Which is more realistic, the original camera of the mobile phone or the mirror?

The mirror is more realistic.

The self in the mirror is more real than the original camera. Because the mirror itself is just a ghost reflected by the glass, the original image in the camera is also a ghost, but it is reflected by the camera's screen, which will cause certain changes in the clarity and proportion of the image, thus affecting the sense of reality.

The characters under the lens of the original camera show their most realistic side. The original camera is different from various popular beauty cameras on the market today. The faces captured by the beauty camera have been automatically processed by the software. The face shape and facial features have been beautified, including automatic face slimming, automatic eye enlargement and automatic skin resurfacing. Functions such as whitening are the most common.

The characters under the lens of the original camera all show their most real side, and the flaws on the face are all exposed to the lens.

There are many ways to make mobile phone photos more realistic, such as:

1. Master the light and mode adjustment. In order to take a good picture, you must choose good lighting conditions and try to avoid shooting in backlight situations. In addition to meeting the light source through external conditions, you can also adjust it through the built-in auxiliary functions of your mobile phone, such as: adjusting brightness, Night mode, flash, and more.

2. Coordinate hand control and shooting posture. When shooting, hold the camera with your right hand and point it at the subject, then support your right hand with your left hand to keep it steady.

3. Pay attention to the parallelism between the mobile phone and the scenery. If your photography skills are not good enough and you have not yet reached the level of free use of viewing angles, you must pay attention to the parallelism between the phone and the scene when shooting, that is, the plane where the phone is located must be parallel to the plane where the scene is located.