Traditional Culture Encyclopedia - Photography and portraiture - What kind of movie is "The Secret Agent"?
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The picture above looks a bit like Ceng Xiaoxian! Ha ha!
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The background of The Secret Agent is the Korean capital and Shanghai dur
What kind of movie is "The Secret Agent"?
?
The picture above looks a bit like Ceng Xiaoxian! Ha ha!
?
The background of The Secret Agent is the Korean capital and Shanghai dur
?
The picture above looks a bit like Ceng Xiaoxian! Ha ha!
?
The background of The Secret Agent is the Korean capital and Shanghai during the Japanese occupation. In the 1920s, there was an endless game of wisdom and courage between the captain of the North Korean Yilie team who transported bombs to Beijing and the North Korean Li Zhengchu who prevented him from moving. On the surface, South Korean Li Zhengchu who works for the Japanese is a marginal figure who can't really be accepted in Japan and North Korea. His dual identity also makes this role full of uncertainty in both good and evil.
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In fact, this "spy" discusses the patriotic enthusiasm of the people and their determination to pursue national independence. The wave after wave of sacrifices made by Yilie League members and the transformation of Song Kanghao, which took refuge in the Japanese and became a vested interest, are all aimed at setting off this theme. Therefore, although the action scene of catching Jin Changyu at the beginning is wonderful, and the confrontation on the train is also dramatic, the director may not be dramatic enough to maintain the authenticity, but the film is out of place. If the warriors die one after another, but they can't see any value, then even if the movie is rendered sadly, the audience will not buy it. If the ranks of warriors are deified and the characters are shaped into wise gods or fighting gods, the over-commercialized design may hurt such a solemn theme. Finally, we compromised. In order to influence the world, the members of the militia sacrificed one after another. The affected Song Kanghao used the explosives left by Kong You to lock the devils in a nest, which helped the audience to calm the tone. But the audience's anger was steady, and the logical destruction of the plot came again.
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In fact, to tell the truth, except for the differences in technical details such as photography and scenery, this Korean theme film is actually similar to our own theme film. Once imagination and creativity are suppressed, South Korea's level is actually the same as ours.
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