What is the central point of Kiyooka Takuyuki's Venus de Milo?

The central argument of Kiyooka Takuyuki's Venus de Milo is that "in order to be beautiful and charming, you must lose your arms".

Venus is the goddess of beauty and love in ancient Roman mythology (called Aphrodite in ancient Greek mythology). In BC, a sculptor personified her and carved her into a stone statue.

Many people in the case were decided by Venus, and Venus de Milo is the highest so far, which is a model of cultivating honorary nudity in the history of sculpture. It strongly shows the eternal face of the bay and the aesthetic rationality of the team going to the countryside.

Kiyooka Takuyuki is a contemporary Japanese poet and novelist. 1922 was born in Dalian, China, and graduated from the University of Tokyo. He has published poems and comments in Today, Crocodile and Modern Review. Representative works include: Flame of Ivylinna Lee (1959) and Everyday (1962).

Reflect the critical spirit through self-concealment of banter; There are also poems Sketch of Four Seasons (1965), One Man's Love, Comments, Mirrors Found in Ruins (1960), Changes of Life (1960) and monograph Changes of Hands (/).

Venus of Milos (also known as Aphrodite of Milos and Venus with Broken Arms) is a marble sculpture created by alexandros, an ancient Greek sculptor, around 150 BC, which is now in the Louvre Museum.

The statue shows Venus, the goddess of love. She has a dignified and beautiful figure, plump skin, beautiful oval face, straight Greek nose, flat forehead and plump chin, and a calm face, revealing the ideological tradition inherited from the heyday of Greek sculpture art.

Her slightly twisted posture makes her semi-naked body form have a very harmonious and beautiful spiral posture, full of musical rhythm and artistic charm.