Traditional Culture Encyclopedia - Photography and portraiture - Behind-the-scenes tidbits of general mobilization of stupid thieves:
Behind-the-scenes tidbits of general mobilization of stupid thieves:
Overall style of the film: 1. Strong narrative; Promote the overall plot development through continuous events. Interesting things happen one after another, attracting the attention of the audience. In the use of lens, pay attention to the logic and rigor of narrative. 2. The rhythm is faster; The fast narrative rhythm in audio-visual reaction is first of all the fast editing rhythm. This also determines the number of shots in this film, which is embodied in the number of seats, angles and scenes. 3. The behavior of the characters is exaggerated; There's something weird about the character's behavior. The control of performance style can be more open. Allow some impromptu elements to be added appropriately. Each role can have its own special behavior, emphasizing individuality. For example, when boss Zhang appears, he always throws peanuts into his mouth to eat. This helps the audience to identify with the role. For example, the clumsiness and stupidity of gangs A and B give actors some room for self-development. Although this is a movie with a compact plot as its selling point, the characters still need to be careful. That is, Liang Zi, Ye Zi, Boss and Li Shifu should have inner feelings, and their previous history is touching. Although prehistory happened before the film began, their experiences led to their behavior. Adding emotional paragraphs to the characters at the right time can greatly enrich the characters' images. About parents, lovers, etc. For example, in 85 minutes, Duke talked with his brother, a strange guy, which greatly enriched the role. 5. The action paragraph must be wonderful. Some action paragraphs need action guidance to design specific actions. For example, in the fifth scene, Ye and Liang Zi compete for the box. In the 22nd game, gangsters A and B fought with Ye's own goal. The action should be joyful and the style can be close to Jackie Chan's acrobatic action style. 6. Transition effect, forming a style. Make a quick transition with one action. Clipping is sharp and dynamic. 7. Music style: There is a sense of absurdity and desolation in western movies, but at the same time, many modern elements should be added. Popular and rhythmic. 8. Language style: As this is a group play with relatively many roles, using dialects will be an important means for the audience to distinguish roles. Boss Zhang, gangsters A and B, and stone monkeys can perform with dialect accents, which increases the comedy effect to some extent. Individual lines of other audience actors can also be performed in dialects. ? Requirements for the selection of main actors and performances: Shao Bao: an 8-year-old fat boy, dull and seemingly dull, but in fact everything he does directly affects the development of the situation. Never lie, naively thinking that people all over the world are friends. Ye Zi: A beautiful girl in her early twenties, a dream catcher from a small city. Smart, agile, aggressive, short-tempered, sometimes unscrupulous, but kind in nature. Liang Zi: 28-year-old, tall, flexible and kind-hearted, but also has the cunning of ordinary people. Boss Zhang: The leader of a small criminal gang likes to pretend to be a big shot in the Jianghu. In fact, he is just an old rural bachelor with a dream of getting rich overnight. Villain, but he didn't really hurt anyone. The boss is actually a dreamer with ideals. He has the cunning, simplicity and cleverness of a farmer. Gangster A: A big fat thug, strong but clumsy. I have worked in a village health clinic, and it is said that I know a little medicine. I pay attention to work and make money, and I belong to the foolhardy type. Gangster b: thin, described as obscene, fond of taking advantage of petty gain, good at petty theft and especially fond of calculation. Unfortunately, he is always unlucky and always shoots himself in the foot. Stone monkey: The superficial occupation is motorcycle driving, but actually it is a habitual thief. Strange-looking, intelligent and professional, but timid as a mouse, the creed of life is not to make big mistakes or small mistakes. Born with a bitter gourd face, thin and thin, laughing like crying, he is basically a special actor. And you have to work hard, you can do somersaults or something. Li Shifu: Shao Bao's father, who looks like a saint, is actually a China painter without talent. Lao Dong: The owner of the auction house is 60 years old, quite young and avant-garde. He always feels that he is a traditional cultural person and speaks with a resentful accent. In fact, he is not soft for his own interests, and he is a real malicious character. Leaf boyfriend: thin and tall, with white skin, he looks like an unhealthy literary youth at first glance. ? Art requirements: The main scene: the old man-a small building built by the newly rich in the countryside, with white tiles, looks like a public toilet from a distance. The decoration is tacky, with cheap western-style classical furniture and Mei Zhu Lan Ju in China, which is a ridiculous decorative painting scalded on the glass. (Panjiayuan may be for sale) There is a Roman stigma at home, which is magnificent, complicated and unorganized, and vulgar collage leads to aesthetic confusion. Shao Bao's house is big and empty. Chinese decoration, hanging calligraphy and painting, but there is no life at first glance. Minimalism, as opposed to the elderly. Boss dong gallery-a loyal deep house compound. Boss Dong is a very particular person, and there are birdcages in the gallery. A few dragons, with ink and ink inkstones. The environment should have the temperament of Chinese painting. There are also studios and living rooms in the gallery. Yezijia, an old-fashioned residential building, is simple in decoration, but its style is awesome. There are plush toys everywhere, and there is a big round cartoon chandelier hanging on the roof. LV Classic Deep earthy tones, using LV elements. But the room is a mess. In addition to the luxury of LV, there is also leisure clutter. Liangzi's house-basement, with dim light and single light source. In many cases, people's lighting feels very different, and people's faces are underexposed and gloomy under the backlight. But Liang Zi has an ideal. There is a small bonsai in a well-lit corner. Gas station-although there are not many scenes of gas stations, the scenes are more important. Choose the humble small gas station in the suburbs, surrounded by Woods. There are only simple signs and tankers. Airport-the airport in the county, very simple, basically looks like a long-distance bus station. Main props: the boss's shabby van-small and shabby, but there must be design elements. The driver's seat is very crowded. Fat punk A always sits in it and drives with the steering wheel facing his stomach. Little red car with leaves-little QQ, big red. Obviously it is QQ, but it has the determination to become a convertible. Liang Zi's small potted plants-tender green plants-are the external expression of Liang Zi's inner kindness. The stone monkey's three-wheeled motorcycle is very low-level, but the modified one should have the talent of "cottage" For example, there is a blackboard with limerick written on it. LV suitcase-originally full of luxury goods, but fake goods flooded, causing devastation. Choose the most classic, but also the most copied. The old man painted a golden trash can-a typical nouveau riche aesthetic. Masks of gangsters A and B-Every crime is a whim, wearing various headgear, stockings, big glasses, headgear, masks and so on. Become a coherent funny bridge.
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