Overall evaluation of women going up stairs

This time, CC Company restored the picture frame by frame on the original 35 mm, and watched the screenshot of the positive film. For such a film with a long history, the picture quality is absolutely superior. The quality of the feature film is completely new after digital reduction, and there is no trace of time. The picture is beautiful and soft, and it is a film expressed by Mikio Naruse.

The themes set each other off. The women in Hideko Takamine's pictures are subtle and vivid, and their external movements and expressions not only conform to the characters' personalities and the scenes specified in the film, but also make the audience feel the unique beauty of demure and comfort from the pictures and glow the charm of oriental women, which makes people immersed in this black-and-white picture unable to calm down. Narase's artistic features are appealing to both refined and popular tastes, combining artistic aesthetics with sadness and joy, and being simple but expressive in scene scheduling and lens application. In the stage of talking movies, Sese mostly chose this soft visual style. He restricted the movement of the lens, avoided unusual photography angles and fast montage, and only paid attention to the facial expressions and gestures of the actors. His aversion to location shooting made him more focused on performing indoor dramas in a living way in the studio. In this episode of CC standard DVD, Zhong Daida also said that more than 80% of the filming of "When Women Walk Up the stairs" was done indoors. Most of the time outside filming, Sese used to hide in the drinking room of a cheap pub to have a drink alone, where he had the opportunity to observe the lives of all sentient beings and move these first-hand life fragments directly into the film. From the picture of this film, we can feel that the film is full of the reality of life everywhere. Mikio Naruse has cooperated with Hideko Takamine in many films, and Hideko Takamine, who has performed well, also talked about Sese's shooting style. Before shooting, Sese will read the script with her. If the eyes or gestures are enough to effectively convey the emotions of both parties, there is no need to talk. In this way, there is almost no need to talk between the director and her when shooting.

Evaluation of film directors

After watching this movie, I suddenly realized what Matsutake said, "We don't need a second Ozu." It is true that after watching the silent film, people think that Ozu is not a very sudden thing, but the biggest difference, or the place where Sese is not as good as Ozu after all, is that you can strongly feel how desperate life is.

As Zhong Daida also said, the color is really an extremely quiet person: "It seems that I am exhausted and have courage." But what about courage? This courage is to support you to be tortured by life again, just like in Giselle, women don't die for ungrateful people, life is endless and torture is endless.

And all this happened with a smile, Ozu wouldn't. This is too big to be unfolded. Ozu is the closest director to Zen. I once meditated on his films for a long time, just like reading Yi in spring, and I felt very interested in understanding them. When I put pen to paper, I didn't believe a word. )

Cheng Sese's shot was originally divided first and then closed, just as their lives are actually unchanged without opponents, but once they are combined, they find that they are mutually causal. This skill is not familiar with the world, and I dare not be so stupid. If you observe one thing quietly for a long time, you will be sad, let alone live.

Cece also wrote about death, suicide at the beginning and suicide in the middle. The most vicious thing is to make Keiko (Hideko Takamine), who is as desperate as Xianglinsao, smile again and sweep away the haze. Life goes on, and liberation is impossible.

When a woman goes up the stairs, a man sees round hips, white socks, slender waist and slightly exposed neck. Women only see the narrow momentum blowing the sky boiling, but they can't see the sky.