Poems on the Aestheticism of Elk

1. Introduction: Red Wall (rén) and (xū) Around autumn, in July, Perilla went boating with guests and swam under the red cliff. Su Shi's manuscript of Qing Feng Chibi Fu

Xu Lai, the waves are quiet. Give wine (zhǔ) guests, recite moon poems and sing graceful chapters. Small (sh ǒ o) swallow, the moon rises in Dongshan, wandering among cattle. Milky white fog across the river, clear water. Let the boat float on the boundless river and cross the boundless river. The vastness is like a virtual wind, and I don't know where it ends; Floating like an independent world, feathering into a fairy. At this time, he was very happy to drink, slapping the ship's rail with his hand and singing. Song Yue said, "Zhugui (zhào) blows the blue oar, striking the sky and tracing the streamer. I am pregnant, and I hope that beauty is on one side. " The piper leans on the song and makes peace (hè). Its voice is full of resentment, longing, crying and complaining, and the lingering sound is endless. Dancing in the valley, crying in the lonely boat. Su Zibi (Qi M 6533 guest said: "There are few stars on the moon, and blackbirds fly south." Isn't this a poem by Cao Mengde? Looking at Xiakou in the west and Wuchang in the east. Miao Shanchuan (liáo) is gloomy and dusty. Isn't this Meng Zhizhi who is trapped? Fang Qi broke Jingzhou, went down to Jiangling, and went downstream to the east, all the way (zhú) and all the way (lú). Jīng (j Ι ng) has an empty flag, Qi (sh Ι) drinks near the river, and Heng (Shuoī Ι) poems are also heroes in the world. Kuang Wu and Zi Yuqiao are friends with fish, shrimp and elk (mí) on the Zhu Jiang (ZH incarnation). You can lift a bottle that belongs to each other by riding in a flat boat. Sending Mayflies (fú) and Mayflies (yóu) to the ground is a drop in the ocean. Mourn for a moment in my life (yú) and admire the infinity of the Yangtze River. Travel with Fei Xian, hold the bright moon, and it's over. I couldn't understand it at the moment, but I heard about it in Hengtai. "Perilla said," do you know water and the moon? The deceased is like this, but he has never been there; If you are full of emptiness, the dead will not ebb and flow. Beggars will see from their own changes that heaven and earth can't be in an instant. If we look at it from its unchanging point of view, then things are infinite to me, but why envy them? Between heaven and earth, everything has its own master. If it's not mine, it's a dime. Only the breeze on the river and the bright moon in the mountains. Ears hear sounds, eyes see colors. It is an inexhaustible treasure of the creator, and both my son and I eat it. " The guests smiled and washed the lights more carefully (zh m \u n). Dishes (yáo) are exhausted, and cups and plates are messy (jí). Sleeping on the boat, I don't know if the east is white.

2. Some beautiful poems "Far and Near"

Gu Cheng

You,

Look back at me,

Watch the clouds later.

I think,

When you look at me from a distance,

You observe the clouds up close.

generation

Gu Cheng

The night gave me black eyes.

I use it to find the light.

alley

Gu Cheng

alley

It's curved and long.

There is no door

There are no windows.

I took an old key.

Knocking on the thick wall

Shanying

Gu Cheng

Shan Ying Li

Show ancient soldiers

Lead a good horse

The road disappeared around.

He became a relief.

Into a different story.

Like a demon today.

Tomorrow is an angel again.

A faint hope

Me and countless

Non-hatching pebble

Yiqilei

Blue rivers and streams are crawling.

Swallow us

Then spit it out quietly.

Nothing else

I just hope the grass can be extended.

Its shadow

walking in the rain

Cloudy, gray

I can't wash it clean anymore.

We open our umbrellas.

Simply blacken the sky

In the slowly drifting night

There are two pairs of binary stars.

There seems to be no orbital determination.

It's just far and near.

bubble

Two free blisters.

Rise from the depths of the ocean of dreams.

Hazy silver fog

Gone With The Wind

I am like a child.

Catch you and get blurred.

Blowing bubbles in vain.

Back to the land of reality

feel

The sky is gray.

The road is gray.

This building is gray.

The rain is gray.

In the ashes

Walk past two children

brilliant/bright red

aqua

arc

Birds are in the high wind

(of a road) curve sharply

Teenagers go to pick it up

A penny

Vines born of fantasy

And an extended contact line.

The waves flinched.

And humpback

excuse

Through the standing rocks

I

Towards the coast

"You say.

I know all the languages in the world. "

The sea smiled.

tell me

A bird that can swim

flying fish

Singing on the beach

Questioning the eternity

not say/utter a word

absorb

sunlight

A flash in the sky

Covered by dark clouds again

The heavy rain washed away

The opposite of my soul

build

I put your vows

love

Carve on a candle

See how it goes.

be all tears

Burned out by heart fire

Look at the last idea.

How to die out

How to be blown away by the wind

realize

Chewing gum

Slowly shed tears

Fragments attached to the heart

What makes us fall in love?

It is * * * pain.

Not a carnival

3. Chai Lu, this poem Chai Lu

Author: Wang Wei

No one can be seen in the silent valley, only the voice is heard.

Go back to the depths of the forest and shine at me from the green moss.

Wang Wei (70 1-76 1), a great poet in the Tang Dynasty, is the same age as Li Bai. He is a great painter, who is best at describing landscapes and pastoral scenery and has become an outstanding representative of the pastoral poetry school. Su Shi, a great writer in the Song Dynasty, said: There are paintings in Wang Wei's poems, and there are poems in the paintings.

(1) Chai Lu-a scenic spot in Wangchuan. Wangchuan is located in Lantian County, Shaanxi Province, where Wang Wei lived in seclusion in his later years. He runs a big villa with beautiful scenery here.

(2) but-just.

(3) Return to the scenery-the glory of the sunset.

(4) reply-again, then.

Deer wood, a wooden fence with deer sound. Why is this scenic spot so named? Some people explain that it is because of the dense forest, so it is a place where elk haunt. Judging from Wang Wei's poems, this explanation may not be far-fetched. But what the poet sings is not the elk in the mountains, but the quiet and profound natural environment here.

The first two sentences of the poem are mainly from the perspective of acoustics: a person is sitting in an empty mountain and a dense forest, and no one is seen all day. Ran Ran is boundless silence. Only occasionally did someone walk through the forest, and the noisy conversation broke the silence. However, after a moment of noise, isn't the silence in the forest getting deeper and deeper? "The cicada forest is quieter, and the Tona Palace Mountain is more secluded" (the poem "Entering Ruoyexi" by Wang Ji, a Liang man in the Southern Dynasties), the ancients had this scene long ago.

The last two sentences describe the light from another angle: the forest is deep and the trees are dense, and the sunshine is not balanced. As the sun sets, only a few corner lights come in obliquely, making the moss on the ground shine. Just like lightning can reveal the darkness at night, it lights up the light and makes people feel the darkness and profundity here more clearly. And the ground is covered with moss, which is also the result of long-term sun exposure.

Wang Wei is a versatile poet. His profound attainments in music and painting make him particularly sensitive and interested in sound and light. In this little poem about scenery, he used the principle that the noise and quietness of nature, light and darkness complement each other, and used the noise of human language and the oblique halo of sunset to set off the quietness and profundity in Chai Lu forest, which is exactly what poets who are tired of the noise and officialdom yearn for!

Su Shi praised Wang Wei for "painting in poetry". His writing is not comprehensive, and there is music in Wang Wei's poems. The reason why this quatrain is talked about is that it is a harmonious unity of poetry, painting and music.