Traditional Culture Encyclopedia - Photography and portraiture - PS color matching-pastoral scenery becomes oil painting
PS color matching-pastoral scenery becomes oil painting
The material picture looks dull, but after simple processing by the author, the effect has changed greatly. The main body is more prominent, and the colors are also very layered. More importantly, the picture is somewhat similar to the effect of oil painting, which is very beautiful.
1. Open the material picture, press Ctrl+Alt+2 to bring up the highlight selection of the picture, add a light yellow (c2be7a) solid color layer, and change the layer mode to "color" (above).
2. Create an optional color adjustment layer and edit red (cyan -47, magenta +66, yellow+19, black +26) (above).
3. Create a new channel mixer to adjust the layer, output grayscale, change the layer mode to overlay, and erase the dark and bright parts in the mask.
4. Poke the layer twice. The first stamping layer is Blur/Gaussian Blur. The layer mode is changed to positive overlay, and the opacity is 80%. The mask erased the dark place.
The second stamp layer performs blur/Gaussian blur, changes the mode to color darkening, adds a mask, and erases the surrounding areas that are too bright.
5. Poke another layer, make filter/other/Gao Fancha reservation, change the mode to overlay, and the opacity is 43%.
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6. Add a tone adjustment layer, input the middle tone of 0.78, change the mode to soft light, erase the dark part in the mask, and the opacity is 75%.
7. Add a color balance adjustment layer. Shadows (red -57, blue +53) and highlights (blue +40) use masks to blend with the underlying tone relationship.
8. Create a new blank layer and fill it with a radial gradient from light red (fc9388) to transparent. Change the layer mode to overlay, and the opacity is 43%.
9. Create a new blank layer, fill it with light yellow (fc9388) and gradually change it to transparency. The layer mode is changed to overlay, and the opacity is 80%.
10. Create a new channel mixer adjustment layer and edit the blue channel. Blue is 80.
1 1. Add a curve adjustment layer to adjust the contrast as a whole. The opacity is 60%, and the mask erases places that are too bright and too dark.
Final effect
Finally, add smoke, combined with the use of lightening and deepening tools to strengthen the change of light perception and complete the final effect.
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