How about photography composition?

Because there were some confusions and inspirations in the process of learning photography, when I read this book, I found many arguments that explained my confusions and doubts very well. See the records in the reading notes for details. To summarize, although this book is a little older, it is still highly regarded. After reading it, I have benefited a lot, not only from the most basic composition concepts, points, lines and planes, the shape, texture, light and shade of objects, the logic of distribution, the meaning of arrangement, and the overall To explain the unity and harmony, it also covers the influence of simple semiotics, philosophy, psychology, etc. on photographic composition. Just like when teaching a text, we explain the meaning of photographic composition from basic words and sentences to paragraph results, internal connections, and content. Instead of using simple triangular compositions, quadrilateral circles, and curved arrangements like many color picture albums, without any internal connection, the author also criticized this extremely subjective division method in the book. The author pays great attention to the position of artistic creation in photography. He points out in many places how undesirable simple recording is, and also points out that good works must be a detailed arrangement of all compositional elements and ideas. It is even clearly pointed out that although it is possible to produce high-quality works without artistic thinking and sensitive experience of the subject, this is all accidental. The author believes that charm is the most important aspect of an excellent photograph. During the creative process, the photographer's feelings about the photographed object are the key to determining the charm of the photo. We also often realize that the most important thing in photography is the soulful eyes behind the lens. This sentence sounds extremely abstract, but the author of this book explains this point in detail from all aspects of composition elements. Very remarkable. The author also emphasizes that the innate sensitivity to external objects and the experience of beauty are very important in photographic creation, but the efforts to cultivate and strengthen it cannot be ignored. Russell said that living is only to discover beauty, and the rest is just a form of waiting. I'm glad that I can have such a form that allows me to experience the beauty in life that I didn't realize before, and to enrich my soul. According to the perspective of this book, you will have a deeper understanding of beauty. The author mentioned that the works of many masters are not beautiful objects, but ordinary objects that most people think are not beautiful. Their feelings about these objects and the emotions expressed in the photos are the beauty of the works and are more profound. The beauty.