Traditional Culture Encyclopedia - Photography and portraiture - Who is in the adoptive mother's room in Days of Being Wild?

Who is in the adoptive mother's room in Days of Being Wild?

Who is in the adoptive mother's room in "Days of Being Wild" is not clearly stated in the movie.

"Days of Being Wild" is a high-profile movie that tells the story of a grassroots teenager growing up in adversity. The adoptive mother is one of the most important people in A Fei's growth. With love and care, she gradually helps A Fei come out of the shadows. However, the mysterious figure appearing in the adoptive mother's room made everyone have various associations.

Some people speculate that this person is the adoptive mother’s ex-boyfriend. After all, the two have a close relationship, which will inevitably lead to speculation. Some people think that this man may be A Fei's biological father. After all, A Fei has been looking for his biological parents. But some people have put forward different views. They believe that this mysterious figure may be just a stranger passing by and has nothing to do with A Fei and his adoptive mother. This plot in the movie was just deliberately set up by the director to add to the storyline.

"Days of Being Wild" movie review

The entire "Days of Being Wild" uses a lot of pen and ink to describe Xu Zai's sexiness, the director's photography and editing, especially Leslie Cheung's own The interpretation makes each shot look like a pair of admiring eyes, reflecting a sexy man that is rare in Chinese movies. The setting of the plot of Xu Zai's "finding his mother" seems to have become a ritual metaphor, and Leslie Cheung's performance happened to be a profound portrayal of this theme.

From the perspective of the film's artistic contribution, "Days of Being Wild" shows people a different vision, with MTV-style lens language, unique lens trajectories, unconventional composition ratios, and strong The dark colors and post-modern dialogue methods have deeply influenced Hong Kong movies and created Wong Kar-wai's unique film style.