Traditional Culture Encyclopedia - Photography and portraiture - Is the TV series Meng Bin under the Bridge back?

Is the TV series Meng Bin under the Bridge back?

The TV series Under the Bridge, Meng Bin is back.

This work, which is set in the early days of reform and opening up, shows all kinds of challenges and opportunities in the social transformation period at that time. The stories of Qin Shan and Meng Bin represent people's life and emotional entanglements in this period.

After Meng Bin left Qinshan unexpectedly, he experienced inner pain and struggle. He realized his mistake and was determined to correct it. This process not only shows the growth and changes of Meng Bin, but also reveals the social pursuit of personal responsibility and self-improvement at that time.

Under the bridge, Meng Bin saw Qinshan again and returned to her side with deep thoughts and brand-new mood. This plot not only satisfied the audience's wishes, but also symbolized that Meng Bin bid farewell to the past and started the future again. His return not only brought comfort and hope to Qinshan, but also brought profound enlightenment to the audience about life, love and growth.

Through the return of Meng Bin, Under the Bridge shows the twists and turns and beauty of life, and expresses people's yearning for sincere feelings and pursuit of self-improvement. The design of this plot not only conforms to the development logic of the plot, but also highlights the theme and emotional core of the work.

Evaluation of the film Under the Bridge

Based on the simple style, the film shows the director's skillful skill, solid accomplishment and profound skill in editing, directing and performing, in the unified mobilization and application of film means such as photography, editing, sound and color, in the excavation of theme, in the creation of environment and atmosphere, and in-depth portrayal of characters' personality and mental outlook.

Pay special attention to appropriate restrictions, who is artistic. The internal and external movements of the performance should be closed as soon as possible, so as to avoid the trick being too full and explicit, leaving a lasting appeal. The technique is concise, implicit and economical. The clips and lens groups are also clean. Throughout the film, the performance, art, photography and audio departments have unified styles, and the content and form are integrated and extremely harmonious.