To shoot very shiny acrylic jewelry, how to light it and capture the texture? 700d camera.

In terms of lighting, share some experience: 1. Rembrandt Lighting (Rembrandt Lighting)

Rembrandt lighting is also called 45° angle lighting. It is based on the subject. Characterized by the formation of small triangular highlights in the shadows of the face. This is achieved by lowering the height of the main light and increasing the distance from the camera (compared to ring lighting and Paramount lighting); the main light is right next to the subject, and its position depends on the distance between the subject's head and the camera. distance. The placement method of fill light is the same as that of ring light, but the power setting will be slightly weaker. It is often used to highlight the highlights on the shadow surface. Hair lights are usually placed closer to the subject to create brighter highlights on the hair. The background light is still arranged in the standard position. In this setup, strong spotlights are often used to outline the edges of faces. (Note: To ensure that these light rays do not enter the lens directly, you can place your hand on the center line of the strong spotlight between the subject and the camera. If your hand casts a shadow on the lens, the strong spotlight is directly entering the lens and should be Adjustment. )

2. Split lighting (SPLIT LIGHTING)

The split lighting method is used when the main light only illuminates half of the subject's face. This is a lighting method formed by lowering the height of the main light and bringing the distance between the main light and the subject closer. Depending on the distance between the subject and the camera, the key light will be placed behind the subject. This arrangement of the key light position will create a great subject slimming effect. This lighting method can also be used with a weaker fill light to hide the unevenness of the face. For dramatic effects, split lighting can be used without fill light. Fill light, hair light and background light can all be used normally in split lighting mode.

3. Paramount lighting (PARAMOUNT LIGHTING)

Paramount lighting is sometimes called butterfly lighting or glamor lighting. It means that the main light is placed on High position, directly in front of the subject's face. Not only will this lighting create a symmetrical, butterfly-like shadow under the subject’s nose, it will also accentuate the subject’s cheekbones and flawless skin. The fill light is placed higher than the head, directly under the key light. Because the key light and fill light are both coming from the same side of the camera, you can use reflectors from opposite directions to fill in the deeper shadows of the neck and the cheeks in shadow. The hair light can be positioned opposite the key light so that it does not shine on the subject's face. The backlight (if used) should be placed low behind the subject, forming a semicircular bright background.

4. Loop Lighting

Loop lighting is slightly modified from Paramount lighting and is very suitable for shooting common oval faces. . Place the key light lower and closer to the subject so that the shadow under the nose forms a small circle on the shadowed side of the face. Place the fill light on the other side of the camera, closer to the camera. (Note: Be sure to check carefully from the camera position to ensure that the fill light does not cast the camera's shadow into the frame.) In ring lighting, the arrangement method of hair light and background light is the same as Paramount lighting. .

Ring lighting is slightly modified from Paramount lighting and is very suitable for shooting common oval faces.

5. Profile or Rim Lighting

Side or Rim Lighting is used when the subject’s head is at an angle of 90° to the camera lens. This is a dramatic lighting method used to emphasize the subject's elegant features. Although this lighting method is used far less frequently than before, it is still a fashionable way of lighting portraits.

To achieve side lighting, the main light should be placed behind the subject, so that it can illuminate the side of the subject's face that is far away from the camera and leave beautiful highlights along the contours of the face. Be careful when lighting so that the light mainly emphasizes the face rather than the hair and neck. When using this lighting method, the fill light should be placed on the same side as the main light, and a reflector should be used to fill in the shadows. The optional hair light can be placed on the side opposite the main light to better separate the hair light from the background. Backlight can be used normally as in other ways.

You can even use a flash as backlight to create a very elegant sideways portrait of the bride, outlining her face, neck and veil. If you use daylight as fill light, you can take beautiful antique side portraits with just one light.

The fill light comes directly from below the main light and at the same height as the subject's head.