

The normal speed of cameras and projectors in silent movies is one foot per second, which is 16 frames. A talking movie is 1.5 feet per second, or 24 frames. For special artistic effects, a single lens can increase or decrease the speed, commonly known as high-speed lens or degraded lens. The length of the focal plane depends on the content of the lens. Just a few frames, showing less than a second; It may be hundreds of feet long and show for a few minutes. A one-and-a-half-hour talking film usually consists of 400-800 shots of different lengths, with more shots in silent films and documentaries.

The sound of the camera

Sound is an organic part of the focal plane, which forms a picture image combining sound and painting together with the motion modeling on the picture. According to the requirements of content and artistic treatment, sound and picture can be aligned, which can be realistic or virtual, with various forms of expression.

Combination of lenses

Lens combination, also known as montage, is the basic composition method and unique expression means of movies. Assembly is divided into two parts: cutting and assembly. According to the requirements of the content, the development of the plot and the programs that the audience is concerned about, it selects various components of the shot, cuts the subject into shots, and then combines them logically and rhythmically to make them have the functions of coherence, contrast, association, contrast and suspense, and become a smooth and vivid film that the audience can understand, thus fully reflecting life and expressing ideological content.

Foundation of assembly and connection

The split and combination of shooting objects is based on human life logic and aesthetic principles. The combination of shots must follow people's habits and ways of understanding life and observing things, conform to people's thinking logic, and describe the content clearly, orderly and accurately, which is the basic requirement. The lens combination should also mobilize various means of expression, give full play to the specialty of film art, and describe the content vividly, profoundly, artistically and infectiously. This is a high standard requirement.

Assembly and connection function

The lens assembly has the artistic function of processing and reproducing content. ① Choice and trade-off. Through the use of scenery, angle and combination, the main and essential parts of the object are selected and highlighted, and redundant and tedious contents are discarded. You can select, promote and suppress content. ② Concentration and generalization. Through combination, some contents can be concentrated and strengthened, and they can be compared and summarized, giving each shot a meaning that it does not have when it exists alone. 3 attract the attention of the audience. The audience can only watch one picture at a time, and they can understand the contents one by one according to the order and logic of assembly, thus playing a role in guiding, standardizing the audience's attention and leading the audience's thoughts and emotions. ④ Time and space of film creation. Combination can create a space environment that is similar to but different from real life and does not exist in reality, and can jump in different spaces. Combination can also make the same, extended, shortened or even stagnant and repeated real time appear. ⑤ Form different artistic rhythms. Combination is an important factor in the formation of film rhythm. Generally speaking, the combination of short shots can create a tense and urgent rhythm, and the connection of long shots gives people a smooth and relaxed feeling. There are many ways for lens combination to form artistic rhythm, which has great potential.

Combinatorial technology

The basic techniques of lens assembly are as follows. (1) Keep the lens axis unified. Axis refers to the directionality of moving people, things and people's lenses and communication objects. The motion route of the photographed object and the relationship line between the objects are axes. Only by paying attention to the axis of lens assembly and unifying the axes of different lenses connected with each other can we maintain the integrity and correctness of the space on the screen. Off-axis shooting is allowed, but it must not cause confusion or mistakes in future screen space. (2) Select the appropriate lens editing point. In the connection between shots, we must pay attention to the accurate choice of tangent point, especially the continuous action shots of the same subject, and pay more attention to maintaining the consistency and coherence of action and position. In this way, the assembled screen image can be smooth and complete. ③ Pay attention to the connection and conversion of lenses. When assembling, methods such as cutting in and cutting out, blending in and fading out, blending in and fading out, blending in and fading out, circling in and circling out should be properly used. In addition, we can also use the method of "swing" to suddenly "swing" the lens to or away from the performance object, leaving the dynamic of "swing" to the audience. This combination has a strong sense of rhythm and movement.

Edit the classification of this shot.

1, constructive shot

As the name implies, the building lens is a wide-angle lens, through which the audience can know where this group of events took place. In the process of editing, the first shot is usually used. The audience is thus brought into narrative or action. This technique is usually used to indicate the conversion of series positions. For example, in the documentary "Huang Jing's Mom's Day", we can see that there is a big wide-angle lens to explain where the next story happened before the printing department switched to the autopsy department, so the audience had a directional expectation for the subsequent events, which was introduced into the narrative.

2. Main lens

(Main lens) It is a set of wide-angle lenses that record major and central events for a long time from the perspective of an objective observer. For example, in a large conference, we can see that the main shot is the speaker speaking on the stage. However, it will be monotonous for such a group of lenses to aim at an object for a long time, so the main lens will change the perspective intermittently, giving the audience a different perspective. At the same time, other pictures can be cut during the editing process to make up for the defects of the main shot itself. If the main shot is carefully planned, it can make up for the continuity of sound or picture.

3, lens switching

(Shot Transition) This is a way to construct a narrative by moving a single shot selected by an editor or director. It is usually related to the established style of the program. Nowadays, digital technology makes it very easy to make programs in this field. Straight cut: This is the most commonly used shot in film production, such as montage of city scenery, dialogue at dinner table and parallel events. As a dynamic narrative method, this is acceptable, but if it is not used properly in the film, it will cause a sense of suddenness. Gradient can be divided into fade-in and fade-out. Fading in means that the picture changes from black to color, and fading out means that the picture changes from color to black. According to the director's intention, time compression, scene change, etc., it can be fast shooting or slow shooting. Black is not the only color used. In feature films, we usually express fear, surprise and sadness by quickly changing the lens from color to white. Dissolution means that when one picture slowly disappears, another picture gradually appears at the same time. Can make the lens switch more gentle. Suddenly things become slow. In other words, when we are compressing time or moving places, we can connect and mix the shots. For example, it can be applied to the montage of many things, such as dances, musicals, fragments of dreams or from reality to memories.

Edit the classification of lens technology in this paragraph.

(1) Pull the lens.

Its function is to let the audience understand the relationship between people and the environment, region and the whole from point to point on the basis of seeing a key point clearly. Pulling the lens makes people feel very wide and stretched. For example, in the first shot of the feature film Bitter Flower, a close-up of a blooming bitter flower first appeared, and then a small hand reached into the picture to pick it, but the audience couldn't see the character clearly and didn't know it was the right hand. This is when the camera is turned on, and the audience sees Manzi sarcastically at Ai Hua happily. This shooting method is called pulling the lens.

(2) Follow the camera

As the name implies, the camera always follows the performance object in an action, so as to continuously and meticulously show his activities, or his ongoing actions and expressions.

(3) Shake the lens

This means that the camera is placed in a fixed position, looking around, translating the whole scene, or translating with the movement of the subject. Often used to introduce the environment or highlight the significance and purpose of people's actions.

(4) Push the lens

Refers to the position of the subject, just move the camera and push it into a close-up or close-up shot. The same lens content, slowly approaching, gives people a calm, stretched and subtle feeling. Rapid advancement will produce nervous, hasty and flustered effects. Pushing and patting can guide the audience to feel the inner activities of the role more deeply and strengthen the atmosphere.

(5) Subjective lens

The lens of the film is regarded as the eyes of the characters in the play to observe and express objective things, which can simulate feelings and render the atmosphere. Subjective shots are often used to express the mental state of characters under special circumstances, and also to reflect the hallucinations and imagination of characters, which often appear in movies. At the same time, it also played a prominent role in depicting characters' personalities. For example, at the beginning of the feature film Little Flower, there is a scene where a little flower looks for her brother's memory. It first used continuous shooting to draw out the floret of that year, and then returned to reality with the voice of calling my brother, which handled the nature smoothly and produced a strong artistic effect.

(6) Empty lens

This kind of lens, with a specific visual image (that is, a picture), shows a certain time and place, without people and language, only shows natural scenery and atmosphere scenes with certain implications. Such as mountains, water, sea, pine, flowers, white clouds, moon, birds and so on. It is an important means to make the film poetic, thus creating a profound artistic conception.

(7) Pitching lens

Pitch lens can be divided into overhead lens and overhead lens. In addition to a bird's eye view of the panorama, the camera overhead can also show a feeling of gloom and depression, which generally plays a derogatory role. The lens of looking up at the scenery plays an emotional role.

(8) Lift the lens

Lifting lens is generally used to shoot large scenes, which can change the lens perspective and picture space and contribute to the rendering of drama atmosphere and effect. For example, in the feature film "Red Flowers in the Mountain", when Aoyiguli got off the jeep and walked into the crowd that welcomed her, the photographer took pictures from a helicopter. This way of shooting renders the atmosphere and shows a vast space.

(9) Integrated lens

Comprehensive lens means that the lens moves in various ways. Sometimes, in order to make a movie show a certain plot more fully and prominently, push, pull, up, down, shake and move the lens are often used together in a focus plane. It creates different lens angles for the picture, such as front, side, back, down and so on, which can not only show the whole environment, but also show the close-up of a specific character and the relationship between the characters, making the film more expressive. Therefore, the focal plane can be used alone, or combined and interlaced. This kind of lens is also called a long lens.

(10) zoom lens

It means that the position of the camera remains unchanged. By changing the focal length of the zoom lens installed in the camera, the subject is accelerated or pushed away at a uniform speed without changing the distance from the camera, thus generating a certain rhythm. Getting Started Atlas More Atlas

Why are there goofs in movies and TV series? This is almost an inevitable problem, because the order of the shots we watch is not the same as the order of the shots actually taken. The short five-minute scene in the film may have been shot for three days. Actors have to take off makeup, eat and sleep the next day before they can go into battle, so the connection of costume props is a trivial and huge project. If you don't pay attention, there will be some inconsistencies.

Satisfied, please adopt.

What is a focal plane picture movie? It is a dynamic film formed by browsing one picture at a time.

The picture of focal plane is one of them.

What is a long shot in a movie? The long lens is the symmetry of the "short lens". Refers to a shot that takes up a long film in a period of time. It can contain more needed content, or it can be a montage sentence (different from a montage sentence composed of several short shots). There is no clear and uniform regulation on its length. Generally, it can be divided into four types: fixed long lens, zoom long lens, depth of field long lens and moving long lens. Among them, moving the long lens includes pushing, pulling, swinging, lifting and other actions of the camera. Because the long lens can unify all kinds of movements inside the lens, it is natural, smooth and varied, causing various angles and scenes for the picture. It can not only show the environment and highlight the characters, but also bring full freedom to the actors' performance, which is helpful to the coherence of the characters' emotions and make the important dramatic actions fully and hierarchically displayed. Long lens shooting has a strong sense of time and space because it will not destroy the temporal and spatial continuity of the occurrence and development of events.

What is the subjective shot of a movie? Subjective lens is another lens type besides objective lens in film and television dramas, and there are generally two kinds.

One is that the viewpoint of the camera directly replaces the shot with the viewpoint of a character in the play, so that the audience can witness or feel the development of the story from the perspective of the characters in the play, thus generating subjective feelings similar to those of the characters in the play, which is one of the powerful means for the director to introduce the audience into the plot.

Secondly, when the viewpoint of the lens shows people or things in the picture, it obviously shows the director's subjective evaluation view, which can produce a sense of alienation and force the audience to feel the development of the story from the director's evaluation angle. Usually obtained through abnormal sports photography, but often due to the direct intervention of the director, the audience has psychological conflicts in appreciation, so it needs to be used with special caution. In some films, subjective shots often use picture distortion, color change and focus change to highlight their subjectivity.

What is the lens of a movie? A movie is made up of shots that jump to each other. If you don't jump, it's a shot!

1 Long shot: The shot swims through multiple or large scenes, but does not jump and switch!

2 empty lens: a picture without people is generally called an empty lens!

3 Close-up: Generally speaking, people's faces are displayed on a big screen.

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On July 1 Day, what movie did Gaomi Cinema watch "Super Brain 48 Hours"?

Aspect: unknown

Type: thriller suspense action

Language: unknown

Region: USA

Duration: 1 13 minutes

Directed by Ariel froman

Actor: Ryan Reynolds Alice Yi