Traditional Culture Encyclopedia - Photography and portraiture - Yoko Ono Lennon's major works

Yoko Ono Lennon's major works

1968 unfinished music No.65438 +0: two virgins (with John Lennon)

1969 unfinished music ii: life with the lion (with John Lennon)

1969 Wedding Album (with John Lennon)

1970 Yoko Ono Lennon/Plastic Ono Band

197 1 year flies

1972 sometime in new york (with John Lennon)

1972 approximate infinite universe

1973 sense space

1974 a story

1980 double fantasy (with John Lennon)

198 1 seasonal glass

1982 It doesn't matter (I see the rainbow)

1984 "milk and honey" (with John Lennon)

1985 "interstellar peace"

1995 "Ascending"

200 1 sunrise blueprint

Yes, I am a witch, in 2007.

Open your box in 2007.

Between my head and the sky in 2009

20 12 yokohama Hurst

20 13 Take me to Hell's Land The Fly used all the films to show a silent lady.

This movie is so boring that the camera moves with the flies and the vision moves with the camera. Yoko described the film as an autobiographical chapter and chose a striking and subtle way to express himself.

At the movie terminal, Yoko gathered her friends of artists and musicians in new york and took photos of them streaking on the road. Another boring and dull shot. But perhaps the most surprising thing about this movie is that it is the people and things you can see in the street every day-but they are all naked.

The movie Rape is Yoko's most complicated and fascinating movie. According to this idea, the film crew chose a woman they met in the street-a woman who spoke German in London. The camera tracked her apartment. Women changed from initial curiosity and cooperation to depression and anger. Everything can only make the audience confused: is this woman being followed or an actress? We can't understand her language, but we can understand her behavior and facial expressions. The film tries to discuss the camera's invasion of privacy and further study our hobby of prying into other people's privacy.

This is Yoko Ono Lennon, whom John Lennon called "the most famous unknown artist in the world". At the age of 765,438+0, he is still absorbed in his own world, carving dazzling nudity and truth with delicate, meticulous and cold eyes.

Clock fragment

Yoko Ono Lennon put a clock in the center of the stage and asked the audience to come up and wait until the alarm clock rang.

Strawberry and violin fragments

The performer kept sitting and getting up in front of the table full of plates. In the last 10 minute, she broke all the bowls. Her behavior was accompanied by rhythmic repetitive phrases, inverted sentences, groans recorded on the tape, and her aria, which became the symbol of Yoko Ono Lennon music in the future.

wind

Yoko Ono Lennon asked the audience to move their chairs to form a narrow passage for the wind to pass through.

sun

She instructed the audience to "concentrate the sun until it becomes a square".

fragment

Yoko Ono Lennon sat quietly on the stage and let the audience cut her clothes into pieces with scissors until she was almost naked. This is the work of Yoko Ono Lennon, which is most familiar to China audiences. She wants to arouse women's consciousness. Take it. This is her explanation.

rape

Yoko Ono Lennon is the most complicated but fascinating film. According to this idea, the film crew chose a woman they met in the street-a woman who spoke German in London. The camera tracked her apartment. Women have changed from initial curiosity and cooperation to frustration and frustration. Everything can only make the audience confused: is this woman being followed or an actress? She can't speak English, but we can understand her behavior and expression. The film tries to discuss the camera's invasion of privacy and further study our hobby of prying into other people's privacy.

eclosion

The camera followed Yoko Ono Lennon and Lennon into the sky of a small town in a hot air balloon. Passing through the empty clouds and reaching the magnificent and clear paradise, Xiao Xuan was left behind and entered the quiet circular world on earth. The film is full of poetic enlightenment, stripping off the traditional narrative function, and the lens becomes a tool for eyes and observation.