The role of static lens in film and television shooting

The role of static lens in film and television shooting;

1. Proper use of close-ups plays a foil role in rendering the theme. Vivid, vivid and personalized close-ups are indispensable in TV feature films. Watching TV every day, many fresh pictures come into our eyes and enter our minds every day, which will be forgotten after a long time, but some unique close-ups will last for a long time.

2, accurate use of close-ups, play a prominent role in depicting the story. In TV feature films, good close-ups can arouse the audience's strong sense of * * * and produce strong impact.

In the feature film Thirty Years of Vicissitudes, Uncle Zhang's family happily moved to a new home, and relatives and neighbors got together. The children lit firecrackers to catch candy, and the old people chatted while drinking tea. At this time, we took a close-up of Uncle Zhang. From the close-up of his face, we can see that there are two lines of tears on his weather-beaten face, and his calloused hands are constantly wiping.

Lens classification:

1, arc motion lens

Arc shooting, as the name implies, the camera moves in an arc according to a certain circle, which can provide a variety of visual levels for the scene. It is one of the abused scenes in film and television. It requires little skill and technique, but it is difficult to master. Michael bay, the director of Transformers, has a soft spot for arc action shots.

2. Close-up shot

Close-ups, first created by director Griffith and others, are used to photograph the face of a portrait, a certain part of the human body and a certain detail of an object. Its appearance and application enrich and enhance the expressive force of the film, and it is also the most important part of lens aesthetics, and it is also the most favorite and memorable lens technique for the audience.

3. Mid-range shooting

The middle shot, the lower part of the picture is stuck in the left and right parts of the knee or part of the scene, is called the middle shot. The middle shot contains less scenery than the panorama, but more than the close-up, and the environment is in a secondary position, with the emphasis on showing the upper body movements of the characters. In film and television works, the middle shot occupies a large proportion because of its strong narrative.

Above content reference: Baidu Encyclopedia-Lens