Basic information about the happy moment

Title: Happy Together/Happy Together/Happy Together/Blowup/Blow-Up/BlowUp/happy together Duration: 111 minutes

Type: Drama Thriller Suspense< /p>

Region: United Kingdom Italy

Director: Michelangelo Antonioni

Year: November 1966

Language ：English level: Australia:M/Canada:14A Finland:K-16 Italy:VM14 /Sweden:15/ UK:15UK:X USA:Unrated

Video introduction: Photographer Thomas is a cynical young lover A series of photos of men and women in . The woman named Jane was almost crazy when she found out, and even sacrificed herself to get the negatives of these photos. It seemed that these negatives would reveal some secrets. Suspicious, Thomas enlarged the photo, and in the smallest detail, he believed he had discovered a murder, and that Jane was the key figure in this mysterious murder. The rest of the film is devoted to the actions Thomas takes to prove his hypothesis. But his investigation and evidence collection were in vain, and all the evidence could not clearly prove anything, as if this was just an illusion of provocation

Director introduction: Italian director. Before the age of 20, I was fascinated by architectural models, and later became obsessed with drama. He once tried to shoot a documentary about a mental hospital. This experience led him to advocate inner realism in his later works, and it also foreshadowed that his future works would focus on the pathology and alienation of human mental states. From 1939 to 1940, he served as editor of Cinema, an authoritative film magazine in Rome. After a short period of study at the Center for Experimental Cinema in Rome, he began writing screenplays.

Started shooting various short films and documentaries in 1940. In 1950, he found a backstage boss and started filming his debut feature film "Love Story". He deviated from the popular neo-realism and focused on interpersonal relationships. Visually, he also developed an "anti-cinematic" tendency, a kind of "inner film". "Eclipse" and "Magnification" won the Special Jury Prize at the Cannes Film Festival; "Red Desert" won the Golden Lion at the Venice Film Festival. The work simplifies or even abandons narrative and dramatic conflicts, showing a complex and mysterious atmosphere. It puts contemplation and imagery above the story and characters. It uses floating thoughts with no way out and riddles with only riddles but no answers, giving people a sense of unrest.