Hugo's three film reviews

Jeffrey, a self-psychology orientation teacher in Chinese and American classes, led us to enjoy the movie Hugo.

The film revolves around the hero Hugo repairing the robot that his father wanted to repair before his death. Since he started stealing parts from the toy store in the railway station for repair, he has known George, the owner of the toy store, and his adopted daughter, and found that the key to the heart-shaped lock on the robot was hung around the adopted daughter's neck. Since the robot was repaired, painting has discovered a series of history related to George. Hugo found an insider of George's movies. With the help of him, his wife and George's adopted daughter, George came out of the dust of the past, supported each other with Hugo, and started his own energetic life.

? Self-object? Into my mind. The way of psychoanalysis cure says that the essence of psychoanalysis cure is that patients have mastered the new ability to find and discover suitable self-objects, including mirror images and idealized self-objects. As long as they exist in his real environment, they always support him.

The whole movie seems to be based on individuals looking for their own objects to support themselves. Hugo completed what his father did not finish before his death-restoring a robot found in a museum. With the full investment in the whole work, he imagined the connection with his father and the emotional connection with the robot, and he would not be lonely. The robot can operate normally in his hands, which symbolizes that he has contact with others and thus feels his existence, and he has competent strength. This is Hugo's own efforts to create an environment with mirrors of his own objects.

In the movie, Hugo decided to invite an admirer of Mr. George's past movies into George's present life, and wanted to make a thorough study of George's present situation. Repair? I had a thrilling nightmare at night. I dreamed that I was almost run over by a train when I was picking up a heart-shaped key on the railway track, and I dreamed that I became a robot and was awakened by the squealing of machines in all directions in the bell tower. What is the teacher's interpretation of the first clip? The train derailed? This means that he can't control his excitement about becoming George's adopted son. What I saw was that Hugo saw the heart-shaped key on the railway track, which meant that he would touch George's heart with his own heart. This is a very thrilling thing for himself. Although it is thrilling, it is obvious that everything can still exist. The train driver's care for himself also means that Hugo has a powerful self-object in his heart to support himself.

The latter part becomes the horror scene of the robot. The teacher explained that he expected to have a heart-to-heart contact with George, but at the same time he was very afraid of being regarded as a robot by the other party in his contact with George, and he lost his autonomy.

I think what shines in this dream is that people's desire and fear for relationships are closely related to their own survival.

At the end of the film, George taught him to play poker magic. He gained people's admiration and admiration with these skills. It was Hugo who found a new self-object environment from George's father and raised Hugo like his father. Hugo was accepted and liked by more people through magic, and his exaggerated part was further repaired.

There are other characters who have also lived through Hugo's life. George's adopted daughter-she was the first person to take care of Hugo after her father died. From her curiosity to holding hands with Hugo to kissing Hugo's face gently, she is a good medicine for Hugo to repair himself in the relationship. Uncle Claude, the station inspector, the librarian, these indifferent or cruel or loving people, the steaming bell tower, the huge living place, the daily work of maintaining clocks and watches, and the hunger career of dropping out of school all created a realistic environment for Hugo to survive with true humanity and realistic hardships.

Let's take a look at Mr. George, who gradually became clear from Hugo's process of repairing robots.

When he first appeared on the screen, he was a fierce and cold guy. He took the robot maintenance drawings left by Hugo's father, and then gave Hugo a pack of ashes and told him that his notebook was burned. It broke my heart to watch Hugo wipe away the tears on his face with dusty hands, which turned his face into black ash. How can a child's dream be broken like this?

With the interpretation of the story, I found that George was the one whose dream was shattered. He devoted himself enthusiastically to magic and film production, and thus realized the joy and happiness of success. After the war began, people were no longer keen on watching his films. He can't afford workers' wages and taxes. He destroyed all the tools and films.

What I think is, is it really because there was no need for movies at that time and he was not needed? No, he is still immersed in his dream world. Every perfect dream movie has no applause and applause, and he almost collapses. His failure came from his being divorced from reality. I wonder why he is so unwilling to adjust and change himself, and why his self-object function is so rigid. Hehehe, you see, when I was not careful, my rigid narcissism came out.

I also asked the teacher here, and the teacher said it was a good question (hehehe, he responded to everyone like this). He just wants to make a movie according to his dream and doesn't want to make any changes. My persistent free association is that, like a child praised and recognized by his mother (audience), he has become a child abandoned and ignored by his mother. From then on, he became unhappy and treated everything in the past with a negative attitude, which was manifested in not letting his adopted daughter Isabella touch the film, preventing Hugo from repairing the robot and destroying his previous works. But it seems that in his heart, there is a fire that has not been extinguished-he kept his paintings all the time when he made a movie. This eternal fire is waiting to be lit by people who understand him one day. This man is Hugo.

This reminds me of psychotherapy. Every visitor has a fire in his heart that has not been extinguished by cruel reality, waiting to be lit.

Hugo found an insider of George's former filmmaker and invited him to George's house to watch George's past movies with his wife. George's love for the film industry, which has been sealed for many years, has been awakened by people's attention and appreciation. Generation, the power of life, came out and began his later life of spiritual recovery.

Seeing this, I can't help feeling pity. People's life is busy and diligent, and they are all looking for themselves in the process of constantly establishing their own objects.

Hugo film review ii

Let me try to sum up the theme of this movie, or what its different scenes say and convey to me.

The broken robot at the beginning of this film is a relic of Hugo's father. More specifically, it's actually a last wish. The last wish of relatives and even strangers is always the biggest one in every movie. Once a person dies, everything left behind will become something with great energy and appeal. There will always be one of these. Go through fire and water? Examples of this culture can be found in all ages at home and abroad. In this way, I thought of various wills of Empress Dowager Cixi in ancient times. Why is it the will of Empress Dowager Cixi? It is because our empress dowager has no power in infinite power. My son is filial to everything, but only when it is related to the fart of the emperor Lao Zi. Once the Queen Mother Liangliang is really encouraged by the Queen Liang to hit the beautiful lady's board, does the emperor usually do the same? Obey? Really invite his mother back to her for the rest of her life? Honey? The Buddhist temple is gone. Things took a turn for the better and the villain succeeded. I mean, whether the real queen is cool or screaming, there is always a time to make a comeback. Then the queen mother's dying note or something came to power, and the average emperor could only silently change a beautiful woman. Of course, how to find true love behind the pig's feet and counterattack will also be discussed. It seems a little far-fetched In short, what I want to say is that this is the power of last wishes. Therefore, in all kinds of films, relics are also the magic weapon of the protagonist. What reason can be better than fulfilling my last wish to my father and grasping the little information left by my father? In this way, I have to write a satirical article. This is not the feeling of the film. I'll restart a paragraph and come back.

The second sentence of the little girl's first appearance in the film? Secret? I like secrets, okay? You can clearly feel that this is another troublemaker who is not afraid of trouble. Passion? Girls, generally a girl with wit, courage, intelligence and background, will try their best to help persistent heroes who naturally stay, and most of them will gradually find themselves terminally ill. At this time, they can follow the second principle, the principle of the best wish of terminally ill patients. But fortunately, the girl in Hugo didn't. She is just a simple little girl who has read too much about the colorful world in the book, and finally let her catch someone who can help her find something. While we are ecstatic, we can also congratulate the director, because you have found the characters that can present the clues of the whole movie, as well as the adhesives and lubricants between the characters. Because she is a little girl, she can also integrate the theme of growth and experience into this film from picking fights to making troubles. This tells us that noisy girls are invincible. Please cherish the noisy girls around you. Maybe they were sent by a director to help your protagonist. Okay, it's off again. Let me restart it.

Let's start with this part of George's father. To tell the truth, although it is an old theme and an old dream, I really like it, so I will never ramble on about this part. George, dad? Just look at the name I gave myself for gold. This part is the biggest highlight of the film, which takes us back to the birth of the film and relives the amazing black and white movies. At that time, the fantasy play was a reflection of a dream, and George's father finally said, let's start dreaming. Let me feel very moved, open a dream, complete a dream, break a dream and regain a dream, happy, satisfied, sad and calm. How many dreams do we still have to realize? No, we should ask how long we want to dream. ! This question is about persistence. Do you still have dreams? Do you still have dreams? This question is to ask the reality, is the dream enough, and when will it come true?

Finally, let me talk about age of steam. From a child shuttling back and forth in the bell tower, we can see the real meticulous work. Those interlocking gears are the biggest metaphor, the dream of endless life, interlocking fate and tortuous progress in struggle. In the cold industrial age, steam makes people feel particularly gentle.

Hugo film review 3

Long shot.

The complexity of long shots lies in the scheduling of space. Nowadays, the film shooting technology has been developed to allow the camera to follow the director's scheduling and move freely, so that the director doesn't have to bother to schedule heavy machinery such as camera trucks and cranes (orson welles's "Robbery of Beauty"). You don't have to work hard to arrange the actor's route because photography can only move in parallel and can't go up and down (the seven samurai of Kurosawa); Not to mention using an artificial sling to complete the vertical descent of the lens (Mikhail Kalatozov in I am Cuba); CG animation can be used to complete the shortage of location or studio space and make up for the shortage of movie pictures, so the audience can see, for example, a single-celled creature that needs an electron microscope to see clearly, the lens is gradually enlarged to water droplets, and the water droplets are transformed into the earth (Steven Allan Spielberg's World War) or flash from the street to the full shadow of the earth, and then to the solar system and then to the Milky Way. People who love movies always mention Alexander sokolov, An Erlang, Hou Xiaoxian, orson welles, Alfred Hitchcock and paul thomas anderson, and always think of Evocation, Robber of Beauty, Atonement, Russian Ark, and occupation: reporter, son of man, eyes. These three words, even people who don't talk much at ordinary times, can become stained with water.

I really didn't know what to write when I first saw this topic.

Put down your schoolbag? It's really not interesting.

Lens analysis? I really don't have that strength.

Let's talk about the feelings brought by movies in the old way.

As the little boy ran up and down, he walked through the skateboard stairs. In front of another clock, there was a small toy store with fantastic colors. I am used to rap Italian English in martin scorsese's movies, to black-and-white characters wandering between sin and redemption, to gang fights, intrigues, pain and death, to talking about guns and drugs in front of children, and I can't help but feel chilling when I see Hugo's movie posters. Huge clock, cute boy, and fairy tale accent. Is the director really movie master who made Taxi Driver, Goodbye Alice, Angry Bull, Boy, cape fear and Shutter Island? A master is always a master. Although he was a little nervous before buying the ticket, he still firmly believed that it would be a great movie. Sitting in the cinema, you can hear other viewers' comments on the film in time. At the same time, you can hear a lot of criticism, such as: the ending is easy to guess, this is just a fairy tale, and so on. We can only laugh it off. There is no way to force all moviegoers to be familiar with the history of movies, and there is no way to force all moviegoers to appreciate martin scorsese's good intentions. After all, most of the audience just walked into the cinema for leisure and entertainment. Isn't it unusual for some viewers to be moved to tears when they start yawning? Fortunately, I am used to being regarded as crazy by people around me.

It's not just a movie called. Great? The love letter written by the film director to the film is a magical story told by an old man who has devoted his life to the film industry. The deep love contained in the story is enough to make people stop crying but listen quietly with a smile. In Hugo, martin scorsese's use of lens can no longer be described as superb. Most of the 3D movies that have been released begin with a long shot, which is often the rapid passage of magnificent scenery such as sky, ocean, forest and waterfall, plus some rotation or crossing, which will quickly bring the audience who just sat down into the time and space that the movie wants to express. Hugo's opening shot is no exception. With the rotation and change of huge gears, he enters the smoky station along the director's line of sight and finally stops on a pair of beautiful blue eyes hidden behind the clock.

Martin Scorsese is very good at using a long lens to represent scenes and people in depth, and through the push, pull and swing of the lens, the time-space transformation between different scenes can be completed. This is a time and space that the audience seems familiar but completely unfamiliar. This is Paris, and this is the morning of a winter station in the 19 era. People go out in a hurry, but they don't find a pair of eyes staring at the world behind a huge clock. The ear echoed with the sound of gear ticking and the whistle of the train entering the station. Looking at the snow all over the sky, the camera quickly passed through the platform between the two trains and saw the hurried passengers intertwined in the steam. Among the passengers are civilians, workers, ladies, gentlemen, ladies, soldiers, businessmen, friends, lovers, lovers and tramps. No matter that era, the railway station will always be the epitome of all walks of life, and people of all colors will make their debut one after another, and then go their separate ways with their dreams after a short stay here. According to the film tidbits, it will take a year for this shot to be produced finally. You can imagine how much effort and passion the whole team has put into this. The audience does not need too much narration in the smooth lens connection. This is the opening prelude of a great movie symphony.

The overture was so perfect that the movie ended in a blink of an eye, and it was still the street in winter. Through the window, you can see that the room is crowded with people, and the camera stops in front of everyone attending the party through the glass window. Mr. Mei is preparing to introduce the history of this film to the students, and the bookstore owner is also talking in Kan Kan. The chubby gentleman wearing a bright scarf no longer has to worry about being bitten by a dog. The station police have a new bracket that won't click. The florist can finally dance hand in hand with the man he loves, the station band is playing beautiful music, the little boy shows the guests novel magic, and the kind girl begins to record the adventure story with cheerful music. Everyone at the party had a happy smile on their faces. The camera shuttled through the crowd and finally stayed on the calm face of the robot crossing the corridor. The corridors and rooms are very narrow because they are crowded with people. Martin scorsese gave full play to his ability to grasp the rhythm and be good at scheduling. No matter how indirect the change is, it is so smooth. The rhythm changes between the main characters and the secondary characters, and the main characters can care about the emotions of the secondary characters at the same time. The audience will not be dazzled by the large number of characters and don't know where to stare. Although after CG image processing, this lens is still natural and fresh, and the elegance of the master is revealed everywhere in the 360-degree rotation. Such a beautiful long shot can't be surpassed in a short time.

The Lumiere brothers didn't find out what changes the small machine they invented would bring to the human world. They use lenses to record the people or scenery around them, and the dynamic pictures are just eye-catching toys in the circus. Fortunately, we also have a George May Lee Ai, who opened a door of fantasy for the movie world. Nowadays, this film has been over-commercialized. Fortunately, we still have movie master like martin scorsese.