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When you die, everything is empty,

But I'm sad to see Kyushu.

Julian Waghann Beiding Zhongyuan Day,

Family sacrifices will not be forgotten.

[Notes]

1. Show it to the sons.

2. but: only.

3. Kyushu Tong: Reunification of the motherland.

4. Central Plains: refers to the area north of Huaihe River that fell into the hands of Jin people.

5. Family sacrifice: ancestor worship.

6. Naion: Your father.

[Appreciation]

Lu You, a patriotic poet in the Southern Song Dynasty, devoted his life to the just cause of resisting gold and recovering lost land. Although squeezed out and hit by capitulationists, patriotic enthusiasm never waned. The poem "Shizi" is a will written by the poet to his son at the end of his life, expressing the poet's deep and strong patriotic passion of never forgetting the "Northern Central Plains" and reunifying the motherland until his death.

The first sentence is "everything is empty when you die." "Yuan Zhi", already know; "Everything is empty" means that everything can be attached after death. But then the meaning of the second sentence changed: "but I can't see the sad Kyushu", but I can't let go of one thing, that is, the lost land has not been recovered and I have not seen the reunification of the motherland with my own eyes. This resentment is left from birth to death. On my deathbed, my mood is even more painful. The third sentence of this poem, "Julian Waghann concentrated in the north", shows that although the poet is deeply distressed, he is not desperate. He firmly believed that one day the army of the Song Dynasty could pacify the Central Plains and recover lost territory. With this sentence, the mood of the poem changed from sadness to passion. At the end of the sentence, "I never forgot to tell you about the family sacrifice", my mood changed again. I have no choice but to see the day when the motherland is reunified when I am alive, so I have to pin my hopes on future generations. So I told my son affectionately, don't forget to tell him the good news of "Beiding Zhongyuan" when offering sacrifices at home.

This poem is full of twists and turns, which sincerely expresses the poet's complex thoughts and feelings at the end of his life, including endless resentment against the unfinished golden cause and firm belief that the sacred cause will be realized. The whole poem has a sad element, but the tone is passionate. The language of poetry is natural, without any carving, but it is a natural expression of true feelings, but it is more beautiful and moving than deliberately carved poetry.

Two summer quatrains

Appreciation of Li Qingzhao s summer quatrains;

Summer quatrains

Living as an outstanding person,

Death is also a ghost.

I still miss Xiang Yu,

Refuse to cross the river east.

This poem clearly puts forward the value orientation of life: people should be heroes in life and make contributions to the country; Even if you die, you have to die for your country and become a hero in ghosts. Patriotic passion, beyond words, was really inspiring. The rulers of the southern song dynasty ignored the lives of the people and only cared about their own escape; Abandon the rivers and mountains of the Central Plains and drag out an ignoble existence. Then, the poet remembered Xiang Yu. Xiang Yu broke through to Wujiang River, and the director of Wujiang Pavilion advised him to cross the river quickly, return to Jiangdong and beat the drums again. Xiang Yu felt ashamed to see his elders in Jiangdong, so he turned around and killed hundreds of enemy troops, and then committed suicide. The poet lashed out at the shameless behavior of the rulers in the Southern Song Dynasty, and used the ancient times to satirize the present, which was awe-inspiring. There are only twenty words in the whole poem, and three allusions are used in succession, but it's no harm to pile them up, because they are all the poet's voices. The poems that hit the floor are so generous and vigorous, all written by women, which really makes people overwhelmed.

This garden is not worth appreciating.

This little poem describes what the poet saw and felt when he visited the park in spring, which is very vivid and interesting. This poem is a blend of scenes and scenes, which has been passed down through the ages. The poet went to a friend's house to enjoy flowers, and the mossy road was covered with traces of the poet's clogs. He knocked on Chai Men for a long time, but no one came to open it. The poet imagined the spring scenery of the garden from an apricot flower exposed on the wall, saying that although the door of the garden was closed tightly, the spring scenery could not be closed!

The first two sentences, "Pity the dog's teeth, seal the moss, and Chai Fei won't open for a long time", show that the author didn't meet his relatives and friends, and the garden door was closed, so he couldn't enjoy the spring flowers in the garden. But very humorous. The last two sentences are more novel because of the concept of "pity for teeth and moss": although the owner selfishly closed the garden door and seemed to want to leave spring scenery alone in the garden, "spring scenery can't be closed all over the garden, and an apricot will come out of the wall." The latter two poems are vivid and have strange ideas. Both "spring scenery" and "red apricot" are anthropomorphic, which contain feelings and logic in the scenery, which can arouse many associations of readers and be inspired by philosophy: "spring scenery" can't be caged, and "red apricot" will inevitably "come out of the wall" to announce the coming of spring. Similarly, all new and beautiful things can't be stopped or imprisoned, and it will surely break through any bondage and flourish.

4 Koike Appreciation

This poem is a fresh sketch. Everything is so beautiful, so soft and so affectionate. Every sentence is poetic, showing beautiful early summer scenery, natural and simple, touching. This poem describes a spring, a trickle, a pool of trees, a few small lotus leaves and a small dragonfly, which constitutes a vivid landscape of a small pool and shows the intimate and harmonious relationship between all things in nature. At the beginning, the words "spring is silent and precious for a trickle, and the shade shines on the water and loves softness" bring readers into a small, delicate, soft and pleasant realm, and a trickle slowly flows out of the spring silently; In the sunset, Chi Pan's green trees throw the shade into the water, and the light and shadow are mottled and clearly visible. A word "pity" turns ruthlessness into sentience, as if spring is letting it flow silently and slowly because of the pity of love; A word "love" gives life to the green tree. It seems to like the soft sunshine and shows its charm with water as a mirror. In three or four sentences, the poet, like a clever photographer, took an interesting shot with a quick mirror: "Xiao He just showed his sharp corner, and a dragonfly stood on it a long time ago." The time sequence has not yet reached midsummer, and the lotus leaf has just exposed a sharp corner from the water, and a small dragonfly is standing on it. A "talent show" and an "early stand" are taken care of, vividly depicting the scene of dragonflies and lotus leaves leaning against each other. Yang Wanli advocates learning from nature when writing poems. He has a keen interest in natural scenery. He often uses fresh and lively style and plain language to describe the ordinary scenery he sees every day. He is especially good at capturing the characteristics and fleeting changes of scenery and forming interesting pictures, so his poems are full of rich life breath. The silence of spring eyes is to cherish the long flowing water, and the shade of trees reflects the water because it likes the gentleness of sunny days. Just as the little tender lotus leaves its tightly wrapped tip, the lovely dragonfly comes to stand on it early.

Appreciate 5 yuan every day

The first sentence, "One year old in firecrackers", sent away the old year and ushered in the new year in firecrackers. Sentences are closely related to the topic, rendering the lively and joyful atmosphere of the Spring Festival. The second sentence, "Spring Breeze Warms Tu Su", describes people drinking Tu Su wine in the warm spring breeze. The third sentence, "Every family is dying", is written that the glory of the rising sun shines on every family. Using "absolutely" to express the splendid scene at sunrise symbolizes the infinite bright future. In the conclusion, the phrase "Always exchange old symbols for new peaches" not only describes the folk custom at that time, but also contains the meaning of exchanging new cloth for old cloth. "Fu Tao" is a kind of red wooden board painted with gods, which is hung on the door to ward off evil spirits. Every new year's day, take off the old peach symbol and put on a new one. "New peaches for old symbols" closely echoes the first sentence of firecrackers to send the old year, vividly showing the scene of Vientiane renewal. Wang Anshi is both a politician and a poet. Many of his poems about scenery and things contain strong political content. Through the description of New Year's Day and the new atmosphere of New Year's Day, this poem expresses its ambition, optimism and self-confidence of ruling reform, eliminating the old and enriching the people.

The whole poem is light in writing and bright in color, and the prospect of the eyes and the feelings in the heart complement each other. This is indeed a good poem with profound implications.

Appreciate the fishermen on the river

This poem is like a movie, consisting of two parallel montage shots:

A set of shots: the bustling pier by the river, the luxury passenger ships docked, the bustling pedestrians on the shore, and the attractive bass on the exquisite table. The guests admired its delicacy while tasting it.

Another set of shots: the wind and rain are mixed on the wide river, the wind rolls up the waves, a small fishing boat rises and falls in the wind and waves, and a fisherman stands straight at the bow, throwing nets from time to time.

The poet only showed us two dynamic pictures here. What does he want to tell the readers? The poet didn't say it clearly, but through these two vivid pictures, readers can appreciate the profound meaning: those rich people who come and go by the river only know that bass is delicious, and who knows the hardships and dangers of fishermen catching bass? It not only contains strong criticism and goodwill warning to people who love the beauty of perch, but also places deep sympathy and sincere care on fishermen who are in stormy waves. His poem is very similar to the sentence "Who knows that every grain is hard" in the Tang poem "Farmer", which has the same effect. However, Tang poetry is straightforward, and this poem is suggestive of images, which is more subtle and intriguing than Tang poetry.

The greatest feature of this poem writing is the use of image contrast, that is, it does not directly express the poet's ideological and emotional tendencies, but creates a strong image contrast through the image contrast between fish eaters and fishermen, and between the shore and the river. It is in this huge image contrast that the author's intentions and tendencies are naturally revealed. What remains in the reader's memory is the fishing boat that left forever in the storm.

7 Hui Chong Riverside Night View Appreciation

This is a famous painting poem. Because the author knows and knows how to paint, he can firmly grasp the painting meaning of Hui Chong's One Night by the Spring River, and only use a few strokes, such as peach blossoms, warm ducks playing by the river and short reeds, to outline the beautiful scenery of the river in early spring. What is particularly amazing is the phrase "Duck Prophet of Spring River Plumbing", which describes the change and change of water temperature that the painter can't draw. It's so interesting and wonderful! In addition, his subtlety is also reflected in his humorous imagination. He can see outside the painting, touch the breath of early spring with the "fugu desire" that is not in the painting, and deepen the artistic conception in the painting. If Hui Chong's paintings are "poems in paintings", then this poem is "paintings in poems". No wonder it can be passed down to this day as a famous poem that everyone loves!

Appreciation of berthing in Guazhou

This is a famous lyric poem, which expresses the poet's deep affection for overlooking the south of the Yangtze River and missing his hometown. Literally, this poem shows nostalgia for my hometown. I have a great desire to fly across the river and reunite with my relatives. In fact, there is also a strong desire to return to politics and implement the New Deal between the lines.

When the poet looks back at the south of the Yangtze River, the land is green, which is of course the green of spring breeze, but isn't the lush rice seedlings the actual effect of the reform measures such as the Young Seedling Law? However, officialdom is full of dangers. The poet looked at Guazhou Ferry and the bright moon in Zhongshan and sighed, "When will the bright moon shine on me?" The poet wants to leave the officialdom early, which reflects the author's desire to return to his hometown without interest disputes. It is very touching. This poem is not only lyrical with scenery, but also full of emotion, open realm and fresh style. The most fascinating thing is the tempering of rhetoric.

Among them, the word "green" can be understood by the poet's modification of words, and the blowing is changed to green in order to be vivid. Before this, Wang Anshi also changed the word many times, but in the end it was changed to "green".

Appreciation of Xilin wall

The title Xilin Wall is a summary after visiting Lushan Mountain. It describes the various characteristics of Lushan Mountain, and points out that the observation problem should be objective and comprehensive, and if it is subjective and one-sided, it will not draw a correct conclusion.

The first two sentences, "Looking at the mountain from the side is the peak, and the distance is different", are actually what you saw and heard when you visited the mountain. Lushan Mountain is a hilly and gully mountain with undulating peaks and valleys. Tourists are located in different places and see different scenery. These two sentences summarize and vividly write the various forms of Lushan Mountain.

The last two sentences, "I don't know the true face of Lushan Mountain, but I am only in this mountain", are the experience of reasoning on the spot and talking about traveling to the mountain. Why can't you identify the true face of Lushan Mountain? Because I am in the middle of Lushan Mountain, my vision is limited by the peaks of Lushan Mountain, and I only see one peak, one ridge, one hill and one valley of Lushan Mountain, which is one-sided and inevitably one-sided. This is what you see when you visit the mountains, and it is often the same when you observe things in the world. These two poems are rich in connotation, which enlightens us to understand a philosophy of dealing with people-because people are in different positions and have different starting points, their understanding of objective things is inevitably one-sided; To understand the truth and the whole picture, we must go beyond the narrow scope and get rid of subjective prejudice.

This is a philosophical poem by the richest man, but the poet does not discuss it abstractly, but talks about his unique feelings by tightly holding the mountain tour. With the help of the image of Lushan Mountain, he expressed philosophy in simple terms in popular language, so he was kind and natural and thought-provoking.

10 Appreciation of Leyuan Scenic Area

This poem is written by the author to praise the scenery before dusk in Yuan Ye and express his feelings. Li Shangyin, a poet, foresaw a serious social crisis through the prosperity of the Tang Empire at that time. The poem "to see the sun, for all his glory, buried by the coming night" also indicates that in old age, the beautiful scenery of the past has long gone, and people can't help but sigh that time flies and youth is no longer there. This is the dying man's yearning for a better life, and it is also the author's feeling of the greatness and unsurpassability of life, thus expressing his inner helplessness.

This is a masterpiece with a long reputation.

1 1 music appreciation

Lulun version:

This frontier poem is magnificent and bold, as if people saw the arduous frontier war at that time. There is heroism between the lines, which is exciting after reading.

Poets are good at capturing images and opportunities. This poem only depicts a scene ready for pursuit, aiming to set off the atmosphere at that time. The beauty of it is that it is like an arrow on the string, and it will be the most attractive momentum. This treatment is more enlightening and arouses readers' association and imagination, just like a dragon with its head exposed and its tail hidden in the clouds. If it is looming, it will be more interesting and charming, achieving endless artistic effects.

12 appreciation of Langtaosha

The Yellow River winds from a distant place, carrying thousands of miles of yellow sand.

Since you are from the sky, and now you seem to fly directly to the Milky Way, please take me to the sky, gather in the Milky Way, and go to the home of Cowherd and Weaver Girl together.

This is a famous poem describing the majestic momentum of the Yellow River. Like many other Yellow River poems, Liu Yuxi's Yellow River Poetry begins with a description of the nine waves and nine sands of the Yellow River. Then, following the story of the Cowherd and the Weaver Girl in Zhang Qian's "Poor River Source", the "How the Yellow River Water Moves Out of Heaven" is visualized. Outside Wang Zhihuan and Li Taibai, it has opened up a new realm and added a wonderful layer of myth.

Appreciation of 13 on the pond

The opening sentence of this poem is unusual. The words "little baby punting" and "small" provide us with sufficient imagination and attract readers' attention. Where is this "ship" carrying "little baby" going? It turned out to be "stealing the White Lotus Sect back". He walked quietly while the adults were not looking. Since it is "stealing", it should return quietly without showing traces, but the result is unexpected. "I can't understand the hidden traces, and the duckweeds bloom together." The poet is very good at writing. Instead of writing about how the children were found, he wrote about a long opening left between the pools. Although this five-character quatrain is not long, it is full of endless interest. The first two sentences of the poem are not only full of childlike interest, but also pave the way for the results of the last two sentences. Xiaowa is a Xiaowa after all. He "doesn't know how to hide" and "doesn't understand", which shows that Xiaowa is shallow, naive and naughty. The whole poem is natural and true, full of infinite interest, giving people rich associations and endless aftertaste.

Answer for a long time, hope to adopt ~