Deep scheduling of movie scene scheduling

That is to say, in the multi-level space, make full use of various forms of actor scheduling, so that the actors' actions have a dynamic sense of being near or far in perspective, or make full use of various motion forms of camera scheduling to move (push or pull) the lens position in the depth direction in coordination with the changeable actor scheduling in the multi-level space. For example, put the camera in the center of the intersection, shoot an actor running from North Street to the camera from far and near, and then turn to West Street to run away from the camera from near and far; Or follow an actor from one room to several other rooms deep in the house. This kind of scheduling can make use of the diversity of perspective relations, so that the shapes of characters and scenery can obtain strong modeling expression and strengthen the three-dimensional sense of the film image.