Portrait photography composition paper

Light is always a photographer's concern. A real photographer will pay attention to and use light. The following is my portrait photography composition paper for your reference.

Portrait Photographic Composition Papers (I)

There are many kinds of photographic compositions. In general, photographers like to put the main characters in the middle of the picture or the golden section, so that the main characters can be clearly presented to us. A photo, if it doesn't have a good composition form, often can't be fascinating, and it can't fully express the content. In the realm of freedom of art, photography is as important as painting and composition. Excellent composition can make the picture clear, detailed and appropriate, giving people a sense of beauty. A photo, if it doesn't have a good composition form, is fascinating, and it can't fully express its content.

However, there is no formula for composition, and sometimes finding another way may lead to unexpected results. Photographic creation is inseparable from composition. Photographic composition, like painting composition, can better reflect the characteristics of the picture only if the composition is reasonable. A perfect composition of photography often gives people a sense of beauty, and our usual photography must follow certain rules to attract others more. Each composition has its own advantages and disadvantages.

Composition characteristics

1. Balanced composition. Give people a sense of satisfaction, the picture structure is perfect, the arrangement is clever, and it is corresponding and balanced. Often used for moonlit night, water, night scenes, news and other themes.

2. Symmetric composition. It is characterized by balance, stability and relativity. Disadvantages: dull and lack of change. It is often used to express symmetrical objects, buildings and objects with special styles.

3. Variational composition. Scenery deliberately arranged in a corner or a side can give people thinking and imagination, and leave room for further judgment. Full of charm and interest. It is often used in small landscapes, sports, artistic photography, humorous photos, etc.

4. Diagonal composition. Arranging the subject on the diagonal can effectively use the length of the diagonal of the picture, and at the same time, it can also make the companion have a direct relationship with the subject. Dynamic and lively, it is easy to produce the convergence trend of lines, attract people's attention, and achieve the effect of highlighting the subject (such as spotlight illuminating the subject).

5. X-shaped composition. The lines and tones are laid out in an X-shape, which is strong, which is conducive to guiding people's sight from the periphery to the center, or the scenery has the characteristics of gradually enlarging from the center to the periphery. Often used in architecture, bridges, highways, fields and other themes.

6. Compact composition. Enlarge the main body of the scene in the form of close-up, so that it is full of pictures locally, which is compact, delicate and microscopic. Often used for portraits, photomicrography, or to show local details. It is unforgettable to portray the face of a character in a vivid way.

7. Triangle composition. The three visual centers are the main positions of the scene, and sometimes the geometric formation of three points into one plane arranges the position of the scene to form a stable triangle. This triangle can be a regular triangle, an oblique triangle or an inverted triangle. Among them, oblique triangle is more commonly used and flexible. Triangle composition has the characteristics of stability, balance and flexibility.

8. S type composition. The scenery on the screen is in the form of S-shaped curve composition, which has the characteristics of extension and change, making people look rhythmic and produce a feeling of beauty, elegance and coordination. When it is necessary to express the subject in the form of curve, we should first think of using S-shaped composition. Commonly used in rivers, streams, winding paths, paths, etc.

9. The composition of Jiugongge puts the subject or important scenery in? Jiugongge? On the location of the intersection. ? Well? The four intersections of words are the best positions of the subject. Generally speaking, the intersection at the upper right is the most ideal, followed by the intersection at the lower right. But it is not static. This composition format is more in line with people's visual habits, making the subject naturally become the visual center, with the characteristics of highlighting the subject and making the picture tend to be balanced.

1. sketch composition. Through close-up and other means, and according to the idea, it is a way of composition to turn a small scene that is not surprising into a humorous picture full of interest and profound meaning. It is characterized by free imagination and eclecticism. This composition has no certain rules.

11. centripetal composition. The subject is in the center, and the surrounding scenery is in the form of composition concentrated towards the center, which can strongly lead people's eyes to the center of the subject and play a role in gathering. It has the distinct characteristics of highlighting the main body, but sometimes it can also produce the feeling of oppressing the center and being embarrassed.

12. vertical composition. Can fully display the height and depth of the scene. It is often used to express towering trees, steep rocks, waterfalls, skyscrapers and other pictures composed of vertical lines.

13. Composition of fractions. Divide the left and right or up and down of the picture into two parts with a ratio of 2:1, forming a left and right echo or up and down echo, and the performance space is relatively wide. One part of the picture is the main body, and the other half is the companion. Often used to express people, sports, scenery, architecture and other themes.

composition skills of people on location

the position of the picture refers to the position of the subject (person) in the picture. This seemingly simple question is of great significance in actual shooting.

first of all, because we can't change the location of the scene when we actually shoot the location, sometimes it's difficult for us. Scene? Generally speaking, the shooting angle is unique, at this time, the characters play the role of balancing the picture in the picture; Secondly, the photographer not only decides the position of the characters in the picture, but also expresses his understanding of the picture and gives it meaning.

when it comes to the position of the picture, you must first decide whether to shoot horizontally or vertically. When the frame is the same as the main direction (the main direction refers to whether the subject's posture is upright or recumbent), for example, when the figure stands and adopts vertical width, the performance of the picture is mainly to highlight the figure; When the frame is in the opposite direction to the main body, such as when a character stands and takes a banner, what does the picture look like? People in the scene? That is, the relationship between people and scenery is dominant. Of course, this refers to the situation when the proportion of the area occupied by the characters in the picture is reasonable.

according to the traditional view, there are six commonly used picture positions: the center line position, the golden section position, the three-point line position, the diagonal line position, the edge position and the corner position. Choosing which position to place the subject depends mainly on the characteristics of the scene or the attitude or eyes of the subject.

central position:

when the scene itself is symmetrical or has no sense of direction and the posture of the subject has no obvious direction, the central position is generally adopted.

golden section position:

when the scene itself is symmetrical or has no sense of direction and the posture of the subject has obvious directionality, the golden section position is generally adopted. (The position of the golden section line can be simply understood as the position between the middle line and the three-point line).

position of the three-point line:

when the scene itself is not balanced, the subject should be placed at the corresponding three-point line position in the picture for the sense of balance of the whole picture.

Edge position of the picture:

Edge position of the picture refers to the position beyond the three-point line in the picture to the edge of the picture. It can be seen that in the above-mentioned picture position, the position of the subject in the picture is within the range of four three-point boxes in the picture. The position beyond this range is regarded as the edge of the picture. When the subject is placed on the edge of the picture, what is the performance of the middle scene in the picture? Maximize? Yes. It is often used in the popular tourist wedding photography. But the edge position of the upper part of the picture is rarely used.

corner position of the screen:

in? Jiugongge? In the divided picture, the four positions such as upper left, lower left, upper right and lower right are called the corners of the picture.

Precautions for photographic composition

1. The picture is too full. Some beginners like to make the subject stand tall and full of pictures when taking pictures, which is not conducive to cutting in the post-production process of photos. At the same time, it will make the work appear stiff and rigid.

2. When you hit your head against the south wall to shoot a portrait on the side or an object with forward momentum, you don't leave a certain space in front of the main body of the picture, giving people the feeling that your head hits the south wall, and the picture looks dull and depressed.

3. Improper selection of the background with attachments leads to the phenomenon that chimneys grow on the shoulders and big branches pop up on the heads, which destroys the original image of the characters.

4. The fun center lacks the spirit of giving up what one favours when shooting. Fish? Area,? Bear's paw Also take, the intention of eclecticism, but caused the picture without primary and secondary, small clue, loose structure, chaotic phenomenon.

5. Imbalance The coordination of tone structure and color structure of the picture is not taken into account in composition, resulting in the imbalance of color and tone of the picture and affecting the photo effect.

6. When the subject is with the tall background, Gu Jing ignores people and raises the camera blindly, resulting in a full shot, but the figure often has only one head left on the screen, which is very ugly.

7. When taking a group photo, the position of the characters is not arranged properly, so a trend of moving closer to the core cannot be formed, and the picture situation is split, which is not consistent with the theme of the work.

Portrait Photography Composition Paper (II)

Abstract: Color design in portrait photography composition mainly refers to how photographers use the characteristics of color photographic materials, the effect of lighting, the color layout of people and environment, and the performance of various photographic filters to create ideal color effects. It includes the emotional color expressed by the photographer, the typical image color of the person being photographed, and the theme color rendered by the content of the work.

Keywords: portrait photography; Color design

1. Let the colors in the picture achieve the function of enriching feelings

Marx once said: The feeling of color is the most popular feeling in general aesthetic feeling. ? Is this what people often say? Emotional color? .

the feelings of color are often expressed by artists? Thoughts? To reflect. As the saying goes, Emotional color? In fact, it refers to the feelings that artists use color to express. Color can express feelings, except for people's physiological and psychological factors, and most of them lie in people's habitual association with color. For example, red is like the rising sun and fire, giving people a great sense of warmth and strength. Red is a very active color. In a large picture, as long as there is a small piece of red, it can bring vitality to the photo. Green is a symbol of life, while blue symbolizes calmness, coldness and profundity, giving people the feeling of retreating and shrinking inward.

For example, the subject is an innocent girl. In order to show her liveliness, purity and unceasing pursuit, we can use high purity, bright and lively colors (or strong contrast colors), of course, warm colors are the main colors. If we want to show the light and happy feelings of the subject, we can decorate the color group with high brightness with low brightness. If we want to show the subject's strong sense of depression, depression and depression, we can use low brightness and low purity colors for color design.

second, keep the colors in sharp contrast

The color atmosphere comes from the color contrast. Without contrast, there is no difference between light and dark. The difference between bright and dark, the difference between cold and warm. If you want the colors in the photos to be in sharp contrast, you can design the colors from the following aspects.

1. Use the lightness of colors to enhance the contrast. The same color, under the background of different brightness, shows different brightness. If the bright color is set off by the dark color, it will appear brighter, while under the contrast of the bright color, it will appear pale. Therefore, to make the bright color appear brighter, you can choose the dark color as a foil, and to make the dark color appear darker, you can choose the bright color as a foil.

2. Use different hues to create contrast. People often arrange various hues of color in a color ring table in spectral order. It's called the color ring. On the color ring, the color contrast is weak when the distance is close, and strong when the distance is far. Generally speaking, the colors within 6 on the color ring are called the same color, the colors are relatively weak, and the colors within 12 are weak contrast. To make the color contrast strong, the colors with a gap of 12-18 are desirable, which will produce strong hue contrast.

3. Use the purity of color to make contrast. When two colors with different purity meet, the color with higher purity will appear brighter and the color with lower purity will appear dimmer. In terms of color arrangement, if you deliberately let the low-purity scenery set off the high-purity main color, you can also make the picture colorful but not vulgar.

4. Use the area of color to create contrast. The concentration and dispersion of various colors in the photo have different effects. If the main color area is concentrated, its contrast with the background color will be strong; if it is dispersed into small pieces, its contrast with the background color will be weakened. To make the main color vivid, the area of the main color can be relatively concentrated. When there are great differences in the areas of various colors in painting, the area of one color is absolutely dominant, while the area of another (or several) colors accounts for a small part, which often produces strong color contrast and makes the artistic expression of the work stronger.

5. Use the cold and warm feeling of color to create contrast. The contrast between cool color and warm color can form color contrast, enrich the picture effect, reduce the brightness contrast, and enhance the contrast between cold and warm.

Third, use the unity and difference of colors to create color effects

In the color design of portrait photography, people often use? Color harmony system? As a yardstick for appreciating and evaluating portrait works. Photographers often use traditional colors to pursue the harmony and unity of painting. In portrait photography, what kind? Red dress, red hat and red background? When the portrait of the person appeared, it gave a refreshing feeling. This kind? -Red? (Also included? -Yellow? 、? -Green? And so on), the color unity is a single color unity, or the unity of similar colors, and the unified colors will naturally be harmonious.

In portrait photography, properly combining two or more TINT with strong contrast can produce bright contrast and bright uniform color effect. I have seen such a photographic work. The author sets off a young girl wearing a yellow silk scarf with a high blue sky and a vast sea as the background. The passionate sea wind blows her hair and silk scarf, which is like dancing, full of youthful vitality and tender feelings like the sea. The whole picture is in sharp contrast with a large area of blue fading and dazzling golden blocks. Here, yellow and blue are complementary colors, and they are juxtaposed to form a strong color contrast. This work uses the contrast of complementary colors to complete the picture composition, and properly uses the bright and saturated yellow and the blue sky and the sea to complement each other, so that the girl with her head held high is more youthful and energetic, and the whole picture has a unique charm. From this, we can say that after the contrasting colors form a system, its harmony is far more infectious and attractive than the unity formed by a single color.

For portrait photography composition, color design, as a form, its most fundamental function is to shape the image and expression of characters.