Is there a film director you admire? Which play do you like best?

Classic lines: Master Xing asked: I am lonely. Karen Mok replied: I love you! Counting Dead Grass is a comedy film directed by Ma Weihao and starring Stephen Chow, Karen Mok, Eric Kot and Chingmy Yau. The film was released in Hongkong, China on August 1997. The film is set in Hong Kong when it opened to the outside world, and tells the story of an orphan, A Huan (), who took refuge in Chen (Stephen Chow), a famous mouth of the Qing Dynasty and worshipped him as a teacher, leaving angrily and almost dying.

Chen (Stephen Chow), a master architect in the late Qing Dynasty, was good at playing tricks on people and made many enemies. The orphan Ahuan (Eric Kot) takes refuge in Chen (Stephen Chow) and worships him as his teacher. Later, because Ah Huan fell in love with Shui Lian (Chingmy Yau), she quarreled with Master and left Hong Kong in a rage. He Zhong (Lin Baoyi), the son of Hong Kong tycoon Sir Hosey (Zhong Jinghui), discovers that Ah Huan is his half-brother, Nianxi, and kills his family (Chen Hao) in order to monopolize the family property, thus framing Ah Huan for imprisonment. Ah Huan turned to Master for help, but Chen was so eloquent that foreign judges were speechless. However, the jury was bribed and accidentally framed, and Ji Meng had to find a way to bring him back to life. ........................................................................................................................

Counting Dead Grass (translated by Stephen Chow) is a Hong Kong film, which was performed by another comedian, Eric Kot. It was staged in the summer of 1997 and directed by Ma Weihao. Although Stephen Chow's performance was guaranteed at the box office, the film received a general response, and some critics criticized that the styles of Stephen Chow and Eric Kot in the film didn't match at all. However, some actors in the film (such as Chingmy Yau, Zhong Jinghui, Lin Baoyi and Chen Hao) failed to show a sense of comedy, which not only eclipsed the film, but also contradicted the style that Stephen Chow's films always emphasized supporting roles.

Stephen Chow's film may not be a masterpiece, but it is enough to make people laugh. 1997 may be regarded as an embarrassing year for Hong Kong films. On the one hand, it is an assumption after the reunification, on the other hand, it is unwilling to give up all the old things. Whether there is a conflict between the laws of Britain and the laws of the Qing government in China is not shown in this film. The film highlights the conflict between eastern and western ways of thinking. Perhaps it is because English and Qing laws are case law, so it is actually quite difficult to find conflicts. The plot is thin. Funny and weak. Compared with other films starring Master Xing, this film is not outstanding. Compared with other works by Ma Weihao, this film is quite satisfactory.

This film is the worst of Brother Xing's later works, and it is really hard to compare with similar "court films" such as Judge Death and White Face Bao Qingtian. There are too many "shits and farts" from head to toe in the film, which is disgusting. Anything that can make people have adverse physiological reactions is processed into jokes. If you misappropriate a classic evaluation, it is: this is a movie that you can't help but watch, and it is also a movie that you never want to see again. As a "star fan", how can you not watch the worst movie after your idol became famous? Watching it again is undoubtedly a kind of torture for yourself. Adding half a "star" is completely to take care of emotions and give brother star face. For this movie, the most positive idea is that Brother Xing has re-edited a "clean version", even if it is only half an hour, people can watch it twice.