The skill of color still life?

First, pay close attention to the overall type.

In other words, pay close attention to the observation and grasp of the overall basic modeling, modeling accuracy is the first, modeling should be stable and accurate, the overall modeling should be grasped, and the outer contour line should be grasped.

Together, light and shade are opposites. In addition to the exact shape of the object in the picture, it is necessary to carry out stable and accurate light and shadow processing on the shape.

Second, we should preserve the inherent color.

Respecting the inherent color is the essential requirement of color. If possible, you can adjust the color slightly, but you must not violate the basic elements of the object.

Inherent color is generally the gray part of the object in the picture, so it should not be painted too dirty and the purity should not be too high.

Third, cold and warm colors go together

Although we emphasize the inherent color, almost every color area of the picture should show the relationship between cold and warm, which is the unique expression of color.

1, in the picture, I have a general timbre direction in my mind, and I already have the basis of the picture and timbre in my mind. The next step is to paint boldly.

2. You can boldly break through your own tone when mixing colors. Don't always paint colors you are familiar with. Study more and see the best colors of others. Remember, learn to turn it into your own color.

3. Every color change is a good painting method. Good colors must be firmly remembered and don't miss any chance to change yourself.

Fourth, high pitch.

Our overall color style emphasizes the lightness treatment of high and long tones. High tone means that the whole picture is dominated by light color. Long tone refers to the low lightness (heavy color) between the color blocks of the painting, but also the medium lightness and lightness. The main color block in the picture is high brightness, followed by low brightness and finally medium brightness. High notes give a bright and loud overall visual effect. High-tone painting is directly different from traditional painting (based on sketch relationship and lighting effect).

Fifth, a single object should be wonderful.

1, draw the shape of the object clearly, the outline should be combined with reality, and the scanned color should be light, not big.

2. When paving colors, draw the inherent colors and environmental colors to enrich their tones. You should add a little cool color to the reflection and outline and sweep it up.

3, heavy places should be heavy, natural, don't jump out too much, giving people a bad feeling.

Sixth, dry pen technique is indispensable.

Dry pen is actually a form of dry pen, which is especially suitable for expressing the outer contour line, light-dark boundary line, structural line, fold and so on of the main object in short-term operation. Dry pen can cover up and make up for the shortcomings of painting, and enrich the picture level in just a few minutes or longer. Inherent color, but almost every color area of the picture should show the relationship between cold and warm, and cold and warm is the unique performance of color.

Vii. Weak concern in virtual space

Virtual space should not steal the limelight of the picture, lightness and color should be coordinated with the main color of the picture, and it should be treated weakly: it is a little grayer than other subjects, that is, interlining.

Eight, three levels to get through.

1, the cloth pattern and environment are white, the fruit is pure, the stainless steel and bottles are relatively heavy, and the dark parts and protrusions are color-cast.

2. The background tends to be grayish purple and grayish blue, which makes the background open the space and form a sense of depth in the picture.

3. Fabric, fruit and bottle form three levels, which opens up the space of each object, and the picture is loud and the color is advanced.