Traditional Culture Encyclopedia - Photography and portraiture - Hanfu micro-movie Guan Ju plot analysis

Hanfu micro-movie Guan Ju plot analysis

This story should be about a scholar who made a living by buying paintings and calligraphy and got married to a pine tree demon. At that time, a Begonia Demon told the Pine Tree Demon. Men are unreliable, so the tree demon should leave him. The tree demon didn't believe it. So Haitang Yao made a bet that if the scholar betrayed her, she would leave the scholar. So the story can start with the one at the beginning

At the beginning, the Begonia Demon smiled at the Pine Tree Demon Wan'er. In fact, the two of them were practicing together and had already developed a secret love. But begonias have a flowering period. Before the begonia flowers were in full bloom, the tree demon met the scholar and married him. Firstly, he really had a crush on the scholar, and secondly, he wanted to escape from his relationship with the begonia demon. Just after the wedding, when the scholar began to get tired of the Pine Tree Demon, the Begonia Demon finally succeeded in practicing cultivation. The Begonia Demon is still thinking about the Pine Tree Demon and seduces the scholar just for his wife. The hairpin given to the scholar is actually a token of love between the Begonia Demon and the Pine Tree Demon. So the tree demon will be shocked when he sees it. The Begonia Demon proves to the Pine Tree Demon that the scholar no longer loves her at all, and the Pine Tree has a profound realization, and finally the two are connected.

In fact, in the ancient Chinese mythology system, most monsters are genderless. They can become whatever gender they want. However, there are also preferences among races. The more famous ones are foxes, who like to change. It's a female, but that doesn't mean that no male fox has become a spirit. Flowers and plants prefer to become women, but can you say that flowers and plants themselves have gender? Natural trees prefer to become male, such as pine trees.

So there is no lesbianism at the end of the play