What lens should I use to shoot people?

What lens should I use to shoot people?

It depends on what you shoot. If the pure excellent figure is 50/ 1.8, it is not inferior to 50/ 1.4.85/ 1.8. If you want to go this way, I recommend Xiao Sanyuan 17-40. APS has a wide angle and can shoot people. This is a good suspension head.

What lens is suitable for portrait shooting?

Friends who are new to portrait photography often feel confused when faced with many "long guns and short guns": "Which lens is most suitable for portrait photography?" Generally speaking, a lens with a focal length of 16mm to 200mm can be used to shoot environmental portraits. The key is what kind of visual effect you want to create. In order to let us have an intuitive understanding of the focal length of the lens, let's do a simple experiment: let the model stand about ten meters in front of the forest, and shoot the portraits in the picture with focal lengths of 16mm, 85mm and 200mm, respectively, with super wide angle, medium focus, telephoto and aperture opening F/2.8. We will find that the figure of 16mm is seriously deformed, the trees behind it are photographed the most, the forest has a feeling of being "pushed away", and the ambiguity of leaves is weak; At 85mm, the perspective relationship between the figure and the forest behind is close to what the naked eye can see, and the leaves are obviously blurred; The trees photographed at 200mm are the least, and the distance between the figure and the trees behind him is narrowed, which has a "sense of compression" and the blur is further increased. From this, we can draw a rule: wide-angle lens: it has a large angle of view, can shoot a larger scene, objects are near, far and small, the distance between vertical objects is pushed away, and the ability to blur the background is weak. Medium focus lens: natural perspective, similar to what the human eye can see, and its blur ability is obviously stronger than that of wide-angle lens. Telephoto lens: The minimum viewing angle can magnify distant objects, and the distance between vertical objects is "magnified", which has the strongest ability to blur the background. If we master this rule, we can use it flexibly in actual shooting and shoot pictures with different visual effects, thus highlighting the theme of the work. Wide-angle lens: use its wide viewing angle to show the big scene and shoot the atmospheric picture. In order to avoid large deformation, when shooting a portrait with a super wide-angle lens, it is necessary to avoid putting the character too close to the edge. Using the focal length of 16mm, the head and hands of the character are not obviously deformed because they are close to the center of the picture. Using the principle of perspective deformation, the subject can be deformed appropriately, highlighting the key points and strengthening the theme. Shooting with a 24mm lens, because the lens is very close to the model's hand, the hand and pigeon become exaggerated and have a visual impact of rushing out of the picture. In a vast scene, people and scenery are clearly displayed by using the weak fuzzy ability of the super wide-angle lens. When shooting with a focal length of 28mm, the details of people and scenery can be taken into account. Medium-focus lens: When shooting people with medium-focus lens, it is easy to appear "dull" because of its natural perspective and large viewing angle. Therefore, it is best to choose some distinctive scene elements to see the whole leopard and explain the environment. Although the 85mm lens can't capture more scene elements like the wide-angle lens, it clearly interprets the environment with dots and rattan leaves. The 85mm lens is usually called the "portrait lens", and manufacturers usually design a big circle for it, which can get an unreal Jiao Wai effect, especially useful when shooting female portraits. Telephoto lens: When the background or foreground is far away from the person and you want to emphasize the relationship between them, you can "compress" them together with a long focal length. Using 200mm focal length and 2x zoom lens, the snowy mountain opposite Sailimu Lake is greatly reduced, the picture becomes clean and the theme is more prominent. The foreground is only half as deep as the depth of field behind. When shooting with a focal length of 200mm, the plant blur in front of the model is particularly serious. The telephoto lens has a small viewing angle, so the photographer can cut the object according to his own needs to form a "compact" picture effect and directly highlight the subject.

What kind of lens should Canon photographers choose?

Hello!

1、

Canon ef 85/1.2l Ⅱ USM medium focus lens.

Reference price: 15800 yuan

This is the absolute portrait king in the Canon lens group. With excellent painting quality, subject sharpness and background blur tend to be perfect, and Quan Huafu's 1Ds Mark III is the best choice for portrait shooting.

2、

Known as "Canon's most cost-effective portrait head"-Canon EF 85/ 1.8 USM lens.

EF 85/f 1.8 focuses quickly, Jiao Wai is soft, the focus is sharp, and the style is a bit hard. It is equivalent to the focal length of 136 on the APS-C fuselage, which is very suitable for taking portraits. The color is much lighter than the L prefix, which is closer to the real environment. Even many professional photographers can't put it down. This is a shot worth having. You'll know when you use it.

Reference price: 2600 yuan

3. (It is recommended to use half a machine)

Canon EF 50mm f/ 1.4 USM lens.

Reference price: 2750 yuan

Canon 50mm F 1.4 is a large aperture fixed-focus lens. The lens is driven by micro USM ultrasonic motor, which can realize smooth focusing operation. In addition, it is equipped with a full-time manual focusing function, which can easily correct the focus position during autofocus.

What kind of lens do people use?

Whenever a new friend who is just getting started asks this question, many so-called professionals recommend 85MM/ 1.4, 105MM/2, 135MM/2 and so on. As soon as they speak.

It is said that the imaging is sharp, the background is blurred, and zooming is repulsive. It is said that photographers should not take pictures for fear of trouble.

Is that really the case? I don't recommend shooting people with a fixed-focus lens above 85, because on digital machines, 85 is equivalent to the focal length of127 ~136 mm. If it is longer, for example, 135MM, you have to step back ten or twenty meters to shoot the whole body, which is really inconvenient to communicate with the person being photographed.

I think beginners have a vague concept of focal length. First, use a standard zoom lens with a focal length of 28-85mm (in fact, the most common focal length I shoot is between 24-70mm, which makes the composition more convenient and flexible. Perhaps this statement is quite different from the focal length of 85- 135MM which is widely rumored in China. It's not too late to buy a fixed-focus lens with a specific focal length after you are familiar with these focal lengths.

Some people say that the quality of fixed-focus imaging is good, which I don't deny, but how big can the difference be? Can you see the obvious difference without zooming in to 18 inch? If it is not professional commercial photography, general personal hobbies, or studio portraits will not care too much about the loss of zoom lens quality. Moreover, it is worthwhile to sacrifice a little image quality for the flexibility of composition and save the trouble of changing the lens.

Others say that using a fixed-focus lens can make people calm down and devote themselves to photography, zooming and composition. Zoom lens will make people impetuous, and only zooming will keep still and composition will be more rigid.

I think this statement is very incorrect. If an impetuous person uses fixed focus, he can't calm down and always wants to change the lens. A day's time is wasted on changing lenses, which will also damage the machine and the CCD will go up in smoke. If a cool-headed person uses a zoom lens, he will also walk back and forth to take pictures, and he can freely choose different focal lengths according to each scene without always thinking about changing the lens.

Therefore, professionals should stop recommending novella focus to newcomers. This may just be your personal preference. Don't mislead new people, let others feel that filming people must focus on these.

What lens is used for portrait photography?

There are no hard and fast rules for portrait photography, so we should pay attention to feeling and shoot freely. However, it is very skillful to take horizontal portrait photos. Shooting and painting also pay attention to perspective. What's the difference between a short focal length (wide angle) lens and a long focal length (telephoto) lens? The most obvious difference is that if the model occupies the same area of the picture, the wide-angle lens needs to be closer to the model, while the telephoto lens needs to be farther away from the model. The closer to the model, the stronger the sense of perspective confusion. In other words, a wide-angle lens can show a strong sense of perspective, while a telephoto lens shows a low sense of perspective. What is perspective? This is a way to express three-dimensional space by plane. As we all know, objects that are near will look bigger, and objects that are far away will look smaller. Therefore, people will intuitively think that larger objects are close to them and smaller objects are far away from them. When painting, painters will use this technique to draw smaller scenes on the background, and people will know that those scenes are far away from them. When shooting with wide-angle and long-focal ratio, you can change the distance between yourself and the model by using lenses with different focal lengths, so as to change the perspective between the model and the background. The distance between the foreground and the background of a photo taken with a wide-angle lens is exaggerated, and there will be obvious distortion around the photo. For example, if you take a bust with a wide-angle lens (such as 28mm or 35mm), you need to stand closer to the model. At this time, the model occupies a large area of the picture, and the background objects slightly farther away will be small, with a strong sense of perspective, and the distance between the far and near scenes is more exaggerated than what can be seen by the naked eye. In the photos taken with telephoto lens, there is not much difference in the size of near and far objects. It seems to have narrowed the distance between them, and the perspective of the photo is the smallest. For example, if you shoot the same bust with a telephoto lens (for example, 105mm to 300mm), you need to stand away from the model. From the photo, because the background scene is not obviously "reduced", it seems that the background is brought closer to the model. Assuming that the model occupies the same photo area, the wider the focal length, the farther away the model will be from the background. The longer the focal length, the closer the model is to the background. Wide angle is not suitable for close-up portraits. What lens should I use? First, consider whether more background is needed. If the whole environment is very distinctive at that time, consider using a wide-angle focal length, so that you can shoot models and more backgrounds at the same time. If you use a lower shooting angle at the same time, it will show a better sense of perspective and a greater visual impact than a horizontal shooting angle. If the model's hands and feet are placed closer to the camera, these parts will appear more slender because of perspective. But the usual practice is to "lengthen" the model's legs with a wide-angle lens, and the shooting method of "lengthening" the hands needs to be combined with bold creativity. It should be noted that novices should not take close-ups of the model's face with a wide-angle lens, because shooting too close to the model will form a "strong perspective" on the face, and the distance between the five senses will be pulled apart, and the face will become wider and wider, sometimes it will be scary. On the other hand, when shooting with a wide-angle lens, try to avoid shooting at a higher angle than the model and avoid taking pictures with big heads and small bodies. When shooting at a low angle, you should also pay attention to the height of the model's head to avoid hypertrophy of the chin and neck. The telephoto helps to simplify the background. If the shooting environment is messy, or you just want to focus on some special scenery, you can choose a longer focal length. At this time, there will be only a few objects left in the background, and unnecessary background scenes, such as light bulbs and pedestrians, can be avoided by changing the angle slightly. It is very good to take a close-up of the bust or face with a long focal length, because the model's facial features will look normal and the background will be simple, which is more suitable for novices. If the equivalent focal length of everyone's lens exceeds 300mm, it can create a shallow depth of field effect, blur the background into an abstract pattern, and better highlight the beauty of the model. (This information is for sharing only, and does not rule out the possibility that it is not applicable to you. In addition, if such information infringes your rights, please let us know and we will delete it in time. )

What kind of SLR camera and lens is good for portrait shooting?

What is your approximate budget? Not easy to be eliminated is not a problem for SLR. As long as the mainstream picture data format remains unchanged, the SLR on the market will not be out of date as long as you can use it. Although the technology of SLR is updated quickly, the parameters such as pixel, focus, ISO and shutter speed are basically improving. As long as the machine in your hand can meet your needs, you can always use it (Nikon D90, the old machine in 2008, still used by many people, and it works well). As for taking portraits, the fuselage is not important, but the lens is important. The focal length of a portrait with a large aperture (the focal length of a portrait is about 85mm to 105mm, with minimum distortion, while a large aperture can blur the background well) should be converted into focal length. Take Canon 700D as an example, it is a half-frame machine, and the focal length conversion coefficient of Canon is 1.6. Then a 50mm F 1.8 lens is very suitable for portrait shooting (50 mm MX 1.6 = 80 mm, with a large aperture of F 1.8), and the telephoto lens can also be a guest portrait lens, because the background blur of the telephoto lens is also very beautiful, like Canon 70-200 F2.8 Xiaobai.

Which lens is the best for portrait shooting?

If it is Quan Huafu's camera penalty, you can consider 85/ 1.4, which is a good portrait.

I prefer to use 135/2.0 and 180/2.8 to take portraits, and the background blur effect is good. Personally, I think that the farther a photographer is from the subject, the less influence he has on the subject, the more natural his expression, and the easier it is to make a good film.

Which lens is better for portrait photography?

I recommend an avatar that you won't regret. People will definitely blur the background, so for a large aperture and a budget of 3500, I still recommend 50 1.4 as the positive solution. Other 17-40 16-35 is too expensive. Q: Which model is the best? And I'm a Canon camera, so I can't use Nikon's head. I have a 55-degree mirror. I need a horizon mirror to take good photos. Answer: canon EF 50mm f/ 1.4 USM price 3000 Tianya lens can only be said to be convenient for taking pictures and traveling. You will find it boring to take a few portraits. The aperture is too small and the background is blurred, so it is difficult to find the feeling of surprise. In addition, it is difficult to control the phase quality of a lens with a zoom factor greater than 3 times. Because of your budget, I chose this lens, because I have used it, and it is very good. In fact, many Japanese photographers like to take portraits with zoom lenses, but these are telephoto lenses, such as Nikon's bamboo cannon 70-200VR, Canon's Guo Xuwei 70-200/4, Guo Xuwei 70-200/4 is, Xiaobai 70-200/2.8 IS, etc., but the cheapest one in Guo Xuwei is about 5,000. Many people deserve it. Like a large aperture of 24-70+70-200+50, or add 100 micron, so I suggest you either go to 50 1.4, or wait to go directly to Guo Xuwei Canon EF 70-200MM F4 L USM (Guo Xuwei) and ask: The focus is fixed, and the composition basically depends on running. I'm a girl, and I'm tired of shooting on location. If it is a smaller studio, it is impossible to open the distance with a telephoto. As you know, the national conditions are not good now, and they are all low-skeleton houses. . . Where I am, there are beams on the ceiling, which are frame structures. When I cry, I always cry. Japan's technology is ok, and there are no masters. The magazine Portrait Photography said that an old Japanese man and Leica took a picture of Xi 'an together, which seemed ok. But it was a time of black and white. You know that the minimum price of Xiaobai is 5000, and the second-hand price can't be as low as 3500. What do you want me to regret? . . After working so hard, I still ask my sister for money to buy equipment. I will marry whoever buys me a red circle.

What lens is good for Canon 600d portrait shooting?

Must be 50 1.8! Three advantages

1.50 has a short focal length, so it can be close-up, 70-300 away, and you just pat others on the back of the head.

2. The large aperture of1.8 can blur the background, and it is not easy to blur under the condition of insufficient indoor light. 70-300 and 24- 105, can you get a clear picture? Even with a flash, it can't flash that far.

The price of 3.50 1.8 is 700 yuan, which is really great value. Those two are at least 3000, and 24- 105 is more than 5000.

The only drawback is that you can't zoom. What happened? You can approach the model in two steps.