What rice paper is used for flower-and-bird painting in China? Health promotion or cooked food promotion?

Raw Xuan paper is made into cooked Xuan after alum, coloring, gold scattering, printing, waxing and mica scattering, also known as Su Xuan, Fan Xuan and Processing Xuan. Its characteristic is that it does not soak in water, is suitable for meticulous painting, can withstand layer-by-layer dyeing, and the ink color will not spread. Its disadvantage is that if it is stored for a long time, it will appear "alum leakage" or brittle crack, which is not suitable for ink painting.

In the Northern Song Dynasty, a small landscape scene of Mi Fei/Mi Youren appeared in Mi Yun Shan, which was full of poetic and literati interest, enriched the brushwork of China's landscape painting and opened the prelude of freehand brushwork. Xu Wei's contribution to the creation of freehand brushwork flower-and-bird painting is particularly outstanding. After the Ming Dynasty, this aesthetic thought of freehand brushwork gradually developed into a great freehand brushwork school handed down from generation to generation in the history of painting.

Extended information rice paper is a unique handicraft in China. It has the characteristics of soft and tough texture, smooth as jade, not decaying and ever-changing Mo Yun. Enjoy the reputation of "Millennium Life Paper" and be known as "National Treasure". Painting with inscriptions on rice paper, Mo Yun is clear, well-organized, full of backbone, magnificent, thick but not muddy, light but not gray, and its calligraphy and painting are vivid and shiny on paper.

In August, 2002, Xuan Paper was awarded the title of National Geographical Indications Protection Product. Writing and painting are divided into five colors, that is, they are completed in one stroke, with distinct shades, visible textures, distinct Mo Yun and distinct layers. It is not easy to be eaten by insects and has a long service life.

During the Tianbao period of the Tang Dynasty, there were "paper and pens" on the boats of Xuancheng County among the tributes shipped to Chang 'an, the capital of China. It can be seen that there were already papers and pens produced in Xuancheng County at that time.

After the Song and Yuan Dynasties, a group of Cao Shi moved to Xiaoling, Jingxian County, Anhui Province, and began the process of making "Xuan Paper" with green sandalwood bark as raw material. During the Xuande period of the Ming Dynasty (1426- 1435), the production of "Xuan Paper" was supervised by the royal family.

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