A lens suitable for landscape photography

First of all, it must be admitted that 24-70F2.8 is a very good lens, with large size, three elements, mirror surface and better image quality than 24- 105F4.

However, although this lens is known as "universal oil", it is far less suitable for travel than 24- 105. After all, travel is not for photography, and most people take photos mainly for commemoration. At most, it is only used to send friends circle, travel notes and QQ space online, and the quality is not as high as that of commercial photography. Honestly, how many shots are there?

Moreover, the telephoto end of 24- 105 is far more than 24-70, and it is applicable to a wider range of scenarios. In addition to taking portraits, many times the scenery also needs telephoto. At that time, I'm afraid I can only look at the telephoto end of only 70mm and sigh.

Besides, the price of 24-70f2.8 is much more expensive than that of 24- 105f4. If it's just a tourist photo, there's no need to spend so much money!

Travel photography is dominated by light. There is only one shot. Let's shoot a shot like 24-70, 24- 105, 24- 120, which are all classic shots. Every camera manufacturer has such a focal length. If the budget is large, choose F2.8 In fact, F4 aperture is enough.

Just like my usual D850 and Z7, they are equipped with 24-70 F2.8 and 24-70 F4 lenses respectively.

Share some photos taken with these two cameras and lenses:

To sum up, if you only bring one lens, then consider my suggestion. I wish you a beautiful work on your journey!

When traveling, the camera only hangs one lens to take pictures of scenery and portraits. Which lens should I choose?

In my opinion, traveling means going into battle lightly. If we take more photos, it will undoubtedly bring inconvenience and burden to our journey. So which lens should I choose when traveling? Let's talk about this problem together.

In fact, I often hang a 35-focus camera on my body when I go out. Some friends will say that you can shoot anything. If I shoot a big scene, I will use a microphone. The head shot of this traveler's portrait is also quite good, very light and almost unaffordable.

If you have a 24-70 lens, it is also a good choice to go out. Everything from scenery to portraits can be photographed, and it can cope with the shooting of most scenes during the trip.

Actually, I'd like to recommend the small ternary lens, Nikon's 24- 120 and Canon's 24- 105. This lens is much lighter than 24-70, and the imaging is good. It is the most practical and good choice to go out and concentrate.

The above is my recommendation. Which lens do you take when traveling?

I am a sword dance image, welcome to pay attention, and let's exchange photography problems together.

It's not impossible to take one when traveling, but you can't have your cake and eat it. One shot is about landscapes and portraits. In fact, there are many choices, but the picture quality will definitely be lacking, so you can only choose a zoom lens!

A good landscape photo shows the majestic momentum and needs a wide-angle lens to shoot. Nikon 14-24mmF2.8, 16-35mmF4, 24-70mmF2.8 are all good choices! Canon 16-35mmF2.8, 17-40mf4, 16-35mmF4, 24-70mmF2.8, or1-24mf4! These are good scenery shots!

From the above lens, you can choose some focal shots, and only a few are selected, 16-35mm, 17-40mm, and the aperture is 2.8 and 4. Portrait, of course, it is best to have a large aperture. F2.8 only 16-35mmF2.8 and 24-70, Nikon 14-24mmF2.8 and 24-70mmf2.8. ..

When traveling, from a professional point of view, it is best to bring a Quan Huafu SLR camera, such as Canon 5D3. The lens is preferably equipped with zoom lenses such as 70-200, 24- 105, 24-70, 16-35. If you carry a lens, it is best to have a focal length of 70-200, which is very suitable for shooting scenery, and portrait photography can also meet the requirements of photographers.

The first one is 16mm-35mm wide-angle lens zoom, the second one is 24mm-70mm standard zoom lens zoom, the third one is 70mm-200mm telephoto zoom lens zoom, and the fourth one is 50mm portrait fixed-focus lens zoom. Which of these four models would you choose? In fact, there is no specific answer to this multiple-choice question. As long as a shot is suitable for your subject, then this shot is what you want to take out.

The four kinds of lenses given above are the most commonly used lenses, and they are all good lenses. You can choose the lens that suits you best according to your actual situation and take it out for a trip.

1. This 16mm-35mm zoom wide-angle lens relies on 16-35mm lens to shoot scenery. It can be described as a classic in wide-angle lens, which is very suitable for shooting big scenes outside. The vision will be very broad and the shooting effect will be quite shocking. This kind of lens is suitable for shooting landscape works with wide vision, such as commanding mountains, shooting grasslands, deserts, seas and other themes, and the effect is very good.

Canon EF 16-35mm F/2.8L III USM wide-angle zoom lens.

Compared with the previous generation, Canon EF 16-35mm f/2.8L III USM lens has a sufficiently wide focal length and a large aperture of F2.8, and its stronger image resolution and optical quality can more easily meet the shooting requirements of high-pixel bodies. At the same time, the high-level mirror body workmanship and configuration are also worthy of the positioning of high-end lenses in the red circle, which can cope with the tests of many different climates. I believe that for every landscape lover, Canon EF 16-35mm f/2.8L III USM lens is worth choosing.

Sony vario-tessar t * Fe16-35mm f4zaoss Quan Huafu Zeiss wide-angle zoom micro-camera lens e-mount (SEL 1635Z).

2. This 24mm-70mm zoom lens can be described as a "street sweeping" weapon. The focal length covers from wide angle to medium telephoto, and it has excellent performance in shooting landscapes, portraits and small scenes. The disadvantage is that there is no telephoto function. You can take portraits above and scenery below. Set wide angle, portrait, medium focus lens in one, the focal length is really convenient. Hanging up and shooting is nothing more than shooting between scenery and portraits. The scenery is also quite powerful, even if you stand still in the same position, you can take many pictures of composition!

Sony Fe 24-70mm2.8gm Quan Huafu standard zoom G main lens E mount (SEL2470GM)

24-70mm means a larger aperture. By adjusting the aperture, you can take a photo with a more blurred background. If telephoto is used, the longer the focal length is under the same aperture, the greater the degree of blur, and different focal lengths are different. For a simple example, if the proportion of people in the photo is the same, the background intake range of people with different focal lengths is different, and the telephoto intake range is narrower and less, which is easy to control and highlight.

Nikon AF-S 24-70 mm f/2.8 G ED lens

24mm wide-angle start, the proportion is not more than 24, 70mm, and the mid-range proportion is not more than 70mm of 70-200, and the image quality is not up to good expectations! There is little difference between the focal length of 50mm and the focal length of 70mm, and there is neither the feeling of cutting machine nor the sense of depth of field! It is really convenient!

Canon EF 24-70 mm f/2.8L II USM standard zoom lens

3. This 70mm-200mm zoom lens is mainly used to shoot portraits, with a focal length of 70-200 starting from 70. Although it is the focal length of the portrait, does it feel very limited? Yes, but you must have excellent image quality and powerful blur effect to be eye-catching! Especially for location shooting, you can shoot the whole body from a distance, close to some 200-end compressed close-ups, and the blur effect is really comfortable! If you have the heart to match a little prospect, even leaves and grass can highlight the subjective virtual environment! This is one of the biggest uses of 70-200! If you go out to sweep the street, the advantage of 70-200 is more obvious. No matter how bad the environment is, it is basically a very beautiful background, with 2.8 aperture and large focal length!

Canon EF 70-200mm f/2.8L IS III USM

Telephoto can also shoot scenery, which is another big advantage of 70-200! After all, when it comes to landscape shooting, it is more of a wide-angle end, and the scenery of 70-200 is not very pleasant! Next, I will give you an overview of telephoto landscape shooting! Wide angle can take wider and more magnificent scenery, telephoto can take more unique scenery photos,

Sony Fe 70-200mm f 2.8 GMOs Quan Huafu telephoto zoom G main lens E bayonet (SEL70200GM)

Before the virtual reality, before the real virtual understanding! Telephoto shooting scenery, can take photos that are far away, but seem to be close at hand, with a strong sense of depth of field, especially delicious! It's worth trying to shoot the scenery with telephoto!

Nikon AF-S Nicole 70-200mm f/2.8E FL ED VR "Big Ternary" large aperture telephoto zoom lens Nikon lens.

4. This 50mm fixed-focus lens is a classic portrait lens, and its imaging effect is closest to that seen by human eyes, so it is also called a standard lens, 50 mm1.8 50 mm1.4 50 mm1.2.

Canon ef 50 mm f/ 1.8 STM standard fixed-focus lens

These three lenses are only different in aperture, but their prices are far from each other (not only the aperture, but also the lens inside), but they are all 50 mm If you install them on a camera, the focal length will make no difference. Why is the big aperture so expensive?

Sony Planar T * Fe 50 mm F 1.4ZA Quan Huafu Zeiss standard fixed-focus micro-camera lens E bayonet (SEL50F 14Z) portrait street shooting night scene.

Leica lens Leica camera lens M series special fixed-focus lens standard focal length lens LUX-M 50mm F/ 1.4 ASPH silver.

If I travel with only one shot, considering the scenery, people and portraits, I will choose 24- 105mm.

Why?

First of all, the focal length is too suitable. Although 24- 105mm is the dog's head in Canon's red circle lens, it is generally used as the camera lens of a full-frame camera, but it is undeniable that this lens is really classic and this focal length is very practical. The widest angle of 24 mm is not too distorted. Although it is not too wide to take a wide-angle scenery film, it is enough for travel. The longest portrait of 105mm also has some blurring effects. Although the maximum aperture is f4, this focal length can also produce some sense of compression. There are also classic focal lengths of 35mm, 50mm and 85mm in the middle, which is very practical. You don't have to worry about whether you can shoot the desired scene during your trip. You can basically shoot most of it.

Secondly, a constant f4 aperture is enough for travel. Why do you say that? Because most of the day trips are outdoors, the maximum constant aperture of f4 is generally enough. It can't compare with the zoom lens of f2.8, and it can't compare with the fixed-focus lens with large aperture, but the appropriate focal length and sufficient aperture are the characteristics of tourist lenses.

Third, it is light. This shot is the light in Quan Huafu's shot. Don't compare with the half-frame lens, and don't compare with m43. In Quan Huafu, it is really difficult to control the lens volume at this level with such a focal length, and the weight is also suitable for carrying.

Fourth, with anti-shake. The anti-shake level is not high, but traveling is definitely better than not shaking. Slight hand shake and jitter, is this anti-shake or effective? It's important to take photos when traveling.

Of course, this lens also has shortcomings, such as the inner barrel of the lens often slides out by itself, and there is no locking device, so pay attention to it when using it; The straight color is average, but if you use raw, you can ignore this; The maximum aperture is a bit fleshy, which I personally don't think, f4 is available; The distortion is a bit heavy. This can be corrected later.

In short, for travel, 24- 105mm is completely qualified and very suitable. If I choose a travel lens, it is 24-105 mm.

Jump back!

First, I don't advocate that SLR cameras "travel all over the world in one mirror". The most important function of a SLR camera is the detachable lens. If you have to pursue lightness and quickness, you don't need to bring a SLR. Mobile phones, micro-cameras, and card machines are all very light, and they can also meet most scenes shooting, if you don't have much pursuit of image quality.

SLR must have a certain pursuit of photography and develop in a professional direction. Even if it is not necessarily professional, it must want to shoot special light and shadow effects. In that case, why do you have to jump into an unnecessary hole with an amateur head?

18- 135, 24- 105, 24-70, the shorter the zoom, the better the picture quality. The larger the constant aperture, the more expensive it is. This is why professional photographers always use fixed-focus lenses in the end.

Third, if your photography level reaches a certain level, you have a clear creative direction and your own style, you can really use only one head because you have a clear choice and know what you need and what you don't need.

Those who shoot landscapes have a wide angle, and those who shoot portraits have a telephoto. You don't even need to zoom, just bring a fixed focus. But that's already the realm after experiencing human scenery and reading countless people. At least I haven't reached this level.

Fourth, personal experience, travel, with 16-35, 70-200 is enough, do not take pictures of birds, do not take panoramic pictures (you can also take pictures later), taking pictures of landscapes and portraits is already very rich. Weight, one more lens is far from as heavy as you think.

Back to the question, if you have to travel with only one lens, consider the trade-off. If the picture quality is not high, you can choose 27-70, 27- 105 or even 18- 135.

If the picture quality is also special, the main shot 16-35 wide angle, the main shot 70-200 telephoto, and the rest are supplemented by mobile phones, which is fast and convenient.

You want everything, but you often get nothing.

When traveling, the camera only hangs one lens to take pictures of scenery and portraits. Which lens should I choose?

After reading the question, you will know that you want to choose a lens that "walks the world in one mirror"?

Broadly speaking, any lens can shoot landscapes and portraits, depending on your own creative intention. Someone may recommend a 50 or 35 lens to you, telling you that the lens is close to people's binocular vision and you can shoot whatever you see.

Maybe some photographers will recommend stereo lenses, and any lens can achieve the fruit shooting effect.

Nikon users may recommend AF24- 120mm to you.

Canon users may wish to recommend EF24- 105mm to you.

Sony users may recommend FE24-240mm to you.

There is no problem with the recommendation and selection of lenses, and it is also in line with the creation of portraits and landscape photos.

I answer you like this:

From 1 1mm to 600mm, you can shoot landscapes and portraits, and the rest depends on how you shoot and create when you travel.

The wide-angle lens is obviously wide in scenery, creative in portrait shooting and long in waist and legs.

16-35 recommended to you during your trip. This lens is enough for travel, and it is not heavy.

I also tell you that the creative effect of taking a portrait group photo is very good, but when taking a formal group photo, you must remember that the character is placed in the center of the picture, otherwise the distortion of the edge of the wide-angle lens will lead to the portrait deformation in the vertical and horizontal directions.

But if you don't have this lens, you can choose one of your hands to travel.

Thanks for inviting discussion!

My suggestion is a 24- 105mm F4 lens.

Ordinary tourism shooting is usually about scenery and people, so the 24mm in this shot is responsible for shooting a vast scene. Although 24mm is not a super wide angle, it can basically contain the picture you want outdoors, and after zooming, it covers 35mm and 50mm, the two most commonly used human shooting focal lengths, which is very practical. Finally, the telephoto end can reach 105mm, which is considered as the focal length of medium telephoto, unless Africa shoots lions in the distance, which is enough.

Some people will recommend 24-70, which is also a very common focal length, but in actual shooting, 70mm is still a little short, and we can easily twist it to the 70 end and find it is not enough.

24- 105 is usually matched with a constant F4 aperture with anti-shake. The advantage of F4 constant aperture is that you can also use F4 maximum aperture at the end of 105mm. If you are shooting people, it is easy to blur.

At the same time, F4 aperture means that the size of the lens will not be very large, and it also has anti-shake, which is a very practical configuration ~

Therefore, in terms of size and practicality, I think the best lens with one camera and one mirror belongs to 24- 105, which is the most practical ~ people and scenery are good.