Traditional Culture Encyclopedia - Photography and portraiture - Ps into Illustration-How does PS turn photos into illustrations?
Ps into Illustration-How does PS turn photos into illustrations?
1, preliminary preparation
Prepare photos to be processed (higher resolution) and animated sky materials. The original image used here is:
Note: This course is only suitable for dealing with landscapes, not people. Moreover, the treatment of scenery is not suitable for dynamic objects such as vehicles and running water, so it is actually quite picking photos.
2. Oil painting filter
Now I think the "dry brush" filter in the original tutorial is useless, so I only used the "oil painting" filter. The oil painting filter is located in the filter menu, and PhotoshopCC20 14 may not have this filter.
The six parameters currently used are 0. 1, 5, 10, 0, 0 and 0. You can use the values of these parameters as a reference first, and then master them yourself after doing more. If the filter effect is not strong after use, you can double it by Ctrl+F(Mac is _F).
3.CameraRaw filter
Although the "oil painting" filter is very important, you may not notice any obvious changes at this moment. Don't worry, you will see the effect after using the "CameraRaw" filter. This filter is located in the Filters menu of PhotoshopCC.
As shown in the figure, exposure+1 minimizes contrast and maximizes shadow, black, clarity and natural saturation.
4. Stealing the day
Dig out the blue sky, and then replace it with the animation-style sky material prepared in advance (continue to be lazy to use Makoto Shinkai's cloud). There are many methods of matting, so I won't go into details here. If the sky in your original film is pure blue or pure gray (that is, there is no cloud), it only takes 10 second at most to use the wand tool.
After changing the material of the sky, remember to adjust the exposure of the sky with "curve" or other tools to make it coordinate with the foreground. In fact, at this point, a good work has been completed for most people.
5. Final repair
The contrast between comics and movies is lower than that of photos, so I often add an "adjustment" layer in the final repair to reduce the contrast.
In addition, you can also observe the use of blue-purple (dark part), warm yellow (bright part) and other colors in Makoto Shinkai's works, deal with your works with the method of "color balance", and then add a little warm yellow light spot to the bright part. Subsequent adjustments can be made according to the actual situation, such as the adjustment of lens halo and light and shadow, as shown in the following figure:
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