Traditional Culture Encyclopedia - Photography and portraiture - How are water droplets formed in macro photography?
How are water droplets formed in macro photography?
1. aperture size. Under the condition of constant focal length, the larger the aperture, the shallower the depth of field, and the smaller the aperture, the deeper the depth of field. In order to show the details of flowers, birds, fish and insects, and to increase the clarity of the subject in the vertical direction, it is generally suitable to use a larger aperture value to deepen the depth of field.
2. The distance between the lens and the scene. The farther the distance, the deeper the depth of field, and the closer the distance, the shallower the depth of field. When shooting, it is best to put all the objects to be shot in the same plane perpendicular to the lens axis, otherwise some objects may not be sharp enough. If possible, you can configure a wide-angle lens, which will not only increase the depth of field, but also bring you closer to the scene.
3. focal length. The greater the focal length, the shallower the depth of field, the smaller the focal length and the deeper the depth of field. Different combinations of aperture and focal length can produce different depth of field. Learn to use the combination of aperture and focal length reasonably, which can not only blur the background, but also ensure the clarity of the subject. If you take macro shots with remote zoom, the photos you take will not be ideal. Exposure and Background The exposure procedure of macro photography is slightly different from that of ordinary photography, because the objects of macro photography are generally very small, occupying only a small part of the space, and the exposure procedure is likely to be fooled by the background, so it is best to artificially add the background when shooting, which can make the theme more prominent. To add a background, you can generally choose neutral gray paper as the background. On the one hand, using gray can make the exposure more accurate, on the other hand, using gray can make the background look bright, which can be matched with ordinary colors. You can also use white or black background, but pay special attention to it, because they can easily lead to inaccurate exposure, resulting in overexposure or underexposure. At this time, it is necessary to use exposure compensation to adjust. If the background is too dark, increase the exposure; if it is too bright, decrease the exposure. The light control of macro photography is essentially to adjust the proportion of natural light and artificial light, and the correct running light can create different atmosphere and artistic conception. But generally no flash is used. Although the flash can shorten the exposure time, get a deeper depth of field, and reduce the influence of jitter or object movement during exposure, it is more difficult to use the flash in macro shooting than the normal mode, which is easy to cause overexposure. Therefore, general photographers should pay attention to the irradiation direction of light when taking macro shots, make good use of natural light as far as possible, and ensure that light shines evenly on the subject. In most cases, the light on the side can highlight the texture of the object. If the natural light is insufficient or the lighting position is improper, you can use a flashlight or a white foam board (as a reflector) to fill the light. If the matters needing attention when shooting are still life of flowers and plants, then you can carefully consider the use of light and modeling. Large aperture can help you get excellent shallow depth of field, and the light transmittance is large, so the film is not easy to break, and at the same time you can get artistic aesthetic effect. However, because it is a microscopic world, the camera lens is very close to the subject, which is likely to block some light, so auxiliary light is essential. If shooting indoors, please use a high-power household lamp or something. It doesn't matter whether it is incandescent lamp or fluorescent lamp, because DC has white balance adjustment, so it's no big deal to try it several times. In addition, it is also a good suggestion to fill the light with a whiteboard. In order to get clear photos, tripods and monopods that help stabilize the camera are essential. If the subject is a small insect that is afraid of being disturbed and moves quickly, a high-speed shutter is the first factor. There are three ways to get a high-speed shutter. One is to use a large aperture, which can increase the shutter speed accordingly when the amount of light entering is sufficient. The second is to use high ISO, but high ISO will make the picture rough and enhance the graininess. Because the microscopic world must be finer and better, it is not recommended to use it unless you can get a sufficiently fine picture under high ISO (many new SLR digital cameras can also get transparent films under ISO800). The third is to use a flash. For example, in order to take a picture of locusts with a clear sense of depth, you can only get it through a small aperture, but the negative effects brought by a small aperture are the decrease of transparency and shutter speed, while fast-moving animals will not give you the opportunity to play an auxiliary lighting for a long time. Flash is the only option, you should act quickly. To avoid direct exposure, please add a soft mask to the flash. The hint you need.
1. Use the remote control or cable release to get clear photos, or use the camera's self-timer function.
2. In photometry focusing mode, there is no need for spot measurement as much as possible, because the focus measurement is not accurate when spot measurement is made. The average consumer's DC manual focusing function is weak, but it is difficult to focus accurately when the subject is small. You can hold a watch and other large objects at the same distance to help focus.
3. Use the LCD screen to view the camera, because the macro itself is very close to the subject, and it is not only indecent to use the viewfinder to view the camera, but also difficult to stabilize the camera. Using the LCD screen to view the scene, the photographer can compose the composition calmly and easily see the final shallow depth of field effect.
4. Pay attention to the background. Although macro can generally blur the background well, we should also pay attention to the seams between background objects, sometimes it will destroy the overall effect carelessly.
5. Cleverly match different photographic equipment. Some colleagues have successfully used E20P. At this time, the meter head in turn becomes a magnifying glass, which can get better macro effect. Although there are black circles in the imaging, it is enough to use large resolution for cropping.
6. Try the backlight effect properly. In particular, plants with thin and transparent edges, such as flowers and leaves, will show special aesthetic feeling under backlight.
7. In tourist attractions, such as wind-eroded stone carvings and rusty door locks, they will show a strong texture when shooting at macro.
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