Traditional Culture Encyclopedia - Photography and portraiture - Basic knowledge of tab #3-mirror transmission mode

Basic knowledge of tab #3-mirror transmission mode

0. Static

The camera does not do any movement and shoots directly.

Note: Let's just count it as one of the ways to transport mirrors by plane, and there is no movement at all. In the process of shooting, we must follow a rule: the picture must move. Is it the motion of the subject in the picture or the motion of the camera itself that brings the motion of the picture? It is not satisfactory to stay still for a long time.

1. Pan

Move the camera horizontally from left to right. Usually used to track an object or show the distance between two objects.

Note: Imagine a long American highway from left to right in front of the camera. At this time, the car roared away smartly, and then the camera shook from left to right, leaving a trail of tail smoke. This is Pan.

Step 2 tilt

Tilt the camera up or down, but the position of the body remains the same. In this way, the audience can feel the greatness or weakness of the subject.

3. Foundation

The camera is fixed on the rocker arm and moves up and down vertically. During this process, the camera lens will not change the pitch or swing.

4. Handcart

The camera is fixed above the slide rail, stabilizer, etc. And move toward or away from the main body.

5. Floating stabilizer

Use stabilizers and other auxiliary devices to shoot some subsequent shots to increase the audience's sense of substitution.

Note: the kind of lens that follows the protagonist from left to right and goes through a door. I believe you remember.

6. Diving (crane/boom)

The camera is high (bird's eye view) and moves down. The camera rotates on the pitch axis and finally presents an angle horizontal to the line of sight. Mainly used to track the movement of objects.

7. Handheld type

The camera doesn't need any external equipment, just hold it or shoulder it to shoot.

8. Zoom (Zoom)

The focal length of the camera lens changes between the wide angle and the telephoto end, which enhances the motion of the picture and highlights the main body.

Note: Hitchcock zoom) * I have to mention. In order to achieve this effect, the photographer needs to get close to (away from) the subject when shooting, and at the same time, the focal length changes from telephoto to wide-angle (from wide-angle to telephoto), creating a magical viewing experience with some confusion and anxiety. *

9. Rack Focus

In the blurred scene caused by large aperture, the focus of the camera shifts from one point to another, thus attracting the audience to follow the focus.

Note: Just like in some scenes, the flowers with bright prospects are the focus first, and we can see the blurred figure of the protagonist in the background. Just as we tried to see the face clearly, the focus gradually shifted to the characters, which satisfied our exploration. It is at this time that we unconsciously become more immersed in the story told by the film.

So far, we have learned the trilogy of the basic knowledge of tab, and then choose a movie we like and ponder it over and over again! Next, I might consider sharing some of my favorite clips with you. I hope everyone can communicate more!