Traditional Culture Encyclopedia - Photography major - The occupation of shooting stills

The occupation of shooting stills

The occupation of shooting stills is audience sitting or stillman.

Still life photographers, also known as static photographers, are mainly responsible for taking photos taken by movie cameras, which are often called stills, and taking photos of behind-the-scenes work. In addition, we will also shoot posters, publicity photos, makeup photos, and photo props needed in movies according to the needs of producers and distributors.

As a stillist, you need to have professional photography skills and artistic sense. They need to master all kinds of photographic equipment, know how to take high-quality photos, and be able to capture key plots and relationships according to the requirements of the script and the director. In addition, stills need patience and meticulous working attitude, so as to constantly adjust the angle and light during shooting and ensure the quality and clarity of photos.

The method of taking good stills

Understand the script and characters: read the script carefully before shooting to understand the story and characters, so as to better capture the key plot and character relationship when shooting.

Choose the right equipment and settings: according to the shooting needs and scenes, choose the right shooting equipment and adjust the corresponding settings, including shutter speed, aperture, ISO, etc.

Capture emotions and details: Stills not only record the scene, but also capture the emotions of the characters and the details of the story. So we should always pay attention to the actors' performances and emotional changes, as well as the key events in the script.

Pay attention to light and composition: light and composition are the key to taking good photos. You should learn to use natural light and artificial light, adjust the intensity and angle of light, and pay attention to the composition and layout of the picture.

Work closely with team members: stillman needs to work closely with directors, producers and other production members to understand their needs and expectations and discuss the shooting scheme and effect together.