What is Qi Baishi best at painting?

What is Qi Baishi good at painting?

Qi Baishi is good at painting flowers and birds, insects and fish, landscapes and figures.

Qi Baishi, formerly known as Chunzhi, with the courtesy name Weiqing, and the nickname Lanting, later changed his name to Huang, with the courtesy name Binsheng, and his nicknames are Baishi, Baishi Shanweng, Laoping, Hungry Sou, the owner of the borrowing mountain chanting hall, and Ji Ping The old man in the hall, a rich man with three hundred stone seals, was born in Dangshan, Suzhou, Anhui. He was born in Xiangtan, Changsha Prefecture, Hunan. He is a master of modern Chinese painting.

He worked as a carpenter in his early years, and later made a living by selling paintings. He settled in Beijing after he was fifty-seven years old. He once served as honorary professor at the Central Academy of Fine Arts and chairman of the Chinese Artists Association. In 1953, he was awarded the title of People's Artist by the Ministry of Culture and was also selected as a world cultural celebrity. In 1956, he was awarded the International Peace Prize by the World Peace Council. In 1957, he served as the honorary president of the Beijing Chinese Painting Academy. He died in Beijing Hospital in the same year.

Qi Baishi is good at painting flowers, birds, insects, fish, landscapes, and figures. His brushwork is vigorous and moist, the colors are bright and bright, the shapes are concise and vivid, and the artistic conception is honest and simple. The fish, shrimps, insects and crabs created are full of natural interest. His calligraphy skills in seal script and official script were based on those of the Qin and Han dynasties, and his calligraphy has an antique and clumsy feel. ? He is good at seal cutting and is good at writing poetry. His representative works include "The Sound of Frogs Ten Miles Out of a Mountain Spring" and "Ink Shrimp". He is the author of "Baishi Poetry" and "The Narrative of the Old Man Baishi".

Painting Characteristics

Qi Baishi was greatly influenced by Chen Shizeng in his painting art. Qi Baishi also absorbed the strengths of Wu Changshuo. Qi Baishi specializes in flowers and birds, his pen is full of energy and his ink is full of energy and sharp edge. But the painting bug is meticulous and extremely precise. Qi Baishi also praised Xu Wei, Zhu Da, Shi Tao and Jin Nong. Yougong's paintings of shrimps, crabs, cicadas, butterflies, fish, birds, and ink are dripping with color, filled with the vitality of nature.

The landscape composition is unique and remains traditional, he is full of creative spirit, his seal cutting skills are unique, and his calligraphy is outstanding, making him famous among the public. Qi Baishi's paintings are against unrealistic fantasy. Qi Baishi often pays attention to the characteristics of flowers, birds, insects and fish, and tries to figure out their spirits.

Qi Baishi once said: To portray all the insects, to show off to the birds, you must draw your own face. Qi Baishi's inscription is very humorous and clever. Qi Baishi painted two chickens fighting for a small insect, and the inscription is: "Qi Baishi calls each other in the sun." A "Cotton Picture" is titled: "When flowers bloom, the world is warm, and when flowers fall, the world is cold." "The Picture of a Tumbler" is titled "The autumn fan is shaking, both sides are white, and the official robes are all black."

What is Xu Beihong good at painting?

Xu Beihong is good at painting figures, animals, flowers and birds. Chinese paintings are made of pure colors and ink, and are especially famous for their galloping horses.

Xu Beihong is a famous Chinese traditional Chinese painter, oil painter, and famous "horse" painter. He is the founder of modern realism art in China. His unique painting style is his own. He has loved Chinese painting and art education throughout his life. , is one of the founders of modern Chinese art, a pioneer in the reform of Chinese traditional painting, and is known as the "Father of Modern Chinese Painting". He once studied in Japan and France, traveled to Western European countries, observed and studied Western art, and was the first person in China sent by the Chinese government to study art abroad.

Xu Beihong's main works:

1. "Galloping Horse"

Created in the autumn of 1941 during the Second Battle of Changsha. In this painting, Xu Beihong used rich and unrestrained ink to outline major turning parts such as the head, neck, chest, and legs, and used dry brush to sweep out the mane and tail, making the changes between light and dry colors natural. The straight lines of the horse's legs are thin and powerful, like steel knives, which penetrate the back of the paper, while the arcs of the abdomen, buttocks and tail of the mane are elastic and dynamic. Overall, the picture is larger in front and smaller in back, with a strong sense of perspective. The legs and horse's head stretched forward have a strong impact and seem to break through the picture.

2. "Horses"

Xu Beihong's Horses is one of Xu Beihong's important masterpieces of horses. The Horses are based on the local horses in Kashmir in 1940. Xu Beihong was particularly excited when he saw this horse, and the inspiration for "Horses" came to him spontaneously. Different from other works, it mainly depicts two horses with their backs to the audience, and a sideways horse behind them. In order to change the picture, a horse with its head lowered and looking for food is painted on the right.

3. "Portrait of Miss Jenny"

It is one of the most famous oil portraits by the painter Xu Beihong. It was painted at the turn of the spring and summer of 1939, when Xu Beihong was 44 years old. This work was created when Xu Beihong held a charity sale in Nanyang to support the domestic Anti-Japanese War. Miss Jenny, the woman in the painting, was originally from Guangdong and was a famous lady in Xingzhou at that time. It was a favorite story at the time. This painting received NT$40,000, which was the largest amount raised in Nanyang fundraising during this period. Xu Beihong himself was very satisfied with this work and specially asked a photographer to take photos of him and the painting, which later became "Beihong" The cover of the book "In Star Island".

4. "Jiufang Gao"

The story of Jiufang Gao is recorded in "Liezi": In his later years, Bole recommended Jiufang Gao to Qin Mu to find a thousand-mile horse. The work is a very complete and wonderful piece of excellent Chinese painting using lines as the main means of expression and depiction.

5. "Tian Heng's Five Hundred Scholars"

This painting "Tian Heng's Five Hundred Scholars" is Xu Beihong's famous masterpiece. The story comes from "Historical Records·Biography of Tian Dan". Tian Heng was an old royal family member of the Qi Kingdom at the end of the Qin Dynasty. He succeeded Tian Dan as the king of Qi. After Liu Bang wiped out the heroes, Tian Heng and his five hundred warriors fled to an island. Liu Bang heard that Tian Heng was popular among the people and was afraid of trouble in the future, so he sent an envoy to pardon Tian Heng's sins and summon him back. It is precisely because of the "high integrity" of Tian Heng and others that "wealth cannot be immoral, and power cannot be subjugated", I deliberately chose the dramatic scene of Tian Heng and the five hundred warriors to express their farewells.

6. "The Wounded Lion"

It was created in 1938. At that time, the Japanese invaders occupied most of China, the land was lost, the lives were devastated, and Xu Beihong could not bear the resentment. The wounded lion he painted looked back and looked up, with infinite meaning. He wrote on the painting: "During the national crisis, Kong and Mr. Linruo traveled to Chongqing to care about each other and wrote this to express their feelings." It expresses the author's patriotism and worries about the times. This is a painting that combines realism and romanticism. China is known as the "Sleeping Lion" of the East. Japanese imperialism occupied most of Northeast China's territory. The "Sleeping Lion" has become a wounded lion. This injured lion with glaring eyes is ready to fight and struggle in an expression that cannot bear to look back. It contains strength and strength.

7. "The Foolish Old Man Moves the Mountains"

Created in 1940. From 1939 to 1940, at the invitation of the great Indian poet Rabindranath Tagore, Xu Beihong went to India to hold an art exhibition to promote the anti-Japanese war. During this period, he created I have done many oil paintings and sketches, but the most important achievement is this Chinese painting "The Foolish Old Man Moves the Mountain". The story is based on a myth and legend in Liezi Tangwen.

The best answer is what Qi Baishi likes to draw

Qi Baishi loves to draw shrimps the most.

Qi Baishi, whose original name was Chunzhi, also had the courtesy name Weiqing and the nickname Lanting. Later he changed his name to Huang, with the courtesy name Binsheng, and his nicknames include Baishi, Baishishanweng, Laoping, Hungry old man, the owner of the borrowed mountain chanting hall, the old man in Jiping hall, and the rich man with three hundred stone seals. He is a master of modern Chinese painting and a world cultural celebrity. He is good at painting flowers and birds, insects, fish, landscapes, etc. The shape is concise and vivid, the artistic conception is honest and simple, and full of fun.

Representative works include "The Sound of Frogs Ten Miles Out of the Mountain Spring" and "Ink Shrimp". He is the author of "Baishi Poetry" and "The Narrative of the Old Man Baishi".

Painting style

The strong local flavor, the simple peasant consciousness, the innocent and romantic childlike innocence, and the rich poetic flavor are the inner life of Qi Baishi's art, and the warm and bright colors, The strong contrast between ink and color, the simple and naive shapes and brushwork, the extreme synthesis of craftsmanship and calligraphy, and the composition of ordinary and strange things, as Qi Baishi's unique artistic language and visual shape, are relatively speaking the external life of Qi Baishi's art. Realistic emotions require corresponding forms, and this form in turn strengthens the expression of emotions. The two require each other, originate from each other, and are interdependent. Together, they constitute Qi Baishi's artistic life, that is, the overall style of Qi Baishi's art.

Painting shrimp

Qi Baishi’s painting of shrimp is a masterpiece in the painting world. Shrimp has become one of Qi Baishi's representative artistic symbols. With just a few strokes, lively, sensitive, alert and vital shrimps may jump on the paper.

Qi Baishi's painting style

Qi Baishi advocated that the beauty of art lies between similarity and dissimilarity. He followed the painting masters Xu Wei, Zhu Da, Shi Tao, Wu Changshuo, etc. to form a unique The freehand Chinese painting style, with red flowers and ink leaves, is particularly famous for its paintings of fruits, vegetables, flowers, birds, insects and fish, as well as figures and landscapes. It was famous for a while and shared the reputation of "Southern Wu and Northern Qi" together with Wu Changshuo. His paintings, with their simple folk art style and traditional literati painting style, reached the highest peak of modern Chinese flower and bird painting.

After Qi Baishi turned 80, his skill in painting shrimps was quite exquisite and breathtaking.

Qi Baishi was greatly influenced by Chen Shizeng in the art of painting. He also absorbed the strengths of Wu Changshuo.

He specializes in painting birds, with full strokes and strong energy; but he is meticulous and extremely fine in painting insects; he also admires Xu Wei, Zhu Da, Shi Tao, Jin Nong, especially shrimps, crabs, and cicadas. , butterflies, fish, birds, dripping ink and wash, filled with the vitality of nature; the landscape composition is strange and unconventional, full of creative spirit; the seal carving is unique in hand and eye; the calligraphy is outstanding and has become famous.

Qi Baishi's paintings are against unrealistic fantasy. He often pays attention to the characteristics of flowers, birds, insects, and fish, and tries to figure out their spirits. He once said: To portray all the insects, to show off to all the birds, you must draw your own face. His title sentence is very witty and clever. He painted two chicks fighting for a small insect, and the title is: "The other day calls each other." A "Cotton Picture" is titled: "When flowers bloom, the world is warm, and when flowers fall, the world is cold."

What really makes Qi Baishi famous in history is his painting style after the political reform, that is, his painting style in his later years. The biggest feature of his painting style in his later years is that it meets the aesthetic needs of ordinary people, which is also the trend of the times. Demand, because the era has reached the modern society that advocates freedom and democracy, equality and freedom of social status, so that ordinary people have become the audience of art. Qi Baishi is a great artist who has followed this artistic trend. First of all: he expanded the subject matter of painting, which is his greatest artistic contribution. His freehand flowers and birds draw a wide range of materials, including melons, fruits, vegetables, vegetables, flowers, birds, insects, fish, as long as they are flying in the sky and running on the ground. It can be said that it is an unprecedented artistic initiative. For those painters in ancient times who only used pine, plum, orchid and bamboo as their materials, Qi Baishi obviously has a more life-like and painting style. Enthusiastic, positive, and upward, it can be said that it is entirely an art that belongs to the people.

Secondly: Qi Baishi added red among the painting colors! The application of red in Chinese painting is an earth-shattering initiative! Because the ancients, especially the literati, respected black. Black represents nobility and elegance and is the basic element of literati painting. Ink is used in five colors. The density of ink is the color element of painting. Literary painting can be said to be ink painting! Literati are opposed to the use of color, and they are especially opposed to the use of red, because red is a color favored by the common people. It is festive, but tacky and unpopular.

Qi Baishi cleverly combines black and red. The use of red represents the aesthetic requirements of ordinary people, and the use of red represents the understanding and inheritance of tradition.