What does framing mean in movies?

1. Choose the scene as the object when taking photos or sketching.

2. According to the distance of the scene, framing can be divided into distant view, close view and close-up.

3. according to the camera, it can be divided into: motion framing; Portrait framing; Take a group photo; Still life framing; Empty shots and irregular framing.

Shooting and framing skills:

1, binocular and monocular

The human eye has binocular vision, and the camera lens is "single vision" (except stereo cameras). The beauty that exists in binocular vision due to the stereoscopic effect of an object may not exist in monocular imaging of a lens. When shooting, all means must be mobilized to make people feel the illusion of the picture image and feel that the three-dimensional effect of the object still exists.

2. Multi-sensory and single sensory

The beauty people feel in the real world is often the result of multi-sensory comprehensive feelings such as sight, hearing, smell, touch and taste, while the images they watch and shoot are only the feelings of a single vision. Facing the feelings of the actual scenery, we might as well calmly analyze what will happen if we only rely on visual feelings instead of listening, smelling, touching and tasting? Don't be fooled by its nice sound and taste.

3. Whole and local, environment and object

Some beauty exists in comparison. Beauty in a particular environment may not be beautiful if it is divorced from the environment on which it depends. Although safflower needs the help of green leaves, if the specific object of safflower leaves the environment of green leaves, its beauty will be greatly reduced. Some landscapes are beautiful as a whole, but not necessarily in some places. Some landscapes are beautiful in some places, but the overall beauty is greatly reduced: Venus, a statue with a broken arm, is beautiful, trying to put an arm on her, but no matter how it is designed, it will damage the beautiful image of the broken statue.

4, photosensitive range and color sensitivity

Human eyes can only see visible light, but some digital camera image sensors or infrared films used in traditional cameras can "see" visible light and infrared light that are invisible to human eyes at the same time. The human eye only sees the beauty reflected by visible light, and the image recorded under the influence of infrared light may be more beautiful or uglier. Photographers must be familiar with the photosensitive characteristics of infrared film and image sensor and the influence of infrared light on the captured image, and aim at it when shooting.

The human eye is very sensitive to polarized light in visible light, but adding a polarizer in front of the eye can't filter polarized light. When shooting with a camera, you can add a polarizer in front of the lens. As long as it is properly adjusted, the blue of the blue sky can be unforgettable, the shadow that originally existed behind the glass can disappear from the image, and the flowers and leaves that have turned white under direct light can show extremely saturated colors on the image.

5. Intensity perception and the accumulation of "intensity× time"

In order to let the eyes feel the existence of color, it is necessary to reach a certain brightness. When the light is weak below a certain threshold, the colorful scenery will become a gray world in people's eyes. This is because the division of labor between cone cells and rod cells in human retina is clear, and cone cells that feel color will not work in low brightness and will "strike". However, in the weak light where the human eye can no longer feel the color, if you want to shoot with a camera, you can achieve accurate exposure by extending the exposure time.

6. Pay attention at a glance

People often feel the beauty of the real world in a short glance. Even if I feel it for a long time, I mostly look around with my eyes. Generally, the eyes don't focus on the object for a long time, but the captured images are often displayed in a limited format, and the viewers stare for a long time. Then, can the beauty felt in a short glance stand the test of time without revealing flaws in a long gaze? Photographers must do some consideration and analysis when choosing pictures. A short glance often misses a lot of beautiful feelings, and the typical moments carefully captured in nature will make the beauty leap from the paper.

7. selectivity

Human vision is selective. When people's attention is highly focused on the object of interest, the human eye will ignore the object that is not in the center of attention and turn a blind eye to the surrounding scenery, while the camera can clearly display the scenery within the depth of field and "tell the whole story". This difference requires the photographer not only to pay attention to the subject, but also to look around and examine the front and back, otherwise there will be confusion that was not found when shooting the picture, leaving a failure in the image.

8, three-dimensional and two-dimensional

The scenery in the real world is three-dimensional, and almost all the images taken are two-dimensional. This difference is sometimes subversive. Photographers should try their best to fully publicize the beauty that exists because of the three-dimensional sense and the sense of space on the screen, so that those seemingly scattered scenes can show the beauty of patterns on the screen.

9. Vision

People look at the scenery, see the big at close range, see the small at a distance, and the near big and far small is a spatial perspective; Near looks thick, far looks light, and near thick and far light is air perspective (also called atmospheric perspective). The photographed images also have spatial perspective and aerial perspective. However, the viewing angle displayed on the screen is not exactly the same as the viewing angle felt by human eyes when looking directly at the scene. Sometimes we should pursue the consistency of perspective, sometimes exaggerate the perspective on the screen to get a strong visual impact, and sometimes narrow the perspective on the screen to express a special atmosphere and artistic conception and entrust special emotions. Being able to change the perspective effect displayed on the screen as needed is one of the real kung fu in shooting.

The shooting methods that can be used to adjust the spatial angle of view include: using special lens, adding special accessories in front of the lens, using a camera with the function of adjusting the angle of view, changing the shooting point, and reasonably organizing the picture elements. The adjustment of air perspective mainly focuses on the choice of scenery and the application of filters.

10, finite and infinite

The range that human eyes can see is limited. It can't go deep into the space, it can't see the micro at a close distance, and it can't see the inside of the object clearly. Most people can't even see the underwater world. The combination of camera and special accessories has a pair of "eyes" more than people, which can record the real world that human eyes can't touch, and show the beauty that human eyes ignore or can't see wonderfully on the picture. Photographers must make full use of the lens to capture more beauty in nature.