Is Liu Suola's Blue Sky and Blue Sea Expressionism+Stream of Consciousness? Analyze and comment on this work

Liu Suola's "Blue Sky and Blue Sea" is more bold, and it also shows the atmosphere of today's society from another aspect. Blind obedience forgets the essence of things.

Blue sky and blue sea in Liu Suola

I want to write something for prose novels for the first time, so what is the blue sky and green sea? Reminiscent of the scenery in Bali. There, Big sea and the sky is one of the most beloved lovers in the world. No one will be jealous of anyone, but will only make each other more graceful. No one can live without anyone, otherwise the sky and the sea will be lonely. So what is the blue sky and blue sea in Liu Suola? Is it pure white in my heart, or a faint ripple in my heart? None of them are accurate. No matter what she is, at least one thing is clear, she is presented in prose that talks to herself. When I watch it, my mind is full of Woolf's language of stream of consciousness. The difference is that Woolf's "I" will drift anywhere with consciousness, while Liu Suola's "I" always drifts between reality and the past. The reality is that I am in the recording studio, singing something I don't want to sing. It used to be "I" songs, duets with old friends after school, guitars, songs about cigarettes and love made by myself, and performances in vagrancy.

Song, an olive tree in my heart. My songs are now called pop songs, which was unorthodox in the 1980s. My parents are deep-rooted musicians. They are so determined about the "decadent music" popular in the west that they comment on my song like this: "The art of fart." Gentle artists say "fart" to show their contempt for pop songs. When the western Jin Xing was first introduced to China, it was probably "the art of farting". Because of too much exposure, it was regarded as an indecent negative textbook and even became a symbol of bourgeois obscenity during the Cultural Revolution, and its reputation was even worse than that of Yang Guifei and others. Later, Venus was accepted by the East, but Yang Guifei of the East was still reviled by her own people. On plump Yang, he is absolutely superior. On beauty, he is much more conservative in Bivic. People have not been naked in public for at least thousands of years. The reason why she and Vickers can't be a bad influence is because the loser who escaped from the Anshi Rebellion is her husband. Helen, who has been worshipped by the West for thousands of years, was the fuse of the Trojan War, and her position in the hearts of China people was higher than her. No wonder the west is richer than the east, so women in the west are better than those in the east. It is reasonable for people to run naked, no matter how much trouble they get into. The typical symptom of China people's problem of "looking west" is to scold themselves with their eyes closed and praise others, regardless of good or bad.

The songs of "I" and "I" originated from the era when the East resisted the "decadent voice" and experienced everything inherent at that time. My friends and I are generally regarded as "dissolute artists", and artists are regarded as "lower Liba people"-singing, composing music, love in music, smoking everywhere in strange clothes are beyond reproach. But "I" is always calm, because that is my pleasure and the most enjoyable thing in life. Finally, in a relatively tolerant period, Venus is no longer "the art of farting". People accept fashion just as they accept nudity, so "I" finally got a chance to record, but I'm not as comfortable as before.

Oriental pop songs, after all, are much luckier than Yang Guifei and others. Although it was resisted at first, it was gradually given preferential treatment. The reason is that the west is rich. China people found that western pop songs made money, so they immediately got a better understanding of their own pop songs. I'm afraid he won't make enough money, so I try my best to move closer to the west. People use falsetto, but they use it themselves. Others pack and do it themselves; If a male singer has long hair, his male singer must look like a "female man". But is this still art? Liu Suola wrote: "I wonder if the photographer will cry when he shines light on that woman's face." It is not difficult to explain why "I" is uncomfortable, and standing in the recording studio is so uncomfortable. Because people accept "I" songs to make money, since art is subordinate to money, there is no need to describe the operation between the two.

Of course, you can't deny that Sola needs material, and "I" also needs material. Without money, the soil of art will be thin, but if you regard art as a way to get money, you are likely to be depressed. Because things that go against your will will come one after another, and eventually destroy art and make you completely uninterested. Liu Suola described it this way: "I must alienate myself first, and then alienate any feeling, anyone, and do this fucking thing regardless." -In the end, you will find that making money from art has become destroying art. You are really an asshole, and you have to go on. But Sola's "I" has been drifting between the past and reality, that is, between ideal and reality, and I have been struggling not to abandon art in my heart, because I love my songs as much as my partner. I am happy because of the song, and the song is moved by me. "I" know that "I" is the blue sky and my song is the green sea. When art is destroyed, singing will lose its life and become a desert, but the blue sky facing the desert will not rain for many years because she wants to cry.