Traditional Culture Encyclopedia - Photography and portraiture - Which institution did Jia Zhangke graduate from?
Which institution did Jia Zhangke graduate from?
Jia Zhangke was born in Fenyang, Shanxi, China in 1970.
When he was taking the college entrance examination, he was very poor in mathematics.
His parents sent him to Taiyuan to attend an art class at Shanxi University in order to prepare for the entrance examination into an art college.
Jia Zhangke often went to a "Highway Bureau Cinema" near the school to watch movies.
One day, he saw "Yellow Earth" and decided to become a director.
From 1991 to 1993, he took the exam for three years and was admitted to the Literature Department of Beijing Film Academy.
Name: Jia Zhangke Gender: Male
Nationality: Chinese Date of birth: 1970
Place of Birth: Shanxi Education: Graduate student
Graduated School: Beijing Film Academy, Department of Literature, Majoring in Film Theory
In 1970, Jia Zhangke was born in Fenyang, Shanxi, China.
There is a widely circulated story about his childhood. One morning, there was a strong wind in the county town. Jia Zhangke, who was in elementary school, heard a sound coming from afar. He asked his father what it was, and his father said: "The sound of a train whistle." When he got his first bicycle, his head One thing is to go see the train. Ride thirty or forty miles to another county. "I rode a long way, very tired, and then I saw a railway. I was waiting there, waiting, and a coal train rumbled by. Oh, this is the train!"
Many years later, he made a movie called "Platform", in which trains and whistles turned memories into images and sounds. But at that time, this child who was very poor in mathematics wanted to be a big gangster and have power. He fights and watches videos. The youth in the county town rushes left and right in a narrow and desolate space with nowhere to go. One by one, his brothers dropped out of school and entered the "society".
"I went to see a movie with a friend. After buying the ticket, he asked me to go to the bathroom, so I went in first. I waited around and couldn't see him. When I came out, I found that he had been taken away. He had robbed someone else. "There was also a friend who was a gangster. One day he rode to a winery where we sold Fenjiu. I heard that he died the next day. He drank too much wine and was poisoned by alcohol. "
Only one Jia Zhangke became a director. Go back to recall and express. How is he different? He met a good Chinese teacher who let him sit in the back row and read a book casually. He met a good middle school principal who allowed him to sit in a daze and write poems every afternoon without class. Jia Zhangke lived the life of a "literary youth" for several years. I also followed the "Siberian Tiger Rock Band" during a summer vacation and walked through small and medium-sized cities in Shanxi. He breaks dances. ——Because of this period of life, "Platform" came into existence later.
Then it’s time to take the college entrance examination. He was so bad at math that his parents sent him to Taiyuan to attend an art class at Shanxi University to prepare for the art school entrance examination. Jia Zhangke often went to a "Highway Bureau Cinema" near the school to watch movies. One day, he saw "Yellow Earth".
"After watching this, I will make a movie. I don’t care. Anyway, I want to be a director."
From 1991 to 1993, he took the exam for three years and was admitted to the Beijing Film Academy. Faculty of Literature. His classmates' impression of him is: "He likes to wear his iconic dark red down vest when the weather is cold, walking around alone, and giving him a warm smile when he meets someone." At this time, he was older than his classmates They are several years older. There was a sense of urgency in his heart. His desire for expression is also much stronger.
He organized the "Youth Film Experimental Group" and printed T-shirts with great fanfare. Mobilize all possible forces and start filming "Going Home from the Mountain". This film won the Grand Prize at the Hong Kong Film Festival. Winning awards does not mean a good film. This 55-minute work is rough, vague, and poorly controlled, but there is a sensitive and direct temperament in it, which means truth. It was not a successful or mature work, but it provided an opportunity for Jia Zhangke. A sum of 300,000. Let him go home and start his "Xiao Wu".
"That time when I was going home, I was walking on the road, and suddenly a truck drove over. A friend of mine who had been very close since childhood was sitting in the truck. I was standing on the side of the road, and he saw me. When I saw him, he smiled at me. I didn't know what was going on at the time, because I just got home and the car drove past in a daze. After he walked away, I found out that he was pulled over for robbery. Go and be shot, alas! I feel like I have a serious illness. "
Everything is being destroyed, and I don't know when it will be rebuilt. A thief named Xiao Wu walks on the streets of a Chinese county with the dignity of a craftsman. He is a friend, lover, and son. But all relationships fell apart, leaving him unable to stand. He was handcuffed in broad daylight, and a group of people gathered around him, looking at him in confusion and pointing at him. The lens is exposed, and it tears apart the numbness of inertia at the expense of its own exposure. This is a good piece of work, sad and tender. His way of thinking and feeling were fully and deeply expressed for the first time.
"Xiao Wu" won 8 awards. Entered the Berlin Film Festival "Youth Forum". Jia Zhangke became famous.
He has become the "hope of Chinese films", so it is unlikely that the filming of "Platform" will be without pressure. But this is a stone that has been weighing on his heart for too long. He had to move it.
"Xiao Wu" is a slice, and "Platform" is a process. From the 1980s to the 1990s.
Looking back ten years later, Jia Zhangke has gained a distance that allows him to calm down - he uses almost all medium shots and panoramic shots, without close-ups. When photographed from this distance, the faces of the characters no longer have detailed memories, and the joys and sorrows no longer torment on the surface of the body and mind as they did back then. They settle into the undercurrent of time, leaving behind a knowing smile and a Silent expression.
The emotion of this film has become an iconic image. Three young people are sitting on a bicycle. The person in front has his arms spread out. Cui Mingliang behind is sitting on the back seat facing the audience. He tilts his head with a confused and forbearing expression. They fly like this on the gray streets of Fenyang.
After "Platform", Jia Zhangke became a new generation of film leader. But he is still "underground", and not many people in China have seen his films. At least, people like San Ming in the film have not seen his films.
"I often suddenly feel a strong sense of despair, losing confidence in myself and losing interest in movies. Those cowardices of not being able to tell others, those negative moments that come again and again, make me realize Weak willed. "
Film directing is a profession that formalizes emotions and thoughts. Jia Zhangke uses his determination and patience, dreams and actions to create flowing images. Despair and weakness may be indispensable, and a satisfied person is unlikely to be an artist. Treating one's heart harshly and solving it in a practical way are the qualities of a film worker. He had to maintain his enthusiasm during long periods of menial work. Adhere to a perfectionist attitude.
"Public ***" is an international cooperation project, a 30-minute short film with no script or dialogue, only superficial development. Jia Zhangke has always emphasized superficiality and rejected artificial depth.
The film I saw recently was a 5-minute short film: "The Condition of the Dog". He took pictures by himself. In the dog market, dogs were thrown into sacks. A puppy struggled out and showed its head from a hole. It couldn't get out and its eyes looked around. Its eyes were gentle and confused.
He said: "I want to use movies to care about ordinary people. First of all, I must respect secular life. In the slow process of time, I can feel the joy or heaviness of every ordinary life."
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