Traditional Culture Encyclopedia - Photography and portraiture - What role does Yuji play in Beijing Opera?
What role does Yuji play in Beijing Opera?
Peking Opera:
Peking Opera, also known as Pingju and Peking Opera, is one of the quintessence of China and the most influential opera in China, with Beijing as the center and spread all over the country. In the fifty-five years since the reign of Emperor Qianlong in Qing Dynasty, four Huizhou classes, namely Sanqing, Sixi, Chuntai and Hechun, mainly Anhui artists, have successively entered Beijing.
In cooperation with artists in Hubei, I accepted some plays, tunes and performance methods of Kunqu Opera and Shaanxi Opera, and absorbed some local folk tunes. Through constant communication and integration, Peking Opera was finally formed.
Beijing opera has a set of standardized artistic expressions in literature, performance, music, stage art and other aspects. The aria of Beijing Opera is a plate variation, with Huang Er and Xipi as the main vocals. Beijing opera accompaniment can be divided into two categories: the literary field is mainly accompanied by Hu Qin, and the martial arts field is mainly accompanied by percussion.
Expression skills:
The four artistic skills of Beijing opera performance: singing, reading, doing and playing are also the four basic skills of Beijing opera performance. Singing refers to singing, and reciting refers to chanting with music. The two complement each other, forming a song that is one of the two major elements of the performing arts of cabaret and Peking Opera, and combining with dance that is one of the two major elements of the performing arts of cabaret and Peking Opera.
Opera actors should be trained from these four aspects since childhood, although some actors are good at singing, some are mainly working, and some are mainly playing opera. But every actor must have four basic skills: singing, reading, doing and acting.
Only in this way can we give full play to the artistic characteristics of Beijing opera. Better express and portray all kinds of characters in the play. Beijing opera is a highly comprehensive art, with singing, dancing, dialogue, martial arts and various symbolic movements.
Business classification:
Besides the natural and social attributes of the characters, the classification of Peking Opera is mainly based on their personality characteristics. The old theory of seven lines and seven subjects in Beijing Opera Club: seven lines are health, courage, purity, ugliness, miscellaneous, martial arts and vulgarity.
Everything on the stage of Beijing opera does not appear according to the true colors of life. The roles on the stage of Peking Opera do not appear according to the original appearance of people in life, but according to the gender, personality, age, occupation and social status of the roles they play.
Some artistic exaggerations have been made in makeup and clothing, so the roles on the stage are divided into four categories: life, Dan, cleanliness and ugliness. These four special terms in Peking Opera are called business.
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