Traditional Culture Encyclopedia - Photography and portraiture - Shan tearoom photography

Shan tearoom photography

Wu Zhihua, born in Jinzhou, is known as Lord of Kuhan Zhai, 1963. I have painstakingly studied calligraphy and painting for decades and formed my own unique creative style. "Momo Danqing Book is a piano, and you are happy with Chyi Chin tea." When I first met Mr. Wu in his Bashan Teahouse, I was attracted by the unique calligraphy works on both sides of the corridor as soon as I entered the gate and walked up the steps. I imagined that Mr. Wu didn't know what gesture it would be, and I was a little nervous. However, compared with Mr. Wu, his generous, cheerful, simple and peaceful language only makes me feel that he is as close as a friend I have known for a long time. There is no affectation between words and manners, and the approachable Huazi teacher is like the warm wind blowing in March in spring, unconsciously sweeping away my previous troubles.

Wu, who has a distinct personality, has always been brave and chivalrous, and has a passion for calligraphy and painters. Rich experience has deepened his understanding and sentiment of life, and military life has given him a sense of heroism. He was hired as a calligraphy professor by a university, founded the first radio, film and television college of a national private university, and served as vice president. Wu, who loved the art of calligraphy and painting since childhood, constantly studied inscriptions on bronze, stone drums, seal cutting, official business, travel and cursive script, and integrated the strengths of a hundred schools of thought to make up for their own shortcomings and build their own Excellence. With his talent and diligence, the artistic level of calligraphy and painting has been continuously improved and perfected, and a large number of excellent works have been created, gradually showing a mature personal style.

As the saying goes, "change makes sense, and the general rules remain unchanged." Wu's books express the spirit alone, not rigidly adhere to the form, and the biggest visual impact is bold and free, and the spirit is superior. Teacher Huazi has been pursuing an artistic conception of "having substance in words". His books change with the meaning of words, sometimes vigorous and heavy, sometimes tall and straight and handsome, sometimes wild and colorful, full of momentum, dotted with lines and faces, pen and ink, elegant and self-satisfied lines. Teacher Huazi's calligraphy is like a person, who can restrain, improve, fly and move, with the mystery of guzheng and the taste of winning the golden stone. The cursive script inherits the predecessors and blends into one, forming a distinctive personality of freedom and unrestrained. Reading his cursive script "The First Monkey Head", the pen is vigorous and natural, and it bends into interest, just like a spiritual monkey sitting on a branch and watching intently. The couplet written specifically for the word "longevity" is even more impressive, unconventional and accurate. From Mr. Wu's calligraphy works, we can see that he has found his own way on the basis of learning from his predecessors. He not only absorbed the essence of predecessors, but also integrated the pursuit of innovation and change of modern people. He used his understanding of China's calligraphy to express his true feelings, so his passion and personality were beyond words.

Teacher Wu grew up in Qinba Mountain area, which can be described as the spirit of mountains and rivers. His paintings benefit from tradition, but they are not limited to tradition. Row upon row, mountains and valleys, flowing springs and waterfalls, and Gu Teng's hut all come from the mountains and rivers in his memory. A large-scale work, vigorous and profound; Small paintings are even more lyrical and unique. The picture not only has a subtle and far-reaching artistic conception beyond imagination, but also has a spiritual shock that really resonates; It has both dynamic charm and relaxed visual pleasure. Between the inner simplicity and purity, what is vented is the hearty artistic conception, and what is promoted is the rhythm and spirit. Every work shows his rich feelings of loving art and life, and is full of his ups and downs of spiritual world. No wonder some people say that hanging Zhong Kui to ward off evil spirits makes Hanako's calligraphy and painting have aura. Wu cultivated self-cultivation in tea tasting, talked about everything and felt at ease. He filters the inspiration he has captured and injects the best ideas into the pen, so his paintings and calligraphy always make readers feel the same.