The translation of Du Fu's quatrains is urgently needed! ! ! ! ! ~~

Du Fu (Tang Dynasty)

"Two orioles sing green willows, and egrets cover the sky."

My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.

Su Shi once said: "Shaoling calligraphy intangible painting". Du Fu's quatrains are really a wonderful banner of mountains and rivers. In the center of this painting, there are several lush weeping willows, and Huangyinger sings tactfully on the branches. Above the face is a blue sky, and a group of egrets point to the blue sky. You can see the mountains in the distance, and the peaks are still the same snow for many years. Half of the hut is exposed nearby, and there is a big river in front. Ships in the distance are moored on the water. In terms of color and lines, the author dyed two goose yellow dots in a piece of green and drew a white line obliquely in the green space. Point, line and surface are organically combined, and the color is bright and harmonious. This conception just shows that the poet Du Fu is good at "taking painting as the key link" and "taking reason as the position" like a painter.

Although it is a poem describing natural scenery, it contains rich thoughts and feelings. Fine willows and new green, isn't this the color of spring? Orioles sing, isn't this the sound of spring? Egrets fly back from the south with spring tourists. At the same time when the Chunjiang River is full of water, ships from Jiangdong come from thousands of miles away, indicating that people have started a year-long activity focusing on spring. All this constitutes a distinct theme-spring is coming. The author is full of joy, describing these fresh, lively and vibrant things, and taking pictures of various spring struggles for freedom with keen observation. The poet linked the snow on the mountain with the long years on the earth and saw the vast territory of the motherland from the ships in the river. "Qian Qiu" and "Wan Li" are such broad minds. This poem was written in 764 AD, and Du Fu was "wandering in the southwest between heaven and earth". He is homeless and poor, but his will is still strong and his mood is still cheerful and optimistic.

This little poem, with plain language, has no strange words and dangerous words, and it seems that it has not been carefully scrutinized; Actually, it is not. Look at confrontation first. The quatrains don't require the sentences to be relative, but Du Fu made the four sentences of this poem form two couplets, and every word in a couplet is paired and very neat. Looking at the words, the words "containing" and "parking" in the couplets behind are extremely elegant. The word "Han" is particularly wonderful, because it points out the position of the poet: the poet looked out through the window indoors. The word "Han" not only includes the autumn snow in Xiling, but also includes all the above scenery in the poet's eyes. In this way, it is not a plane imitation of nature, but also shows the poet's grasp and appreciation of natural beauty. In addition, the word "berth" can also be replaced by "side" or "Guo", which is rather vague. The word "berth" can show that those long-distance ships in the lower reaches of the Yangtze River not only pass by here, but also stop in front of the door, which shows that there is a big land and water wharf nearby. In addition, Du Fu is now "looking forward to three years" and quite intends to abandon Shu for Wu. The word "Bo" seems to cover up the feeling of thinking of a horse when you see an saddle: will you go to Soochow? There is a boat parked outside the door on the road. Does the poet's hesitation tell us nothing here?