Traditional Culture Encyclopedia - Photography and portraiture - Ask the name of a movie, the content is as follows ↓
Ask the name of a movie, the content is as follows ↓
Wu Shixian's works
Introduction to the film:
Car No.44 describes the experience of a female bus driver on a remote road, revealing the brilliance and darkness of human nature.
The story told in this film is thought-provoking: On this day, many passengers crowded into Car 44, and one of them (Wu Chao) caught the attention of the bus driver (Gong Beibei). A special temperament revealed by the young man's brow made the female driver have a good impression on him. After a few words, the long-distance bus began to run.
Unexpectedly, I met several robbers on the highway. They not only robbed the ticket money, but also coerced the female driver to rape on the roadside grass. However, all the passengers on the bus were indifferent. After the young man mobilized to save people, he rushed to the car and asked the robbers to release the female driver. However, he was stabbed and the female driver was not spared.
The female driver continued to drive after being put back by the bandits, but she was tough enough to let the young man get off.
Later, the young man who was still puzzled finally got on another car, which was overtaken by the police car coming from behind. Young people can't help but care more about the fate of female drivers.
The matter was quickly answered. Bus No.44 crashed into a ravine, and all the female drivers and passengers were killed.
The young man finally understood why the female driver had to kick herself out of the car.
Actors: Gong Beibi, Wu Chao, Li, Zhou Kui.
Adapted/directed/produced/edited by Wu Shixian.
Producer: Ye Jianfeng paid Gong Beibi.
Photography: Gu Yibin
Recording/Music: Zhang Yang
Art: Xiao Xu
Film: 35mm/ 1: 1.85/ Kodak color
Voice: Old Dolby
Language: Mandarin
Duration: 1 1 min
Country of production: Hongkong, China.
Copyright: Color Pictures (USA)
Mainland movie star Gong Beibi plays the role of "bus driver"
Won the jury award of the 58th Venice International Film Festival.
This film is the first China short film to win an award in Venice. )
In 2002, he won the special commendation award from the jury of Sundance Film Festival.
(This film is the only China short film nominated for an award in Sundance. )
Selected as a feature film of "Biweekly Director" in the 55th Cannes International Film Festival.
(This film is the first China short film to be selected as "Biweekly Director")
Won the Best Short Film Award at the Florida Film Festival in 2002.
Won the 2003 New York Film Festival.
Won the 200 1 Busan International Film Festival.
Won the 2002 Hong Kong International Film Festival.
200 1 Seattle international film festival entries
Entries of 2002 Edinburgh International Film Festival, UK
Entries in 2002 clermont-ferrand International Short Film Festival.
200 1 Entries of Gijon International Film Festival, Spain
The distribution rights of this film have been sold to TV stations and cinemas in Britain, the United States, Japan, South Korea, Hong Kong, Canada, Sweden, France and other countries.
At present, there is no channel for distributing short films in Chinese mainland.
The director explained, "I've always been interested in studying social psychology and people's reactions to certain pressures." The theme of this film attracts me not only because of the plot, but also because of the universality of human psychology, no matter which country or nationality. I deliberately played down the time and place of the story, because similar events have happened in 20 countries around the world, and the theme is very international. Through movies, I hope to reflect a kind of social morality. As people in society, we all have the responsibility to help each other. "
Such a profound theme has been banned, so we really live in this society. Facing the dark side of society, we should not choose to hide and escape, but use it to awaken people's conscience.
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