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The famous photographic work "Kiss of Victory"

International News magazine published a picture, The Power of Moment (Kiss of Victory), with an introduction: This work was shot in August of 1945 and 14, which profoundly reflected the theme that human beings yearn for peace and hate war, infected every reader and produced enduring charm.

Where did the Global Times in Kiss of the Century come from? "A 75-year-old man named Jim Reynolds publicly admitted that the male citizen in the photo was himself. The photo was not taken in August of that year, but in May, the day when the German Nazis were defeated. " It was published in the world three months later, which caused the dislocation of the background of the times.

The photographer who took this photo was Alfred Eisenhut. This was inspired by the boss of Life magazine, and it was carefully planned from creativity, composition to the posture of the kissed nurse. Author Eisen Hitter said: On the day of Japanese surrender, I saw a soldier running down the street in Times Square, hugging any adult woman along the way. When he hugged a white nurse, I took four pictures of him kissing the nurse in one breath. When Life magazine published this work for the first time in August 1945, the title read: "Kiss at the end of World War II". Moreover, the "end" of the Second World War was in August, not May, which is also an ironclad historical fact.

Judging from the above materials, the Kiss of Victory is controversial in its authenticity and validity. But what is meaningful is that this work was more than half a century ago, and it still ranks first among the most influential photographic works in the 20th century in the selection of various magazines. A few years ago, foreign newspapers launched an activity to look for information about "people in painting", but they attracted several "people in painting". The nurse's wife asked "what did she say after kissing", and finally she recognized "Yanwu" as a real person. Until today, the works are still being played on high frequency, and many readers believe that even if the works are inconsistent with the news facts, it is difficult to forget their pictures and touching charm. This is exactly what Eisenhut said before his death: "People told me that when I went to heaven, they would remember this photo, that is, they also remembered me".

Why didn't readers' love for works decrease during the Spring and Autumn Period? Even ignore the specific time or process of the incident and continue to appreciate this relatively unreal news picture based on reasonable logic? This shows that there is a deep connotation beyond time and space behind the work. Levchuk, a Russian literary theorist, once said that every work will get the most positive response from a certain range of people, and what they are most interested in, most understandable and most in need of is the question raised by this work.