Exhausted behind-the-scenes tidbits

Contrary to rumors, Jean-Luc Godard was not without a script when shooting this film. He just didn't have a finished script when he started shooting, and then he wrote out the scenes he wanted to shoot that day first every morning. The same movie is his Pierrot Le Fou (Pierrot Le Fou1965). In order to create a more rational and natural effect, Jean-Luc Ge Daer will only give each actor his own lines when each scene is about to start shooting. Director Jean-Luc Godard can't afford a camera car. There are many shooting scenes in the film, in which the photographer is sitting in a wheelchair and pushing a trolley by himself. Godard learned this trick from Jean Pierre Melville. He used this low-cost technology to complete the films Bob Le Fort Flam 1955 and Silent Sea 1949. According to Jean Pierre Melville, in the post-production stage, Godard consulted him because the first edited version was too long to be released. Melville did not suggest that he cut the whole scene from the film, but suggested that Godard cut a little here and a little there, so that he could have the most striking jumping technique when introducing the film today. Director's guest appearance: (Jean-Luc Ge Daer) At the end of the film, a passerby who was reading a newspaper with sunglasses recognized Michelle and ran to the police. This film is dedicated to Monogram Pictures Film Company. The American remake of 1983, starring richard kiel, focuses on the plot and has no innovation in movie vocabulary. In the film, Michelle's pseudonym is Laszlo Kovacs, and countless people speculate that this name is related to the legendary Hungarian photographer. In fact, Godard had never seen kovac at that time, and this name refers to the role played by belmondo in claude chabrol's film Double Tour (1959).