Traditional Culture Encyclopedia - Photography major - Japanese portrait photography works

Japanese portrait photography works

Japanese portrait photography:

1, frolicking children

2. Meeting in the streets and lanes

3. The girl by the sea

Step 4 smell girls

5, snowy days

6. Therapy

7. Children covered with leaves

8. Smile brightly

9. Transparent girl

The child sitting in the tree

Representative of Japanese portrait photographer:

Hideaki Hamada 1.

1977 1977 was born in osaka. He often uses Pentax 67II camera, Kodak Portra 400NC and 160NC film, and his works are fresh and lively, which has always been synonymous with "transparency". From 20 10, he recorded two children, Haru and Mina, aged 4 and 5, and keenly captured the innocent movements and expressions of the children, giving people a strong * * * sound.

Hideaki Hamada has always used his works to convey the meaning of life to people: an ordinary and plain life is the greatest happiness. In his works, all ordinary things are reinterpreted, so that everyone who sees the photos is surrounded by full happiness. Hideaki Hamada's photos are quiet and harmonious, without grand and gorgeous scenes, but let us feel the beauty of life better.

2. Yokozuna Xiu

/kloc-0 was born in Kyoto, Japan in 1967, and/kloc-0 joined the photo department of Japan Culture Publishing Bureau in 1989. He is good at portrait photography, and his works are simple and clean. He spent six years photographing children and fruits, and made them do the same thing: holding fruits on their cheeks and shoulders. Then use the camera to capture children's different expressions and personalities.

Heng Langxiu found that when people do this action, facial expressions are the most natural, and in order to grasp this balance, children will focus on how to prevent the fruit from falling, so the photos will show the most sincere appearance of children.

Yokosuga thinks it's fun to let different people do the same action. In his most familiar photo album "Assembly", we can also feel his persistence in "repetition". The girls in the photo are all wearing uniform clothes, but they can't see their front. It is surreal and mysterious with nature as the background or orderly or free combination.

In this photography project, Heng Langxiu discussed the attribution of self and human emotion. In the magnificent natural environment, the characters present small faces, and "identity" has been collectivized and become an element in nature. Everyone here is anonymous.