Why do film and television dramas now like to find a sweet girl to play the first girl?

This year's summer TV series can be said to be a calm start, but as soon as it's over, it's surging, and the two families are at odds.

Gallants, two sweet girls in the entertainment circle, had Zhao Ruth and Leo's "Splendid Stars" before. Although Zhao Lusi's split hairstyle was once vomited at the beginning of the broadcast, "Lu Wu Can Escape" still made countless viewers have toothache; Later, with the counterattack of "freesia tactics", Dylan was ashamed of "Imperial Dragon" and Esther Yu became a lovely daughter of the whole people.

It is said that fashion is a reincarnation, and the taste of the audience seems to be universal. Sweet girl once again became the hottest topic of domestic drama in 2022. Although the popularity of the third generation sweet girls Zhao Lusi and Esther Yu has increased, there are also many questions about their face value and acting skills. Today, we will review the following three generations of sweet girls to see if they are time filters or aesthetic degradation.

The first generation of sweet girls actually dates back to Hong Kong. Li Qihong is one of the representatives of sweet girls who stand out among Hong Kong sisters. Although she was 24 years old when she participated in Hong Kong Sister's draft, her baby's fat has not subsided, her small round face is full of collagen, her eyes are bright and her teeth are white, and her smile is very infectious, which not only makes her the third runner-up of Hong Kong Sister, but also makes her "debut is the peak" and become a sweetheart in the hearts of the audience.

The representative roles of Li Qihong are mostly sweet girls, among which Guo Xiang in The Condor Heroes and Pepper in Two Proud Beauty are the most classic. Her Guo Xiang is recognized as the best version, with both aura and evil spirits. Pepper is even more unruly and lovely.

Unfortunately, although Li Qihong was sweet to the audience, she suffered for the rest of her life. The depression inherited from her family has been tormenting her, with ups and downs along the way. Now she's one of the Hong Kong sisters who didn't do well.

Another regret is that He Meitian has been a female companion in many plays. Although he developed in TVB, He Meitian is a native of Guangzhou.

In all fairness, her face can be said to be the most exquisite baby face. If Li Qihong's bones are relatively flat and her aura is supported by skin reading, He Meitian was born to eat Colette's bowl of rice. She and Wallace Chung's 3 1 year-old "Xia Gu Erdan Heart" can prove this, and the sweet shelf life is quite long.

Unfortunately, most of the sweet girls in the early martial arts dramas were female characters. In the legendary swordsman, after He Meitian played the young Elin, sweetness seemed to be her only label. After that, Zhong Ling in "Dragon Eight Branches" brought the innocence of girls to the extreme, and no one can surpass it so far. The audience is used to He Meitian's sweetness, but they can't accept her playing some unhappy women that were popular that year.

Besides, Yang Ruoxi is also the representative of some sweet girls in the Mainland. Her debut is Zhang Guoli and Deng Jie's Kangxi Comes, in which she plays a little maid, Zhui Er, who is recognized by Zhang Guoli for her beautiful and dexterous appearance.

In "Three Years' Private Visit to Kangxi", she also played the heroine of the unit drama, one played Tie Zhuer and Tie Linger, one was gentle and quiet, and the other was lively and handsome.

Personally, I think the most classic role of Yang Ruoxi is He Xiangu in Motome who laughs at the Eight Immortals. She is beautiful and refined, and has her own sweetness. When she doesn't laugh, her temperament is more like Sun Li's and she has her own book. But smiling is as sweet as finishing touch. Unfortunately, Yang Ruoxi retired early because he met some unfortunate people, and now he is not the young man he used to be.