Does Star Continental (Star Continental International Film and Television) have its own cast? What kind of director is a good director? What are the criteria for a good director?

Sin Chew has its own team. 1, large-scale action scene

Directors who are not awesome will basically shoot with multiple cameras and then hand them over to editors for editing. The audience watched a lively game, such as The Whisperwind and The Battle of Los Angeles. At first glance, there are more people, more money and more cameras. Awesome directors still control the overall situation on big scenes, and they have strict rules, such as Shadow Warrior, Apocalypse Now, Black Hawk Down and TDK. In fact, the scene scheduling level in michael bay is also good.

2. Multi-person dialogue

To shoot a good-looking multi-person dialogue, you need to have a deep understanding of what scene scheduling is. Robert, the master of group drama? Altman's gosford Manor provides a model. Ang Lee's "Sense and Sensibility" group drama, to be honest, the lens language is very general.

3. Characters appear

Most directors don't pay enough attention to the appearance of characters, and often characters come out to meet people when they should appear. In fact, if you carefully observe the appearance of the characters in the classic movies, you will find that the skills of the great directors are deeply hidden. Look at Charles Bronson in The West Once upon a time.

4. Long focal length lens

Many people like to pretend to be teachers and take long shots. To be honest, long shots are a test of scene scheduling. The long shot in Hou Hsiao-hsien's "The Story of the Wounded City" is almost unprecedented in the scene arrangement.

There are also some long-shot masters, such as Parma and An Zhe. To judge the quality of a long shot, we only need to see whether we can see the schedule and information. The long shots of domestic directors are only "long".

5. Dialogue between two people in the room

When I was chatting with the clip, I asked him what he found the hardest to cut. To my surprise, he replied that it was a conversation between two people in the room. He was surprised to see my expression, and then said, because many directors are full of landscapes and sloppy works, there are so many materials. If I cut it like this, can I still watch the play? If a multi-person conversation is like a souffle in a dessert, it is exquisite or both in form and spirit, and there is no middle ground, then the conversation between two people in the room is like a cheesecake, which looks ordinary and may not taste very different, but once it is brilliant, it will be unforgettable and will have repercussions.

For example, linklater's Sweet Me (tape) is an indoor drama. Many times, there are only two people. You can see how he handled it.

Some people may say that, like the above example, his script writing skills are already quite superb. I don't deny that these indoor dramas are staged, but even so, movies are not the art of dragging you to a fixed place to sit down and watch. If it really became a production version of the stage play, it would have forced the audience to leave. If you don't believe me, close your eyes and think about what you will do with these paragraphs.

6. Narrative paragraphs without voice

Some art films or some films that are too "poetic" don't talk for a long time, which is nothing, because there is no hard narrative task. However, it is not easy for a movie to make things clear and clever without relying on dialogue, narration and subtitles, but at most relying on pictures and music.

I have to mention the beginning of the west in the past again. There are basically no words, but the play is full of tension. No Country for Old Men's handling of large-scale chase scenes is also silent and murderous. The so-called silence here is better than sound.

7. The performance of actors who are usually poor in acting in this film.

Choosing actors, cultivating actors and tapping their potential is an important lesson for directors. But it can't be absolute, because many times the director may not have the final choice of actors, and the live drama may fall on the executive director, but directing the performance by the director is still an important job. In order to facilitate identification, it is better to look at the comparison of some recognized "poor" actors before and after shooting this work.