Why do you want to shoot the distant view with backlight?

Refers to the size and range of the subject and image in the frame structure of the picture. Different scenes can cause different psychological reactions of the audience, with panoramic views showing the atmosphere and close-ups showing the emotions. The middle shot is a scene that shows the communication between characters particularly well, while the close shot focuses on revealing the inner world of characters. From far to near, it is suitable for expressing rising emotions; From near to far is suitable for expressing more and more quiet, far-reaching or deep feelings.

Generally, it is a big scene, a distant view, a panoramic view, a middle scene, a close-up, a close-up and a big close-up.

First of all, the vision

Foresight usually represents a picture of a vast space or an open scene. If adults are taken as the scale, people basically appear in the form of a point because they occupy a small area in the picture.

The vision is far-reaching and broad, mainly showing geographical environment, natural features and open scenery and scenes. Vision pictures can also be divided into two categories: big vision and vision. The wide field of vision is mainly used to show the vast and far-reaching background and the faint and grand natural landscape, such as the vast mountains, the vast oceans and the boundless grasslands.

Generally speaking, the composition of the foreground picture does not use the foreground, but focuses on guiding the audience's line of sight to the distance through far-reaching scenery and broad vision, and should pay attention to mobilizing various means to express the depth and three-dimensional sense of space. Therefore, it is not necessary to follow the light as far as possible, but to choose side light or side backlight to form a picture hierarchy, showing the aerial perspective effect, paying attention to the perspective of the scenery lines in the picture and the distant light and shade, and avoiding the dullness of the picture.

Second, the panorama.

Panorama is a kind of picture, which generally shows the whole image of a character or the whole picture of a specific scene. Panoramic pictures can completely show the body movements of characters, reflect the inner feelings and psychological state of characters through the performance of their body movements, and show specific characters through specific environments and specific scenes. Environment plays a role in explaining, explaining, setting off and setting off characters.

Panoramic pictures also have a certain "positioning" function, that is, the role of determining the orientation of the subject in the actual space. For example, shooting a small garden, with all the scenes in the picture plus a panoramic lens, can make all the scenes in the lens, so that the specific position of the spatial relationship between them can be seen at a glance.

Pay attention to the relationship between elements when taking a panoramic view, so as not to usurp the host's role. When shooting a panoramic view, we should not only pay attention to the expression of spatial depth and the depiction of the main outline lines and shapes, but also pay attention to the rendering and contrast of the environment.

Third, the middle scene.

Mid shot is the picture in which most subjects appear. From the character's point of view, the middle shot is a picture that shows the part above the knee or the scene of an adult, so that the audience can see the body movements and emotional communication of the character.

The cutting of the middle scene destroys the complete shape and stress distribution of the object, while its internal structural lines become relatively clear and become the main line of the picture structure.

When shooting the middle scene, the scene scheduling should be diverse and the composition should be novel and beautiful. When shooting, we must pay attention to the phenomena, expressions and movements with essential characteristics, so that the characters and shots are full of changes. Especially when shooting an object, it is more necessary for the cameraman to grasp the most expressive structural line inside the object and show a part that best reflects the overall characteristics of the object with the picture.

Fourth, close-up view

A close-up is a picture showing the upper part of an adult's chest or an object part. Its content is more concentrated on the subject, and the space contained in the picture is extremely limited, and the environmental space where the subject is located is almost excluded from the picture.

Close-range is the main scene to express the facial expressions and emotions of characters and portray them. It can fully express the meaningful parts of people or objects. For example, watching a dance by Yang li Ping, people's attention will naturally move to the arm of the soft software, and the picture will be close to the action area, with close-up pictures, which show the hand movements very prominently.

The use of close distance can shorten the distance between the subject and the audience, and it is easy to have a sense of communication. If you often watch news programs, the anchors or presenters of TV news programs or documentaries of major TV stations often appear in front of the audience in the form of close-ups.

When shooting close-range, we should pay full attention to the authenticity, vividness, objectivity and scientificity of the image. When composing a composition, the subject should be arranged in the structural center of the picture, and the background should be concise to avoid distracting the audience's visual attention from the complex and disorderly background.

Close-up of verb (abbreviation of verb)

Close-ups usually show the details of the head or some subjects above the shoulders of adults. Through close-ups, we can describe in detail the special signs on the heads, eyes, hands, bodies or clothes of the characters, as well as the special items and subtle movements they hold, so as to express the instantaneous expressions and emotions of the characters and show their life background and experiences.

The content of close-up pictures is single, which can enlarge the image, strengthen the content and highlight the details, and will bring the audience a sense of expectation and exploration.

When shooting close-ups, the composition should be full, the image should be handled large but not small, and the spatial scope should be small but not empty. In addition, when shooting, don't abuse close-ups, which will reduce the audience's visual and psychological attention to close-up images if they are used too frequently or stay too long.

If you want to shoot a peach tree in full bloom, when the picture is pushed to the middle scene of the panorama, the shape of the peach tree is gradually "squeezed out" of the picture, and the peach blossoms in the tree and within the tree gradually become the main line of changing structure.

Jingbie is taken from the technical term of photography, which is the difference of framing size as its name implies, and it is the same as the framing size and concept in the animation production process. When creating a design draft, it is particularly important to deal with the scene, which can not only accurately and fully show the artistic conception of the director, but also clearly convey all kinds of plot information of the characters in the play.

Large close-ups mainly show the subtle changes of a certain part, such as the facial expressions and eyes of the characters, including the details of the action process and the subtle differences of body movements.

Close-up is a way to describe people or things locally. The use of this kind of lens can accurately convey the story, directly reflect the psychological state and emotion of the protagonist in the play, and indirectly affect the psychological reaction of the audience. Close-ups are not necessarily just about depicting the expressions of characters. Objects related to the plot, such as hands, feet and props, can be represented by close-ups whenever necessary.

This kind of lens mainly shows the expression of the person's eyes and head. It should be noted that emotions are expressed through expressions, gestures and actions of characters. Therefore, the necessary picture prompts must be done, and the action range should be sufficient, including water, fog, smoke, clouds and other dynamic trends that help to set off the atmosphere. Otherwise, it will leave a lot of regrets after bringing the original painting.

In addition, we should also pay attention to the distance relationship between the surrounding environment and the role, the perspective relationship between the role and the background, and whether the atmosphere between the main role and the surrounding environment is harmonious. If we master these, we can handle and use close-ups more easily.

In the middle scene, the picture is generally selected above the knee or more than half of the figure. It mainly shows the half-length movements of the characters, but it also considers many factors such as the environment. The relationship between people and the change of expression are commonly used in general narrative and performance scenes.

Panorama is the main scene of every plot, so when designing a panoramic scene, every detail should be shown in detail as much as possible, so that people can have a clearer understanding of this scene.

Daquanjing is to show a large-scale scene, which is generally used in the city or place where the story takes place, and mainly introduces the obvious characteristics and characteristics of the scene.