How to restore ancient paintings to real people

How to restore ancient paintings to real people is as follows:

In terms of production concept, it is necessary to achieve an effect that looks like photography but not completely photography, and looks like painting but not completely painting. , that is, the combination of photography and painting, making the finished product look like a real person with a photography effect, but it is slightly different from real photography; it looks like a painting effect but is not a direct 3D rendering of the original painting.

First of all, check historical materials, such as "Old History of the Five Dynasties", "New History of the Five Dynasties", "Zizhi Tongjian", "Xu Zizhi Tongjian" and other historical books about Han Xizai's deeds and opinions. Use clothing journals, music journals, etc. to find out the background and related information of the original painting. Based on the character form in the original painting, real-life image materials are taken.

Expand knowledge:

Ancient paintings refer to ancient paintings, which are an important part of Chinese civilization and a treasure of Chinese art. From the perspective of art history, Chinese paintings before 1840 are collectively referred to as ancient paintings.

Introduction:

Ancient paintings, also known as ancient paintings, are representatives of Chinese art and an important part of Chinese civilization. The era can be traced back to the ancient times when painting emerged, to the late Qing Dynasty, a period of four thousand years.

Categories include Stone Age painted pottery and prehistoric rock paintings that have already shown painting patterns and image elements, bronzes from the Shang and Zhou Dynasties, Warring States and Western Han Dynasty silk paintings and Pre-Qin lacquerware that already have the original meaning of painting, and are already independent types of painting. Qin and Han tomb murals, portrait bricks and woodblock prints from the Han Dynasty, grottoes and tomb murals from Wei, Jin to Sui and Tang Dynasties, as well as paper and silk paintings by famous painters of all generations that emerged since the Six Dynasties.

These categories constitute the long and continuous history of Chinese painting, and they shine with brilliant brilliance one after another.

The origin of ancient paintings:

In the art field of the Chinese nation, especially the various arts centered on Han culture, there is an interrelated phenomenon, despite their appearance Different uses, methods of expression and tools used are also different, but the artistic flavor and interest of those different categories of art, that is, the characteristics of the national character they express, have something in common in their essence.

For example, architecture and clothing are all based on broadness and solemnity; the furnishings of tables and chairs are all based on square and symmetrical patterns; even in literary language, there are four or six rows of couples that have never been seen in any language in the world. Large works and so on, this is the beauty of symmetry that is particularly emphasized in Han national culture. Therefore, the requirement of symmetry runs through most of this culture and art.

Specifically speaking, calligraphy and painting have some unique internal connections. Only single lines are used to depict characters without the help of shadows. Adding a few lines on the cheeks makes the character stand out. This is called "expressiveness". The term "expressive" does not specifically refer to portraits in the field of painting. It is also often used in painting other objects.

For example, "to convey the spirit of the landscape", "to convey the spirit of the flowers and birds", etc. Using this word mainly means to get rid of all the details of the objects and images, but to grasp their overall points. Therefore, many "freehand" figures are not mistaken by viewers for cats and dogs; a touch of distant mountains is not mistaken by viewers for wet marks on paper. Pay special attention to painting tree trunks, flower heads, mountains, and folds of clothes, but rather allow them to be different from each other.

But don’t allow its strokes to become limp. Over time, after the emergence of Chinese painting, especially literati painting, the deliberate pursuit of expression and appreciation of pen and ink became the main theme, and the resemblance and clumsiness of workmanship in the depiction of objects were no longer concerned. Calligraphy is the most simple and abstract art category among visual arts.

It seems that it is just the structure of calligraphy, strokes and spacing between lines. In fact, in the emergence and development of Chinese characters and the practice of calligraphy creation, it has already become a "bordering of thousands of different things and tailoring". The unique artistic image of "one phase". This unique artistic creation can be considered as the ultimate expression of the common requirement of "avoiding truth" in Chinese art.

Because of this, Chinese painting and calligraphy are bound to have a more intrinsic and profound relationship.