Jiashan Wang's main experience

Jiashan Wang and Hongkong are senior directors and photographers. In 2004, he took part in filming movies and TV series, studied as a film director in Yunnan Art College, and later worked as a photographer and director of movies and TV series. Jiashan Wang, 19 years old, is responsible for mirror image independently. Up to now, he has made more than 0/0 films/kloc-0, during which he cooperated with many famous directors and engaged in photography and directing.

Chinese name: Jiashan Wang.

Mbth: Wangjiashan

Nationality: China.

Ethnic group: Tujia nationality

Constellation: Pisces

Height: 176cm

Weight: 63kg

Birthplace: Shizhu Tujia Autonomous County, Chongqing

Date of birth: 1987

Occupation: director, photographer

Graduate institutions: Tianxing Film and Television Art College and Yunnan Art College.

Brokerage company: Chinese superstar international media Co., Ltd.

Representative works: Bright Moon in My Heart, Intimacy Trap, Jeet Kune Do and Boiling Youth.

Main achievements: won the Best Photography Award of Phoenix Film Industry.

Close friend: An Yi.

outline

Jiashan Wang and Hongkong are senior directors and photographers. In 2004, he took part in filming movies and TV series, studied as a film director in Yunnan Art College, and later worked as a photographer and director of movies and TV series. Jiashan Wang, 19 years old, is responsible for mirror image independently. Up to now, he has made more than 0/0 films/kloc-0, during which he cooperated with many famous directors and engaged in photography and directing.

Character experience

In 2004, Jiashan Wang returned to the mainland and began to step into the film and television circle, working as an assistant and assistant photographer in many films. He began to be a photographer in 2008, and later worked as a photographer in many movies and TV plays, and he also achieved a lot of success. After 20 1 1 year, Jiashan Wang, who was engaged in photography, began to turn to the field of directing. Most of his works are romantic love or action movies with strong picture sense.

Main work

Bonus; prize

Winner of the 13th Art Festival.

Won the Best Photography Award of Phoenix Pictures.

Personality assessment

Jiashan Wang didn't go to high school, and he was very talented in fine arts since he was a child. Almost all the words he saw were transformed into images in his mind. In every scene, he will firmly remember all the dialogues of the actors. According to the dialogue rhythm and psychological rhythm of the actors, the action mode of the action camera is complex and subtle. The use of the lens is based on the performance of the actors. In order to make the picture vivid and capture the actor's accurate reaction shots in time, he did not put the prime number of the picture first, and used a lot of zoom lenses. In Jiashan Wang's works, he rarely shoots in a fixed position. He uses a lot of sports lenses and is regarded as the craziest user of sports lenses by his peers. The most important thing is that he is used to putting the machine on a small rocker arm. In case the actor is not allowed, you can make up for it by moving the camera. It is worth mentioning that when the actor's mood is at its peak, he will take restrained shots. His accurate understanding of characters' fate and emotions strongly supports his color simile language. Jiashan Wang fully understands the plot and the fate of the characters, helps the director tell stories with a unique visual angle, and strives for the freshness of the images, but does not emphasize the unique style and form, and seeks the balance between art and business with a very professional attitude.

Film photography doesn't have to look good. The most important thing is that you can cooperate with the plot, strengthen the tension of the plot, and make you feel very comfortable, and you won't feel any photography style inside. Let you see that the deliberate photography style has failed. "Boldly subvert the existing large-scale image paradigms and genre paradigms in the Mainland, do not emphasize personal style, and do not put the prime number and unified style of the picture in the first place. All picture elements must be highly related to the psychological and emotional clues of actors and stories.