Did Western still life painting originate in ()?

Western still life painting was produced in the Netherlands in the 17th century.

Introduction to still life painting

Still life painting is a painting genre that depicts motionless natural or man-made objects. It is used in various paintings, prints, mosaics, and photography. are reflected in. In the hierarchy of academic painting genres, still life painting is at the lowest level. Still life painting has a long history, but independent still life painting is a product of the Renaissance and achieved great development between the 17th and 19th centuries. Decoration and symbolism are the two main functions of still life painting.

Still life painting is a painting genre that depicts motionless natural or man-made objects. It is reflected in various paintings, prints, mosaics, and photography. This concept means "still life" in English and Dutch. Meaning "dead nature" in French, Italian, and Russian, it is relative to (living) animal paintings. In the hierarchy of academic painting genres, still life painting is at the lowest level.

Historical Origins

In ancient Egyptian tomb murals and reliefs, there are images of food and utensils for the deceased to enjoy after death. There are also a large number of scenes depicting everyday things in ancient Greek vase paintings and ancient Roman Pompeii frescoes and mosaics. In the Middle Ages and the early Renaissance, still lifes were only used as background, decorative or symbolic elements of paintings, while independent still life paintings emerged during the Renaissance.

Leonardo da Vinci and Albrecht Durer both painted watercolors or sketches of still life with the nature of studies. The Venetian painter Jacopo de' Barbari painted it in 1504. "Still Life: Partridge and Iron Arm Armor" is considered to be one of the earliest easel still life paintings in modern times.

In the 17th century, still life painting developed greatly and became a completely independent painting art style. Italian painter Michelangelo Merisi da Caravaggio and Spanish painter Juan Sánchez Cotán were good at using realistic light, shadow and color to achieve the effect of deceiving the eyes (trompe-l'?il). In the Netherlands, due to the bourgeois revolution, the Reformation and the rise of a wealthy middle class.