Introduction and details of Jong Lin.

Characters experience graduated from the French Literature Department of Tamkang University in Taiwan Province Province 198 1. 1985, admitted to the Film Academy of new york University. 199 1 worked as a photographer for the drama film Pushing Hands directed by Ang Lee, and was shortlisted for the Best Photography Award in the 28th Taiwan Film Golden Horse Awards. 1993, as a photographer for the same-sex film The Wedding Banquet; In the same year, he served as a photographer for the drama film "Like Smoke in the Past" starring Li.

From 65438 to 0994, he was the photographer of eat drink man woman, the third part of "Father Trilogy" directed by Ang Lee, and was shortlisted for the Best Photography Award in the 9th Independent Spirit Award. 65438-0996, served as the photographer of the drama film Kill the Dog directed by Peng Xiaolian. 1998, the drama "Qiao Huarong Ji" was released as a photographer and adapted from Bai Xianyong's original novel; In the same year, he worked as a photographer for the feature film "Shanghai Chronicle" to commemorate the 50th anniversary of Shanghai's liberation.

1999, as a photographer for the drama film "Everyone Loves Everyone". 200 1, as the photographer of the documentary "Red Persimmon in the Mountains" jointly directed by Ogawa Shinsuke and Peng Xiaolian. In 2002, he worked as a photographer for the romantic comedy I Love Beckham, which was directed by Gurinder Chadha and starring Parminder Nagra and keira knightley. In 2003, he worked as a photographer for the dramatic film Horses in the Monsoon, and won the Best Photography Award at the Derban International Film Festival.

In 2005, he worked as a photographer for the family film Sunflower and won the Silver Shell Award for Best Photography at the 53rd San Sebastian International Film Festival. In 2006, he starred in the drama film "Journey of Incense" co-starring Zhang Jingchu, Fan Wei and Nie Yuan; In February, the romantic movie "Shanghai Rumba" starring Yolanda and Yu Xia was released.

In 2007, the drama film Blind Mountain was released, starring Huang Lu, He Lian. In 2009, he worked as a photographer for the feature film See the Sky written and directed by Jiang. In the same year, he worked as a photographer for the drama film Mi Xiang, which tells the story of a Sichuan woman Mi Xiang who was abused and abandoned by her husband. On March 20th, the drama trilobite was released.

On 20 1 1, he worked as a photographer for the romantic comedy film Chasing Love directed by Emily Liu. On September 23rd, the romantic movie "Photographer Cool young" was released, starring Jacky and Olivia. In the same year, he worked as a photographer for the drama film Old Star. 20 16,101October 28th, the comedy film Lv Deshui was released, which was adapted from the drama works of the same name by Shen Zhou and Liu Lu.

Personal life Jong Lin grew up in a film family, and his father was a film photographer, Zanting Lin.

Time title of main works Director type 20 16 Shen Zhou, Liu Lu film 201kloc-0/Chasing Love Emily Liu film 201kloc-0/Cool Boy Jackie Chan film 201/kloc-0.

Jiarui Zhang movie Sunflower 2005 Zhang Yang movie The Story of Going to the Sea 2004 Peng Xiaolian movie The Horse in the Monsoon 2003 Cai Ning movie 200 1 I love Beckham Gurinder Chadha movie 200 1 Mountain Red Persimmon Peng Xiaolian, Ogawa Shinsuke movie 1999 Everyone loves Xiaowei Lu movies1999. Kloc-0/998 Shanghai Past Peng Xiaolian Movie 1996 Dog Killing Peng Xiaolian Movie Xiaowei Lu Movie 1993 Wedding Banquet Ang Lee Movie 1992 Pushing People to Evaluate the Characters in Ang Lee's Movies Jong Lin takes culture as the script, takes stories as the core, looks at the world from the perspective of pictures, feels the changes of light and shadow with the sensitivity of movies, and determines the density of movies with the density of emotions. Between men and women, between cities and villages, between day and night, between light and darkness, he likes to challenge the limits of movies, and movies still have rich levels in dark light. In the case of insufficient funds and hasty cycle, we can still get images rich in texture and sculpture with stage-like lighting effects. He likes to put the characters' faces in the emotional * * * in a dark shadow, looking for the contact point between the film limit and the emotional limit. Moreover, he likes to put two people in the picture of depth of field for conflict, confrontation and contradiction, and express the emotion and tension of the characters, the rise and fall and transformation of strength, and the exchange and balance of yin and yang in tension and balance (Contemporary Film Review).