A Collection of Flower and Bird Paintings in Song Dynasty (Ⅱ)

Draw a picture without a title. Draw a lake full of smoke, willow branches fluttering, lush water plants, two mandarin ducks playing in the water. The artistic conception of the picture is ethereal and beautiful, but the detailed description of Yuanyang has not completely got rid of the neatness and aestheticism of the college painting in the Southern Song Dynasty.

Draw a picture without a title. Draw a willow pond, the willow is free and easy, and an old man stands under the tree leaning on a hoe, calling for a cow not far away, expecting to respond. The scene is very touching. The painter's description of the calf is very delicate and eye-catching, especially the calf's eyes, which are full of euphemistic affection and gratitude and attachment to its owner.

? The picture is unsigned and made by people in the Southern Song Dynasty. Write an okra, outline it with meticulous brushwork, fill in the color, the petals are fine and pink, the leaves are dark green, the posture is vivid, the color is rendered, and the layout is rigorous. Two blooming flowers and sparse leaves fully show the appearance of okra, which is a masterpiece of sketching in the Southern Song Dynasty.

There is no money in this painting. The picture shows a branch of camellia, slanting from the upper left corner, relaxing its soft strips and creating a blue sky. The painter does not take a wait-and-see attitude, but describes the state of things from the dynamic, which can be described as ingenuity. Camellia leaves are delicate and charming, and the breeze is gentle. Particularly prominent is the residual snow on the petal mosaic, which is about to melt. White and red petals and dark green mosaic make up a gorgeous and contrasting color.

There is no money in this painting. The painting method uses double hooks to set colors, the colors are smudged, the workmanship is profound, the young leaves are old, the golden fragrance is vivid and vivid. The fruit leaves are dense, obliquely curled, shaded by shade, and have a deep sense of space.

This painting depicts a lifelike turtledove standing on a leafless branch, in sharp contrast to the lush bamboo leaves. Turtledove's round eyes are bright, and its slightly bent body is in harmony with the abrupt branches, revealing a slightly melancholy atmosphere. This painting is beautiful and elegant in color and meticulous in brushwork. It is one of the few masterpieces handed down by Li Anzhong. There are collection marks such as "Treasure of the Royal View of Xuan Tong" on the painting.

Chen Juzhong, born and died in an unknown year, was a painter in the Southern Song Dynasty. He used to be a painter in the Academy of Painting, specializing in figures and horses. He describes the state of things accurately and naturally, with fine painting techniques and both form and spirit. This painting depicts four goats with different coat colors. In a corner scene, the left side is real and the right side is imaginary. Simple picture composition, concise pen and ink, elegant colors and accurate and vivid images fully and vividly show the naughty and aggressive nature of goats. On the slope, there are dead trees and thorns, dead leaves and yellow weeds. The picture has a quiet atmosphere of clear autumn and is full of life interest.

This picture was originally the first volume of Collection of Famous Paintings of Past Dynasties (see Record of Famous Paintings of Xu Zhai). Signed by Chen Juzhong. Geng wrote: Chen Juzhong's six-pond animal husbandry map, though slender as a rope, has the potential to ride the wind and waves. Yesterday commented on the cloud: "The scenery is not inferior to Huang Zongdao. It is not too much to look at its vivid charm, mental state and full form today. " This praise is true. Xiao Wanfan's face is painted with more than 20 people and more than 50 horses. His posture is active and abnormal, and his skill is profound.

This picture was originally published in Wan Fan Album (see the sequel of Shiqu Baodi). It has an inscription by Zhang Mao. Zhang Mao, a native of Hangzhou, was born in Guangzong (1190-1194) Painting Academy. He is good at meticulous landscape flowers and birds, and the small scenery is better. This painting is a small scene of a pond. In addition to a pair of mandarin ducks chasing each other, there is a dying bird in the sky, and a bird perches on a reed branch and looks up. Although the scale is small, it has the potential to find a post.

This picture was originally published in Wan Fan's photo album (see Shiqu Baodi). There is no author's last name. The artifacts are extremely exquisite and were made by experts in the early Southern Song Dynasty.

This picture was originally the first volume of Collection of Famous Paintings of Past Dynasties (see Record of Famous Paintings of Xu Zhai). Signed by Huang Ju Tsai Zuo. According to this painting, it is by no means a work, and there is no need to attach its name, so today it is changed to an anonymous work.

I don't know the original volume of this picture, and there is no author's surname. Judging from his style, it should be written by people in the painting academy in the early Southern Song Dynasty.

This picture is also a loose page. I don't know which volume it was originally in. It was signed "Ma Yuan". Not many people see the flowers painted by Ma Yuan. The white roses in full bloom in this painting are meticulous and can be called the direct descendants of Xuanhe Painting Academy. If it weren't for his title, we wouldn't have written this book for Ma Yuan. It can be seen that what the almighty writes is omnipotent.

This painting depicts plum branches slanting out of the stone, and groups of plums are flying and floating in the water. Clipping and composition are all new tricks. There is a small print "Ma Yuan". The painted plum branches are thick and tortuous, and the trunk outlined by Jiao Mo looks "as thin as iron". The rock is chopped with a big axe, which is solid, bright and powerful. Water waves are very moving, showing circuitous, hovering and breezy microwaves. This picture belongs to the so-called "small scenery of rivers and lakes"

Ma Yuan, a distant father, was born in Yongji, Shanxi. Master Song Guangzong and Ning (1190-1224) is waiting for a letter from the Painting Academy. Five generations in the family are court painters. He inherited his family business, was good at painting landscapes and was inspired by Li Tang. Most of them are "corners" and "halves", and their compositions are unique, so they are called "corners of a horse". This painting depicts the early morning when the mountains are closed by heavy snow. A mountain man was driving two little donkeys carrying charcoal to walk in the snow-capped mountains. The pen and ink in the picture, the shade effect, the picture has a strong sense of space.

This painting shows Ma Yuan's excellent composition skills, as well as his ability to express specific environmental atmosphere and artistic conception. The looming corner of the tall snow-capped mountains in the distance almost occupies the whole picture. Taking this as the background, it not only points out the environmental atmosphere of the work, but also plays a good role in setting off the rocks and trees as the focus of description. The branches with snow protruding from the left side bend downward, then turn to the right side to extend, and the lateral twists and turns change greatly. At the lower left of the rock, use an ink pen as a big axe to draw a square, hard and angular "corner".

"leaning on the clouds and fairy apricot" shows the basic features of Ma Yuan's flower-and-bird painting, with neat brushwork and strong colors. This picture only shows a part of the flower branches protruding from the lower left corner of the frame. This partial description of composition technique is similar to the treatment of "corner" and "half" in his landscape paintings. The flower branches bend, then one points to the upper left and the other to the lower right. Hook branches with fine pen and thick ink, and then render them with ink; On the upper part of the branches are stacked blooming flowers and budding buds, with thick white powder and reddish color, and the sepals are purple. The whole flower branch has not only the beauty of twists and turns, but also the beauty of graceful posture, and it also reveals some luxury.

I don't know the original volume of this painting. There is the title of "Marin" on the frame. Guan's title is absolutely different, and his painting style is also very different. Lin is especially good at flowers. I've seen its plum blossoms, with lush foliage and bright buds, as if they were going to be fragrant. This green orange picture also shows that it is a wonderful hand for writing.

This painting is a masterpiece of Malin's flower-and-bird painting. Describe the two branches of green sepals, one leaning and the other leaning, with beautiful posture. It is said that the calyx of Prunus mume is pure green and the branches are blue, which is a very precious variety of Prunus mume. The picture is as beautiful as jade flowers, Joan Palmer is full of dew, graceful and exquisite, and the beauty is in Leng Yan. Leng Xiang, a sparse and thin pistil, is a typical "courtyard" palace plum. The painter wrote the petals with thin lines of light ink by hook method, and then filled in the colors layer by layer. Ink-and-wash painting, with colorful flowers, vividly reflects the beauty of jade bone.

Marin inherited his family lineage. He not only painted castles in landscapes, but also had profound skill and unique aesthetic thoughts in flower-and-bird painting. The picture of a cold bird in the dusk snow shows that the bird that has not spread its wings in the cold dusk snow is still standing in the cold wind of rustling, which well renders the cold bird's character of not being afraid of cold and frost. The painter described the intertwined branches, wind, bamboo and snow in detail. The picture is simple and elegant, and the pen and ink are light. This is a beautiful flower-and-bird painting.

This picture depicts the scenery of Liudi Lake and Qing Xiang in summer. On the vast lake, the microwave is swaying gently, the lotus leaves are green, and the birds nearby add endless interest to the picture. The brushwork in the painting is delicate and detailed, especially the willow trees are changeable, the leaves are hooked out and the smoke moves. He used light ink, alternating shades and elegant colors, highlighting the tranquility of his realm, from which we can see the extraordinary influence of his father Ma Yuan.

This picture was originally a collection of famous paintings of past dynasties (see Record of Famous Paintings of Xu Zhai). Signed by marin. Careful examination of the title on the painting is very different from Marin's style, and it is not similar to his style. The word Ma Xia is ambiguous and should not be mistaken for Zuo Lin. So I have to include it anonymously here. It may be Ma's work, but it seems to be earlier than it is.

This picture originally contained the algae selection map of the Four Dynasties (see the continuation of Shiqu Baodi). Signature Yao Yuehua, title Ning Zong (1 195- 1224). Sign Yao Yuehua, don't take the exam. Yao Yuehua may be a female painter in Ningzong era. Her brushwork is slender and her painting style is delicate.

This picture originally contained a selection of algae in the Four Dynasties (see the continuation of Shiqu Baodi). Signed title Yang Houzuo. Queen Yang is the wife of Ning Zong, and neither Painting Treasure nor Painting History says that she can paint. This painting says: "The thread is twisted green, and the gold is hung yellow." But I don't know if this painting is finished. There is the younger sister of Empress Yang (the work of Yang Wa) in the Painting History Society, and she will be the witness. Sister of Queen Ningzong, dedicated to the palace with art. Be good at painting. Try to write a picture of a crane. It's good. It is difficult to tell whether Yang Houmei painted it or signed it.

This picture shows a partridge standing on a nearly dry branch, with a sharp mouth and claws, round and sharp eyes. The whole body feathers are rendered in thick ink, and the technique is realistic. Feathers look shiny and shiny, reflecting the painting style of the Song Dynasty Painting Academy. On the contrary, another leafy branch in Qiu Shu is gradually drying up because of the arrival of autumn. This painting embodies the typical characteristics of the courtyard painting in the Southern Song Dynasty. Although the painting is anonymous, it does not affect the viewer's judgment.

This painting is fan-shaped, with a willow tree and sparse willow branches in ink and wash. Two western Western jackdaw are looking for their home. The rising moon is covered by mist, the moonlight is hazy, the night is hazy, the artistic conception is quiet and desolate, and the brushwork is concise, which belongs to Kai Liang's stick figure.

Mou Yi, a native of Kunshan, Wu Jun, was a painter in the Southern Song Dynasty (1165-1173). He paints flowers and bamboo feathers, and is especially good at rendering and painting. The Book of Calligraphy and Painting says that he "painted an energy product". This painting depicts a willow hill. A shepherd boy rides on the back of a cow, holding a small wooden pole in one hand and an insect in the other. Then a calf followed the Daniel in front, and the picture was lively. The cow in the painting is accurate in shape, vivid in image and simple in brushwork. This painting has an imperial poem written by Gan Long, the emperor of the Qing Dynasty, followed by inscriptions by nine people, including Fan Wei.

This picture originally contained a selection of algae in the Four Dynasties (see the continuation of Shiqu Baodi). Signed by Lu Zonggui. "Hua Bao" said: Lv Zonggui, a native of Qiantang. He is good at drawing flowers, bamboos, birds and beasts' nests, and is good at tracing and dyeing. Youchang sketch, chicken and duck yellow, the most business. Shao (1228 ——1233) Painting Academy is waiting for a letter. In and out of Yang Fuma's house. This painting is also made by sketching, which is very vivid.

This picture originally contained a collection of famous algae in the Song Dynasty (see the continuation of Shiqu Baodi). Sign nine works by Chen Ke. "picturesque mirror" cloud: Chen kejiu, Baoyu key (1253- 1258) to be written. He painted fish, flowers and trees in the four seasons, and studied under Xu Xi. This painting method is Xu Xi's legacy.

This picture was originally published in Selected Books on Algae in the Four Dynasties. Watch the sequel of Shiqu Baodi. Signed Zhu Shaozong. The picture is engraved with the word "Zhu", but there is no handwriting below. This is from the book of algae selection in the Four Dynasties, written by Zhu Shaozong. "Picturesque Mirror" says: The characters in Zhu Shaozong's works are cats, dogs and birds, and the colors used are far more exquisite than those used in contemporary times. Li Ji Painting Academy "Preparing for Painting" says: Zhu Shaozong was transferred to this school. While you are waiting, you will retire. Make a few ink paintings every day, thinking that wine is worth it. With the pen and ink listed in the same column, we should bring wine to discuss.

This picture was originally published in Song People's Painting Collection (see the third part of Shiqu Baodi). There is no author's last name. Although this style of flower-and-bird painting has no name, it can be seen at a glance that it was made by people in the painting academy in the middle and late Southern Song Dynasty (about 1 195- 1279), and its shape is very exquisite and commercial.

I don't know the original volume of this picture, and there is no author's surname. Quiet mountain streams, towering Gu Song, sparse bamboo rafts, long-tailed mountain birds, where they fly, breathe or peck, quiet and clear, as if overflowing silk noodles.

This picture originally contained a selection of algae in the Four Dynasties (see the continuation of Shiqu Baodi). Mao signature. According to Mao Yiwei Avenue (1165-1173) Painting Academy and other letters, it can especially render flowers and bamboos, as if it can fly. See the painting treasures and records of the Southern Song Academy. The title of this picture is Mao Zuoyi, which is quite similar, but it seems a little late, so it has been changed to anonymous.

This picture was originally contained in Wan Fan's Album (see Part III of Baodi in Shiqu). There is no author's last name. The composition is exquisite and the colors are particularly bright. There is a red beetle on the green maple leaf, which suddenly enriches the whole picture.

I don't know the original volume of this picture, and there is no author's surname. The description of the ape ecology in the deep forest of Shan Ye is rigorous, meticulous and lifelike, especially the dynamic description of apes, which is quite vivid and has a typical courtyard style.

This picture originally contained a selection of algae in the Four Dynasties (see the continuation of Shiqu Baodi). There is no basis for signing the title of Marin, so the title is changed to anonymity. Orchids are in full bloom, fragrant and full of paper, which is quite vivid.

This picture was originally a collection of famous paintings of past dynasties (see Record of Famous Paintings of Xu Zhai). Signature is second only to writing. According to the Treasure Picture Book, Yanji is the son of Zhong Yan. Can learn from the world and pass it. Draw landscape figures and cows. Long xingchu (1 163), the filial piety who entered the painting, said it was the purpose, second only to Cheng Wulang and the Painting Academy. However, this picture is similar to Ma Yuan's family law and should not be written in the early Southern Song Dynasty, so it was changed to anonymous. This painting is a winter scene in Jiangnan. Bai Mei, daffodils and camellia are in full bloom by the water. The reeds have withered and come to the bottom of the water. Birds are swimming or flying.

This picture was originally contained in the Album of Song People's Paintings, and was displayed in the third edition of Stone Treasure without the author's signature. Draw snow bamboos standing proudly in the snow and ice and young birds who are not afraid of the cold. The painter's brush strokes are smooth and healthy, bamboo leaves move, and bird feathers outline, showing great strength. However, it is easy to escape in meticulous brushwork. At first glance, it seems clumsy, but when you look closely, it is muddy.

This picture was originally contained in the Album of Song People's Paintings, and was displayed in the third edition of Stone Treasure without the author's signature. It may be a decorative picture on the screen. Exquisite, neat and vivid painting. It should be written by a master in the middle and late Southern Song Dynasty.

This picture originally contained a collection of famous paintings of past dynasties. Zhao signature. Zhao was a master of drawing orchids in Song Dynasty. But judging from the style of this painting, it is not like Zhao's painting. This narcissus painting is very neat and beautiful, and it was made in the late Southern Song Dynasty. Because it is not certain that this is Zhao's work, it has been handed down under an anonymous name.

This picture was originally contained in the Song Dynasty Paintings Collection, and now there is the third edition of Stone Treasure. There is no inscription by the author. The picture depicts the mountain bird rushing to the cold and perching on the branches after the light snow in winter, because the description is real and touching, which makes the viewer feel a cold face.

This picture was originally contained in the Song Dynasty Paintings Collection, and now there is the third edition of Stone Treasure. No author's signature. The picture shows overcast snow, first frost near water, and bamboo-leaf mountain birds are hardy. Small as it is, it is very expressive. Moreover, judging from the style of painting, it seems that it was written by the same painter as the Picture of Sapium sebiferum Birds.

Although the painting "Water Lotus" is small, it is very delicate and vivid. This painting is boneless. The pen is light and soft, and the handwriting is almost invisible. Pale pink petals, pale yellow stamens, and there seems to be dew at dawn, which is the best time for bud germination. Pink lotus flowers are particularly beautiful against the background of green lotus leaves. Outstanding performance of the noble character of the lotus. This is a rare masterpiece in the flower sketch of Song people.

This picture depicts two peach blossoms, some in full bloom and some in bud. After the petals are outlined with a fine pen, they are smudged in multiple layers, which is full of layering and three-dimensional sense. The whole picture is exquisite with pen, elegant in color, small and interesting. It is a wonderful sketch of the Southern Song Dynasty. There is no money in the picture. There are "Rutten" and "He Jingrong Award" in the painting. Song Neifu once collected it.

This painting depicts a litchi and two birds standing on a branch with meticulous brushwork, which is a masterpiece with profound implications. Although the paintings of the painters in the Academy of Painting are inevitably covered with powder and elegant whitewash, they have reached a high level in the colorful corners of colorful paintings. This painting can be said to be the representative of the Southern Song Dynasty college painting in composition and brushwork.

This picture shows a clever and lively bird standing on an apple branch. The picture is quaint, tepid, but vivid. The leaves withered gradually because of the ripening of the fruit, and even the small holes were bitten by insects. Apples can't escape bad luck, and there are bug eyes that are extremely incompatible with their maturity and ruddy. This also represents the superb realistic skills of painters in the Southern Song Dynasty. This nameless painting bears collection marks such as "Treasure of Xuan Tong's Royal Scenery".

This picture shows a hibiscus flower (kapok) with a slight blush and a green leaf lining. Through overlooking and close-up, the painter described the charming and fresh appearance and budding charm of blooming hibiscus flowers. The whole painting method is exquisite, the color is fresh and elegant, and there is no trace of pen and ink. It is a masterpiece in the Southern Song Dynasty's college paintings. This nameless painting bears collection marks such as "Treasure of Xuan Tong's Royal Scenery".

This picture looks like a sketch, showing three kinds of insects: butterflies, dragonflies, grasshoppers and a green vegetable. The whole picture is exquisite, vivid, realistic, elegant in color, small and interesting, and it is a wonderful sketch of the Southern Song Dynasty. This nameless painting bears the collection marks of "Qianlong Appreciation" and "Sanxi Hall Refined Seal".

Monks often send, born in Muxidi and Shudi (now four states), and the date of birth and death is unknown. Methods are often outlined in ink and wash, which means simple, rigorous and relatively relaxed. Frequent works spread to Japan, which had a great influence on Japanese painting. "Guanyin ape crane map" is a three-axis painting. Guanyin sits in white in the middle of a deep mountain cliff valley, with a plump face and a quiet expression. The headdress is beautifully painted, but the lines of clothes are painted in thick ink, which is slightly close to Kai Liang's painting method. Right-axis female apes all inhabit tall pine trees, and their trees lean outward, which is far from the traditional style. On the left axis, a white crane is singing and walking in the bamboo forest. The bamboo tip reflects the dissolved moonlight, magnificent cranes and elegant bamboo, showing a very elegant artistic conception.

Zhao (1 199— 1264), Zi Zi Gu, No.,was born in the Song Dynasty. Baoqing was a scholar in the second year (1226). Zhao is good at painting plum, orchid, bamboo stone and so on. And his painting method is blameless, and Tang is a school. His pen is vigorous and smooth, and his style is beautiful and elegant. "Moran Map" draws two clusters of orchids, the leaves and flowers are light ink, and the figure is soft, smooth and handsome. It was all the way for literati to draw ink and paint, which opened up the Moran method for future generations. The running script of the paragraph is immature and should be the pen of the early years. The self-titled poem says: "In June, the fragrance is constant, the summer is steaming, and the fragrance is sprayed with ice. Once I moved to western Zhejiang, I only had one or two stems when I was one year old. Zhai Yi Zhao Zigu is still endowed. "

Zhao Bosu, the word Xiyuan, was an imperial clan in the Song Dynasty, the grandson of Mao VII and the brother of Zhao Boju. He used to be the national defense ambassador of the State of Jin and was sent to the State of Jin. Good at painting landscapes, figures, flowers and birds. He is as famous as his brother in painting and has similar styles. Its green landscape combines some painting methods and interests of literati painters' ink and wash landscapes, and turns the rich and splendid decoration of the green landscape in Tang Dynasty into beauty and elegance, which is both "exquisite and moral". "Song Wan Jin Que Tu" depicts lush spring mountains, pine forests and white clouds, slightly exposed mountains, endless golden que in Qionglou, rising sun and particularly beautiful scenery.

This picture was originally published in the first volume of the Collection of Famous Paintings of Past Dynasties. See Xu Zhai's Famous Paintings, signed by Ma Yuan. However, this painting is far from Ma Yuan's style, so it was named "Anonymous Painting".

Transfer from? Aesthetic appreciation