Traditional Culture Encyclopedia - Photography major - What is the best number of frames and seconds for time-lapse photography?

What is the best number of frames and seconds for time-lapse photography?

The interval is determined by the length of time required by the later users. One second is 25 frames. If the user needs 10 second, it is 250. It is better to take 25 more pictures before and after, and finally need 300 pictures. Then the sunrise and sunset process takes 10 minutes, so the interval is 2 seconds.

Shooting skills of time-lapse photography;

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2. In order to ensure the delicate picture quality, ISO can be set as low as possible. When shooting at night, especially in a city with lights, it is best to put a hood on the lens, so as to avoid stray light from entering the lens and ensure that the picture is clear and clean.

3. When shooting time-lapse photography, the white balance should not be set to automatic, but must be set to fixed white balance. Because the time span of time-lapse photography is long, sometimes from day to night, it is necessary to fix the white balance and try to keep the color of the shot picture consistent.

Extended data:

Precautions:

1. If shooting can be reduced by about 0.3ev, the color of the picture will be saturated. If you don't add/subtract light at all, the overall color will be dull.

2. If the camera at hand has this function, it is recommended to pre-lock the reflector, which can reduce the vibration of the reflector during shooting and make the picture quality more delicate.

3. Use comprehensive/average photometry (matrix photometry, weighing photometry). Because the shooting time of time-lapse photography is very long, and the scenery changes constantly during this period, if you choose central dimming or spot metering, there may be metering errors, which may lead to the problem that the bright part is too bright or the dark part is too dark.

4. If you encounter the environment in Gao Fancha, it is recommended to shoot with raw files, and highlight the dark parts in post-production. If you shoot with a smooth light source, it is sometimes useful to shoot jpeg files directly.

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